Middlemarch. George Eliot

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Middlemarch - George Eliot

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dark, square, and massive against the starlight. It was the oldest church in Middlemarch; the living, however, was but a vicarage worth barely four hundred a-year. Lydgate had heard that, and he wondered now whether Mr. Farebrother cared about the money he won at cards; thinking, “He seems a very pleasant fellow, but Bulstrode may have his good reasons.” Many things would be easier to Lydgate if it should turn out that Mr. Bulstrode was generally justifiable. “What is his religious doctrine to me, if he carries some good notions along with it? One must use such brains as are to be found.”

      These were actually Lydgate’s first meditations as he walked away from Mr. Vincy’s, and on this ground I fear that many ladies will consider him hardly worthy of their attention. He thought of Rosamond and her music only in the second place; and though, when her turn came, he dwelt on the image of her for the rest of his walk, he felt no agitation, and had no sense that any new current had set into his life. He could not marry yet; he wished not to marry for several years; and therefore he was not ready to entertain the notion of being in love with a girl whom he happened to admire. He did admire Rosamond exceedingly; but that madness which had once beset him about Laure was not, he thought, likely to recur in relation to any other woman. Certainly, if falling in love had been at all in question, it would have been quite safe with a creature like this Miss Vincy, who had just the kind of intelligence one would desire in a woman—polished, refined, docile, lending itself to finish in all the delicacies of life, and enshrined in a body which expressed this with a force of demonstration that excluded the need for other evidence. Lydgate felt sure that if ever he married, his wife would have that feminine radiance, that distinctive womanhood which must be classed with flowers and music, that sort of beauty which by its very nature was virtuous, being moulded only for pure and delicate joys.

      But since he did not mean to marry for the next five years—his more pressing business was to look into Louis’ new book on Fever, which he was specially interested in, because he had known Louis in Paris, and had followed many anatomical demonstrations in order to ascertain the specific differences of typhus and typhoid. He went home and read far into the smallest hour, bringing a much more testing vision of details and relations into this pathological study than he had ever thought it necessary to apply to the complexities of love and marriage, these being subjects on which he felt himself amply informed by literature, and that traditional wisdom which is handed down in the genial conversation of men. Whereas Fever had obscure conditions, and gave him that delightful labor of the imagination which is not mere arbitrariness, but the exercise of disciplined power—combining and constructing with the clearest eye for probabilities and the fullest obedience to knowledge; and then, in yet more energetic alliance with impartial Nature, standing aloof to invent tests by which to try its own work.

      Many men have been praised as vividly imaginative on the strength of their profuseness in indifferent drawing or cheap narration:—reports of very poor talk going on in distant orbs; or portraits of Lucifer coming down on his bad errands as a large ugly man with bat’s wings and spurts of phosphorescence; or exaggerations of wantonness that seem to reflect life in a diseased dream. But these kinds of inspiration Lydgate regarded as rather vulgar and vinous compared with the imagination that reveals subtle actions inaccessible by any sort of lens, but tracked in that outer darkness through long pathways of necessary sequence by the inward light which is the last refinement of Energy, capable of bathing even the ethereal atoms in its ideally illuminated space. He for his part had tossed away all cheap inventions where ignorance finds itself able and at ease: he was enamoured of that arduous invention which is the very eye of research, provisionally framing its object and correcting it to more and more exactness of relation; he wanted to pierce the obscurity of those minute processes which prepare human misery and joy, those invisible thoroughfares which are the first lurking-places of anguish, mania, and crime, that delicate poise and transition which determine the growth of happy or unhappy consciousness.

      As he threw down his book, stretched his legs towards the embers in the grate, and clasped his hands at the back of his head, in that agreeable afterglow of excitement when thought lapses from examination of a specific object into a suffusive sense of its connections with all the rest of our existence—seems, as it were, to throw itself on its back after vigorous swimming and float with the repose of unexhausted strength—Lydgate felt a triumphant delight in his studies, and something like pity for those less lucky men who were not of his profession.

      “If I had not taken that turn when I was a lad,” he thought, “I might have got into some stupid draught-horse work or other, and lived always in blinkers. I should never have been happy in any profession that did not call forth the highest intellectual strain, and yet keep me in good warm contact with my neighbors. There is nothing like the medical profession for that: one can have the exclusive scientific life that touches the distance and befriend the old fogies in the parish too. It is rather harder for a clergyman: Farebrother seems to be an anomaly.”

      This last thought brought back the Vincys and all the pictures of the evening. They floated in his mind agreeably enough, and as he took up his bed-candle his lips were curled with that incipient smile which is apt to accompany agreeable recollections. He was an ardent fellow, but at present his ardor was absorbed in love of his work and in the ambition of making his life recognized as a factor in the better life of mankind—like other heroes of science who had nothing but an obscure country practice to begin with.

      Poor Lydgate! or shall I say, Poor Rosamond! Each lived in a world of which the other knew nothing. It had not occurred to Lydgate that he had been a subject of eager meditation to Rosamond, who had neither any reason for throwing her marriage into distant perspective, nor any pathological studies to divert her mind from that ruminating habit, that inward repetition of looks, words, and phrases, which makes a large part in the lives of most girls. He had not meant to look at her or speak to her with more than the inevitable amount of admiration and compliment which a man must give to a beautiful girl; indeed, it seemed to him that his enjoyment of her music had remained almost silent, for he feared falling into the rudeness of telling her his great surprise at her possession of such accomplishment. But Rosamond had registered every look and word, and estimated them as the opening incidents of a preconceived romance—incidents which gather value from the foreseen development and climax. In Rosamond’s romance it was not necessary to imagine much about the inward life of the hero, or of his serious business in the world: of course, he had a profession and was clever, as well as sufficiently handsome; but the piquant fact about Lydgate was his good birth, which distinguished him from all Middlemarch admirers, and presented marriage as a prospect of rising in rank and getting a little nearer to that celestial condition on earth in which she would have nothing to do with vulgar people, and perhaps at last associate with relatives quite equal to the county people who looked down on the Middlemarchers. It was part of Rosamond’s cleverness to discern very subtly the faintest aroma of rank, and once when she had seen the Miss Brookes accompanying their uncle at the county assizes, and seated among the aristocracy, she had envied them, notwithstanding their plain dress.

      If you think it incredible that to imagine Lydgate as a man of family could cause thrills of satisfaction which had anything to do with the sense that she was in love with him, I will ask you to use your power of comparison a little more effectively, and consider whether red cloth and epaulets have never had an influence of that sort. Our passions do not live apart in locked chambers, but, dressed in their small wardrobe of notions, bring their provisions to a common table and mess together, feeding out of the common store according to their appetite.

      Rosamond, in fact, was entirely occupied not exactly with Tertius Lydgate as he was in himself, but with his relation to her; and it was excusable in a girl who was accustomed to hear that all young men might, could, would be, or actually were in love with her, to believe at once that Lydgate could be no exception. His looks and words meant more to her than other men’s, because she cared more for them: she thought of them diligently, and diligently attended to that perfection of appearance, behavior, sentiments, and all other elegancies, which would find in Lydgate a more adequate admirer than she had yet been conscious of.

      For Rosamond, though she would never do

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