The Legend of Sleepy Hollow and Other Stories. Вашингтон Ирвинг
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In reply, Scott expressed regret, but not surprise, at my declining what might have proved a troublesome duty. He then recurred to the original subject of our correspondence; entered into a detail of the various terms upon which arrangements were made between authors and booksellers, that I might take my choice; expressing the most encouraging confidence of the success of my work, and of previous works which I had produced in America. “I did no more,” added he, “than open the trenches with Constable; but I am sure if you will take the trouble to write to him, you will find him disposed to treat your overtures with every degree of attention. Or, if you think it of consequence in the first place to see me, I shall be in London in the course of a month, and whatever my experience can command is most heartily at your command. But I can add little to what I have said above, except my earnest recommendation to Constable to enter into the negotiation.”1
Before the receipt of this most obliging letter, however, I had determined to look to no leading bookseller for a launch, but to throw my work before the public at my own risk, and let it sink or swim according to its merits. I wrote to that effect to Scott, and soon received a reply:
“I observe with pleasure that you are going to come forth in Britain. It is certainly not the very best way to publish on one’s own accompt; for the booksellers set their face against the circulation of such works as do not pay an amazing toll to themselves. But they have lost the art of altogether damming up the road in such cases between the author and the public, which they were once able to do as effectually as Diabolus in John Bunyan’s Holy War closed up the windows of my Lord Understanding’s mansion. I am sure of one thing, that you have only to be known to the British public to be admired by them, and I would not say so unless I really was of that opinion.
“If you ever see a witty but rather local publication called Blackwood’s Edinburgh Magazine, you will find some notice of your works in the last number: the author is a friend of mine, to whom I have introduced you in your literary capacity. His name is Lockhart, a young man of very considerable talent, and who will soon be intimately connected with my family. My faithful friend Knickerbocker is to be next examined and illustrated. Constable was extremely willing to enter into consideration of a treaty for your works, but I foresee will be still more so when
Your name is up, and may go
From Toledo to Madrid.
—And that will soon be the case. I trust to be in London about the middle of the month, and promise myself great pleasure in once again shaking you by the hand.”
The first volume of the Sketch-Book was put to press in London, as I had resolved, at my own risk, by a bookseller unknown to fame, and without any of the usual arts by which a work is trumpeted into notice. Still some attention had been called to it by the extracts which had previously appeared in the Literary Gazette, and by the kind word spoken by the editor of that periodical, and it was getting into fair circulation, when my worthy bookseller failed before the first month was over, and the sale was interrupted.
At this juncture Scott arrived in London. I called to him for help, as I was sticking in the mire, and, more propitious than Hercules, he put his own shoulder to the wheel. Through his favorable representations, Murray was quickly induced to undertake the future publication of the work which he had previously declined. A further edition of the first volume was struck off and the second volume was put to press, and from that time Murray became my publisher, conducting himself in all his dealings with that fair, open, and liberal spirit which had obtained for him the well-merited appellation of the Prince of Booksellers.
Thus, under the kind and cordial auspices of Sir Walter Scott, I began my literary career in Europe; and I feel that I am but discharging, in a trifling degree, my debt of gratitude to the memory of that golden-hearted man in acknowledging my obligations to him. But who of his literary contemporaries ever applied to him for aid or counsel that did not experience the most prompt, generous, and effectual assistance?
W. I.
SUNNYSIDE, 1848.
THE AUTHOR’S ACCOUNT OF HIMSELF
I am of this mind with Homer, that as the snaile that crept out of her shel was turned eftsoones into a toad I and thereby was forced to make a stoole to sit on; so the traveller that stragleth from his owne country is in a short time transformed into so monstrous a shape, that he is faine to alter his mansion with his manners, and to live where he can, not where he would.
—LYLY’S EUPHUES.
I was always fond of visiting new scenes, and observing strange characters and manners. Even when a mere child I began my travels, and made many tours of discovery into foreign parts and unknown regions of my native city, to the frequent alarm of my parents, and the emolument of the town crier. As I grew into boyhood, I extended the range of my observations. My holiday afternoons were spent in rambles about the surrounding country. I made myself familiar with all its places famous in history or fable. I knew every spot where a murder or robbery had been committed, or a ghost seen. I visited the neighboring villages, and added greatly to my stock of knowledge, by noting their habits and customs, and conversing with their sages and great men. I even journeyed one long summer’s day to the summit of the most distant hill, whence I stretched my eye over many a mile of terra incognita, and was astonished to find how vast a globe I inhabited.
This rambling propensity strengthened with my years. Books of voyages and travels became my passion, and in devouring their contents, I neglected the regular exercises of the school. How wistfully would I wander about the pier-heads in fine weather, and watch the parting ships, bound to distant climes; with what longing eyes would I gaze after their lessening sails, and waft myself in imagination to the ends of the earth!
Further reading and thinking, though they brought this vague inclination into more reasonable bounds, only served to make it more decided. I visited various parts of my own country; and had I been merely a lover of fine scenery, I should have felt little desire to seek elsewhere its gratification, for on no country had the charms of nature been more prodigally lavished. Her mighty lakes, her oceans of liquid silver; her mountains, with their bright aerial tints; her valleys, teeming with wild fertility; her tremendous cataracts, thundering in their solitudes; her boundless plains, waving with spontaneous verdure; her broad, deep rivers, rolling in solemn silence to the ocean; her trackless forests, where vegetation puts forth all its magnificence; her skies, kindling with the magic of summer clouds and glorious sunshine;—no, never need an American look beyond his own country for the sublime and beautiful of natural scenery.
But Europe held forth all the charms of storied and poetical association. There were to be seen the masterpieces of art, the refinements of highly cultivated society, the quaint peculiarities of ancient and local custom. My native country was full of youthful promise; Europe was rich in the accumulated treasures of age. Her very ruins told the history of the times gone by, and every mouldering stone was a chronicle. I longed to wander over the scenes of renowned achievement—to tread, as it were, in the footsteps of antiquity—to loiter about the ruined castle—to meditate on the falling tower—to escape, in short, from the commonplace realities of the present, and lose myself among the shadowy grandeurs of the past.
I had, besides all this, an earnest desire to see the great men of the earth. We have, it is true, our great men in America: not a city but has an ample share of them. I have mingled among them in my time, and been almost withered by the shade into which they cast me; for there is nothing so baleful to a small man as the shade of a great one, particularly the great man of a city. But