Middlemarch. George Eliot

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Middlemarch - George Eliot

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rel="nofollow" href="#u19ff99d1-6da1-5c9d-acc9-aadb0b586a37">Chapter XLI.

       Chapter XLII.

       Book V.

       Chapter XLIII.

       Chapter XLIV.

       Chapter XLV.

       Chapter XLVI.

       Chapter XLVII.

       Chapter XLVIII.

       Chapter XLIX.

       Chapter L.

       Chapter LI.

       Chapter LII.

       Chapter LIII.

       Book VI.

       Chapter LIV.

       Chapter LV.

       Chapter LVI.

       Chapter LVII.

       Chapter LVIII.

       Chapter LIX.

       Chapter LX.

       Chapter LXI.

       Chapter LXII.

       Book VII.

       Chapter LXIII.

       Chapter LXIV.

       Chapter LXV.

       Chapter LXVI.

       Chapter LXVII.

       Chapter LXVIII.

       Chapter LXIX.

       Chapter LXX.

       Chapter LXXI.

       Book VIII.

       Chapter LXXII.

       Chapter LXXIII.

       Chapter LXXIV.

       Chapter LXXV.

       Chapter LXXVI.

       Chapter LXXVII.

       Chapter LXXVIII.

       Chapter LXXIX.

       Chapter LXXX.

       Chapter LXXXI.

       Chapter LXXXII.

       Chapter LXXXIII.

       Chapter LXXXIV.

       Chapter LIXXV.

       Chapter LXXXVI.

       Finale.

      Biographical Introduction

      GEORGE ELIOT

      Described by Harold Bloom as “the beginning of the end of the traditional novel of social morality” (xii), George Eliot’s Middlemarch is nonetheless replete with a kind of authorial intervention that modern readers might find tiresome. Readers today are accustomed to the contemporary fictional maxim of “show, don’t tell” but Eliot had different aesthetic ideas, for she always tells us right away who we are dealing with. At the beginning

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