Лучшие романы Томаса Майна Рида / The Best of Thomas Mayne Reid. Майн Рид

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type="note">[12] build, each hauled by eight able-bodied mules; their miscellaneous contents: plenteous provisions, articles of costly furniture, even of luxe, live stock in the shape of coloured women and children; the groups of black and yellow bondsmen, walking alongside, or straggling foot-sore in the rear; the light travelling carriage in the lead, drawn by a span of sleek-coated Kentucky[13] mules, and driven by a black Jehu[14], sweltering in a suit of livery; all bespeak, not a poor Northern-States settler in search of a new home, but a rich Southerner who has already purchased one, and is on his way to take possession of it.

      And this is the exact story of the train. It is the property of a planter who has landed at Indianola[15], on the Gulf of Matagorda[16]; and is now travelling overland – en route[17] for his destination.

      In the cortège[18] that accompanies it, riding habitually at its head, is the planter himself – Woodley Poindexter – a tall thin man of fifty, with a slightly sallowish complexion, and aspect proudly severe. He is simply though not inexpensively clad: in a loosely fitting frock of alpaca cloth, a waistcoat of black satin, and trousers of nankin[19]. A shirt of finest linen shows its plaits through the opening of his vest – its collar embraced by a piece of black ribbon; while the shoe, resting in his stirrup, is of finest tanned leather. His features are shaded by a broad-brimmed Leghorn hat[20].

      Two horsemen are riding alongside – one on his right, the other on the left – a stripling scarce twenty, and a young man six or seven years older. The former is his son – a youth, whose open cheerful countenance contrasts, not only with the severe aspect of his father, but with the somewhat sinister features on the other side, and which belong to his cousin.

      The youth is dressed in a French blouse of sky-coloured “cottonade,” with trousers of the same material; a most appropriate costume for a southern climate, and which, with the Panama hat[21] upon his head, is equally becoming.

      The cousin, an ex-officer of volunteers, affects a military undress of dark blue cloth, with a forage cap to correspond.

      There is another horseman riding near, who, only on account of having a white skin – not white for all that – is entitled to description. His coarser features, and cheaper habiliments; the keel-coloured “cowhide” clutched in his right hand, and flirted with such evident skill, proclaim him the overseer – and whipper up – of the swarthy pedestrians composing the entourage[22] of the train.

      The travelling carriage, which is a “carriole[23]” – a sort of cross between a Jersey waggon[24] and a barouche[25] – has two occupants. One is a young lady of the whitest skin; the other a girl of the blackest. The former is the daughter of Woodley Poindexter – his only daughter. She of the sable complexion is the young lady’s handmaid.

      The emigrating party is from the “coast” of the Mississippi[26] – from Louisiana[27]. The planter is not himself a native of this State – in other words a Creole[28]; but the type is exhibited in the countenance of his son – still more in that fair face, seen occasionally through the curtains of the carriole, and whose delicate features declare descent from one of those endorsed damsels – filles à la casette – who, more than a hundred years ago, came across the Atlantic provided with proofs of their virtue – in the casket!

      A grand sugar planter of the South is Woodley Poindexter; one of the highest and haughtiest of his class; one of the most profuse in aristocratic hospitalities: hence the necessity of forsaking his Mississippian home, and transferring himself and his “penates[29],” – with only a remnant of his “niggers,” – to the wilds of south-western Texas.

      The sun is upon the meridian line, and almost in the zenith. The travellers tread upon their own shadows. Enervated by the excessive heat, the white horsemen sit silently in their saddles. Even the dusky pedestrians, less sensible to its influence, have ceased their garrulous “gumbo;” and, in straggling groups, shamble listlessly along in the rear of the waggons.

      The silence – solemn as that of a funereal procession – is interrupted only at intervals by the pistol-like crack of a whip, or the loud “wo-ha,” delivered in deep baritone from the thick lips of some sable teamster.

      Slowly the train moves on, as if groping its way. There is no regular road. The route is indicated by the wheel-marks of some vehicles that have passed before – barely conspicuous, by having crushed the culms of the shot grass.

      Notwithstanding the slow progress, the teams are doing their best. The planter believes himself within less than twenty miles of the end of his journey. He hopes to reach it before night: hence the march continued through the mid-day heat.

      Unexpectedly the drivers are directed to pull up, by a sign from the overseer; who has been riding a hundred yards in the advance, and who is seen to make a sudden stop – as if some obstruction had presented itself.

      He comes trotting back towards the train. His gestures tell of something amiss. What is it?

      There has been much talk about Indians – of a probability of their being encountered in this quarter.

      Can it be the red-skinned marauders? Scarcely: the gestures of the overseer do not betray actual alarm.

      “What is it, Mr Sansom?”

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