Miss Marple’s Final Cases. Агата Кристи
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Published by HarperCollinsPublishers Ltd
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First published in Great Britain by Collins, The Crime Club 1979
Miss Marple’s Final Cases™ is a trade mark of Agatha Christie Limited
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Copyright © 1979 Agatha Christie Limited. All rights reserved.
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Agatha Christie asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
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Source ISBN: 9780008196646
Ebook Edition © December 2016 ISBN: 9780007422463
Version: 2017-04-11
Table of Contents
The vicar’s wife came round the corner of the vicarage with her arms full of chrysanthemums. A good deal of rich garden soil was attached to her strong brogue shoes and a few fragments of earth were adhering to her nose, but of that fact she was perfectly unconscious.
She had a slight struggle in opening the vicarage gate which hung, rustily, half off its hinges. A puff of wind caught at her battered felt hat, causing it to sit even more rakishly than it had done before. ‘Bother!’ said Bunch.
Christened by her optimistic parents Diana, Mrs Harmon had become Bunch at an early age for somewhat obvious reasons and the name had stuck to her ever since. Clutching the chrysanthemums, she made her way through the gate to the churchyard, and so to the church door.
The November air was mild and damp. Clouds scudded across the sky with patches of blue here and there. Inside, the church was dark and cold; it was unheated except at service times.
‘Brrrrrh!’ said Bunch expressively. ‘I’d better get on with this quickly. I don’t want to die of cold.’
With the quickness born of practice she collected the necessary paraphernalia: vases, water, flower-holders. ‘I wish we had lilies,’ thought Bunch to herself. ‘I get so tired of these scraggy chrysanthemums.’ Her nimble fingers arranged the blooms in their holders.
There was nothing particularly original or artistic about the decorations, for Bunch Harmon herself was neither original nor artistic, but it was a homely and pleasant arrangement. Carrying the vases carefully, Bunch stepped up the aisle and made her way towards the altar. As she did so the sun came out.
It shone through the east window of somewhat crude coloured glass, mostly blue and red—the gift of a wealthy Victorian churchgoer. The effect was almost startling in its sudden opulence. ‘Like jewels,’ thought Bunch. Suddenly she stopped, staring ahead of her. On the chancel steps was a huddled dark form.
Putting