The Queen’s Rising. Rebecca Ross
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Master Cartier was nigh perfect. He wouldn’t dare break a rule.
I was thinking of this, my eyes shut, pressing my hands to my flushed cheeks, when I smelled a faint tendril of smoke. I drew it in, deep to my heart … the scent of roasting wood, of crushed leaves, of long, tangled grass … the metallic aroma of steel being warmed over fire … wind carved from bright blue skies free of clouds … and opened my eyes. This was not a scent of Magnalia House.
The light seemed to have shifted around me, no longer warm and golden but cool and stormy. And then came a distant voice, the voice of a man.
My lord? My lord, she is here to see you …
I rose shakily to my feet and leaned against the wall, staring down the corridor. It sounded like that voice was coming toward me, the weathered and raspy words of an older man, yet I stood alone in the hall. I briefly wondered if there was a secret door I didn’t know about, if one of the servants was about to emerge from it.
My lord?
My assumption faded when I realized he was speaking in Dairine, Maevana’s tongue.
I was one moment from stepping forward, to search and discover who was speaking, when the dressing room door groaned open.
Ciri emerged, ignoring me as she walked down the hall, and the light returned to summer gold, the cloying scent of burning things evaporated, and the stranger’s beckoning fizzled into dust motes.
“Brienna?” the tailor inquired.
I forced myself to walk across the hall to him, to step inside the dressing room. I carefully set Cartier’s book aside, made sure that I stood still and quiet on the pedestal as the tailor began to take my measurements. But within, my head was pounding, my pulse darting along my wrists and neck as I stared at my reflection in the mirror.
I looked pale as bone, my brown eyes sadly bloodshot, my jaw clenched. I looked as if I had just seen a ghost.
Most Valenians would claim that they were not superstitious. But we were. It was why we sprinkled herbs on our thresholds at the start of every season, why weddings only took place on Fridays, why no one ever wanted an odd number of sons. I knew that saints could appear to sinners, but this … this almost seemed as if Magnalia House was haunted.
And if it was, then why was I just now hearing voices?
“All right, Mademoiselle, you are free to go.”
I stepped down from the pedestal and reclaimed the book. The tailor undoubtedly thought me rude, but my voice was tangled deep in my chest as I breathed and opened the door …
The corridor was normal, as it should be.
I stepped into it, smelled the yeast of freshly baked bread drift from the kitchens, heard Merei’s music float on the air as a cloud, felt the polished black-and-white floor beneath my slippers. Yes, this was Magnalia.
I shook my head, as if to clear the gossamer that had gathered between my thoughts and perceptions, and glanced down to the book in my hands.
Through the protective sheet of vellum, its maroon cover gleamed bright as a ruby. It no longer looked ancient and worn; it looked freshly bound and printed.
I stopped walking. My hand gently removed the vellum, letting it drift to the floor as I stared at the book. The Book of Hours, its title read with embossed gold. I hadn’t even noticed the title on the cover when Cartier had given it to me, so worn and tattered was the book; it had seemed more like a smudge of stardust before. But now, it was strikingly clear.
What would I tell him when I returned it? That this crafty little Maevan book of lore had turned back time?
No sooner did I think such than did my curiosity sprout as a weed. I flipped open the cover. There was the Maevan publishing emblem, and there was the year of its first print. 1430.
And the fingers on the page—the hands holding this book—were no longer mine.
They were the hands of a man, broad and scarred, with dirt beneath his nails.
Startled, I released the book. But the volume remained in the man’s grip—my grip—and I realized I was anchored to him. As my senses became aware of his body—he was tall, muscular, strong—I felt the light shift around us, gray and troubled, and the smoke trickled down the hall again.
“My lord? My lord, she is here to see you.”
I glanced up; I no longer stood in Magnalia’s hall. This was a corridor built of stone and mortar, with flickering torches sitting in iron brackets along the wall. And there was a man standing patiently before me, the owner of the voice I had first heard.
He was old and bald with a crooked nose. But he bowed to me, dressed in black breeches and a leather jerkin that was worn about the edges. A sword was sheathed at his side.
“Where is she?” The voice that warmed my throat was nothing like my own; it rumbled as tamed thunder, masculine and deep.
I was no longer Brienna of Magnalia House. I was a strange man standing in some distant hall of the past, our bodies and minds linked by this book. And while my heart was wild within my chest, terrified, my soul settled comfortably into his grooves. I watched him, from within, through his eyes and his perceptions.
“In the library, my lord,” the chamberlain said, bowing his bald head once more.
The man I was anchored to shut the book, mulling over what he had just read—what I had just read—as he made his way down the corridor, down the winding stairs to the library. He paused, just before the twin doors, to look once more at The Book of Hours. There were some moments he wanted to believe in such lore, that he wanted to trust magic. But today was no such moment, and he abandoned the book on a chair and pushed open the doors.
The princess stood with her back to him before the arched windows, the light sweetening her dark hair. Of course, she had come to visit him in full armor with her long sword sheathed at her side. As if she had come to wage war against him.
Norah Kavanagh pivoted to look at him. She was the third-born daughter of the queen, and while she was not the most beautiful, he still had a difficult time looking away from her.
“Princess Norah.” He greeted her with a respectful bow. “How can I help you?”
They met in the center of the vast library, where the air grew deep and their voices would not be overheard.
“You know why I have come, my lord,” Norah said.
He stared at her, took in her delicate nose, the sharp point of her chin, the scar down her cheek. She was not lazy as her oldest sister, the heiress. Nor was she wasteful and cruel as her second sister. No, he thought, her eyes so blue they seemed to burn. She was grace and steel, a warrior as well as a diplomat. She was a true reflection