about two more minutes—and then the mists thinned out completely, and I saw where we were.
I’d gotten a glimpse of this—place? condition? state of mind?—back when Jay had come through that slit in the air to meet me. This was the same, only this time he and I were in the middle of it.
“Well done, Joey,” said Jay. “You got us here. You did it.”
I stared, turning slowly. There was a lot to see.
We were no longer on a cloud. I stood on a purple pathway that snaked, apparently unsupported, off into . . . infinity. There was no horizon—wherever we were did not seem to have any boundaries—but there was no skyline either. The distance was simply lost in more distance. Jay stood next to me on a magenta strip that wound off in the same general direction; it sometimes passed under, sometimes over my path. The colors were vivid, and both paths had the sheen of dyed polyurethane.
But that wasn’t all. Not by several decimal places.
On eye level with me and about three feet away was a geometric shape, larger than my head, that pulsed and throbbed, presenting now five sides, now nine, now sixteen. I couldn’t have told you what it was made of any more than I could tell you why it was doing what it was doing. I suppose you could say it was made out of yellow, because that’s the color it was saturated with. I touched it, gingerly, with one finger. It had the texture of linoleum.
I looked in another direction—and just had time to duck as a spinning something whizzed by me, skittering erratically as it dodged and weaved through the chaos around it. A moment later it splashed into a pool of what looked like mercury—except that it was the color of cinnamon, and the pool hung at a forty-five-degree angle to the strip I stood on. The waves and droplets of the splash slowed as they spread, ultimately freezing at the height of the splatter.
This sort of stuff was going on all around us, nonstop. What looked like a stylized mouth opened up in midair not far from Jay, yawning wider and wider until its lips ultimately folded back and it swallowed itself. I looked down—beneath my feet the chaos continued. Geometric shapes rolled and tumbled, changing into different forms or merging into one another; colors pulsed; the air carried the scents of honey, turpentine, roses . . . it was like a 3-D collaboration between Salvador Dalí, Picasso and Jackson Pollock. With a liberal dose of Heironymus Bosch and the really cool old Warner Bros. cartoons thrown in for good measure.
So much for pleading insanity, I realized. I truly wasn’t lying on a gurney watching a mind movie while waiting for some doctor to put a padded stick in my mouth and pump enough volts through my skull to revive the Frankenstein monster. Nope. This was real. It had to be. No one, sane or insane, could imagine all this.
It wasn’t just my eyes that were overwhelmed. There was a continuous cacophony going on—things creaking, bells tolling, chasms yawning, pits slurping. . . . I stopped trying to identify all the sounds, just as I gave up trying to see everything going on. I’d need eyes not just in the back of my head but on top of it and in the soles of my shoes as well.
And the smells! I was staggered by a searingly intense whiff of peppermint, followed by the smell of hot copper. Most of them I couldn’t identify. A hefty portion of the sights, sounds and smells were synesthetic—I could hear colors, could see tastes. Old Mr. Telfilm down the street claimed to be synesthetic, and was constantly telling anyone who would listen about how sharp the sky smelled or how the taste of pasta was turquoise and sounded C flat. Now, finally, I knew what he meant.
I realized that Jay had hold of my arm with his good one and was shaking it. “Joey! Listen up—we’ve got to get moving. You don’t have protective gear—you won’t last long in the In-Between without it.”
“The what?” I reluctantly turned my attention away from what looked like really neat graphic imagery—huge towers forming and rising, only to melt into quicksilver lakes and start over. Jay grabbed me and fastened his metal gaze on mine. “We’ve got to go! I can’t get us back to InterWorld Prime with my arm messed up this way. The pain is too distracting, and any drugs I take will make it too hard for me to concentrate. You’ll have to find the way through.”
I looked at him in utter astonishment. About fifty feet away a trapezoid chased and cornered a smaller rhomboid, then “ate” it by leisurely flowing around and over it. Directly above me an ordinary casement window suddenly appeared out of nowhere. Its curtains peeled back and the window slid up, revealing a howling blackness beyond it from which issued piteous screams, groans and cries. It was either an open window on Hell, I decided, or a look inside my own mind at this point.
I didn’t know which was worse.
“How can I find the way through this—this—what did you call it?”
“The In-Between,” Jay said, his voice muffled through the metal mask. He was holding his injured arm with his other one now. The wound wasn’t bleeding much, but it definitely looked like it needed more than a few Band-Aids. “It’s the interstitial folds between the various planes of reality. Call it ‘hyperspace’ or a ‘wormhole,’ if you want. Or it’s the dark spaces between the convolutions in your brain or the place where the magician keeps the rabbit before he pulls it out of his hat. Okay? It really doesn’t matter what you call it—what matters is getting through it and back to InterWorld Prime. That’s what you’ve got to do, Joey.”
“You’ve really got the wrong guy,” I tried to tell him. “I couldn’t find the back of my hand if you wrote directions on my palm.”
“Because your talent doesn’t lie in navigating the planes—it lies in navigating between them. And that’s where we are now. Pay attention,” he continued, overriding me when I tried to interrupt. “The In-Between is a dangerous place. There are—creatures—that live here, or partly here. We call ’em ‘mudluffs.’ That’s an acronym, MDLF, standing for multidimensional life-form. Which is kind of a pointless label, I know—we’re all multidimensional life-forms, right? Except that you and I can only move freely in three dimensions and linearly in a fourth, whereas they have complete freedom in who knows how many. Including, in many cases, the fourth.”
Now, most of what he was saying was going so far over my head that I feared for local air traffic. But I’d seen Twilight Zone reruns, and I knew what the fourth dimension was. “You mean they can travel in time?”
“We think some can. It’s hard to tell, because there’s a certain temporal flexibility between the planes that can affect all of us. You learn to compensate for it when you Walk—otherwise you can spend a month on one world and find that only a couple of days have gone by in another one. It gets real confusing real fast, so we try to take advantage of it only when absolutely necessary.
“But that’s not important now. My point was the mudluffs—stay away from them. They aren’t intelligent, but they can be dangerous. Usually they stay in the In-Between, but some of ’em know how to squeeze out, like polydimensional toothpaste, into the various worlds.”
I was feeling pretty overwhelmed by all this, and starting to wonder how much of what Jay was telling me was real and how much was just him yanking my chain. “Right. Next you’ll be telling me they’re the ones responsible for all the legends of fairies, goblins, like that,” I said. I expected Jay to laugh, but he shook his head.
“No, those are usually HEX scouts. Binary scouts tend to be seen as ‘gray men’ and all that other Roswell crap. But I think some of the tales of demons probably began with mudluffs. But you’ll get all that in your basic Altiverse studies. All that matters now is making sure we don’t run into any of ’em, and getting out of the way if you do.” He grabbed me, turned me
