from her.”
If Viktor Greene had said something like that about me, I’d be worried everyone in the class was going to hate me. But not L’il. She takes Viktor’s praise in stride, as if she’s used to being regaled for her talent.
For a moment, I’m jealous. I try to reassure myself that everyone in the class is talented. Otherwise they wouldn’t be here, right? Including myself. Maybe Viktor Greene just doesn’t know how talented I am—yet?
“Here’s how this seminar works.” Viktor Greene shuffles around as if he’s lost something and can’t remember what it is. “The theme for the summer is home and family. In the next eight weeks, you’ll write four short stories or a novella or six poems exploring these themes. Each week, I’ll choose three or four works to be read aloud. Then we’ll discuss them. Any questions?”
A hand shoots up belonging to a slim guy with glasses and a mane of blond hair. Despite his resemblance to a pelican, he nevertheless manages to give off the impression that he thinks he’s better than everyone else. “How long are the short stories supposed to be?”
Viktor Greene taps his mustache. “As long as it takes to tell the story.”
“So that could mean two pages?” demands a girl with an angular face and tawny eyes. A baseball cap is perched backward over her luxurious crop of dark hair and she’s wearing a pile of beaded necklaces slung around her neck.
“If you can tell a whole story in five hundred words, be my guest,” Viktor Greene says mournfully.
The girl nods, a triumphant expression on her beautiful face. “It’s just that my father is an artist. And he says—”
Viktor sighs. “We all know who your father is, Rainbow.”
Wait a minute. Rainbow? What kind of name is that? And who is this artist father of hers?
I sit back and fold my arms. The guy with the long nose and blond hair catches Rainbow’s eye and nods, edging his chair a little closer to hers, as if they’re already friends.
“I have a question.” Ryan raises his hand. “Can you guarantee that after taking this course, we’ll all become writers?”
This causes Viktor Greene to droop even more. I actually wonder if he’s going to disappear into the floor.
He frantically pats down his mustache with both hands. “Good question. And the answer is no. Chances are ninety-nine point nine percent of you won’t make it as writers at all.”
The class groans.
“If I’m not going to make it as a writer, I’ll have to demand my money back,” Ryan says jokingly.
Everyone laughs, except Viktor Greene. “If that’s the way you feel, you should contact the bursar’s office.”
He twirls the ends of his mustache between his fingers.
That mustache is going to drive me insane. I wonder if Viktor Greene is married and what his wife thinks of all his mustache stroking. Living with that mustache must be like having an extra person in the house. Does it have its own name and eat its own food as well?
And suddenly, I’m burning with passion. I don’t care what Viktor Greene says: I’m going to make it. I’m going to become a real writer if it kills me.
I look around the room at my fellow students. Now I’m the one judging the competition.
“All right,” I say, plopping onto L’il’s bed. “Who is Rainbow’s father?”
“Barry Jessen,” she says with a sigh.
“Who the hell is Barry Jessen? I know he’s an artist and all, but—”
“He’s not just any artist. He’s one of the most important artists in New York right now. He’s the leader of some new art movement. They live in abandoned buildings in SoHo—”
“Rainbow lives in an abandoned building?” I ask, perplexed. “Do they have running water? Heat? She doesn’t look like she’s homeless.”
“She’s not,” L’il says in exasperation. “They only used to be abandoned buildings. Garment and print factories. But then all these artists moved in and started fixing them up. And now they have parties in their lofts and take drugs and people buy their art and write about them in The New York Times and New York Magazine.”
“And Rainbow?”
“Well, her father is Barry Jessen. And her mother is Pican—”
“The model?”
“That’s why she’s so beautiful and will get anything she wants. Which includes becoming a writer. Does that answer your question?”
“So she’s a million times cooler than us.”
“Than ‘we are,’” L’il corrects. “And, yes, she is. Her parents know a ton of people, and if Rainbow wants to get a book published, all she has to do is snap her fingers and her father will find someone to publish it for her. And then he’ll get a bunch of journalists to write about it and critics to give her good reviews.”
“Damn,” I say, impressed.
“Meanwhile, if the rest of us want to be successful, we have to do it the old-fashioned way. We have to write something great.”
“What a bore,” I say sarcastically.
L’il laughs while I pick at an imaginary thread. “And what about that guy with the blond hair and the attitude? He acts like he knows her.”
“Capote Duncan?” she says in surprise. “I’m sure he does. Capote’s the type who knows everyone.”
“Why?”
“Oh, he just is. He’s from the South,” she says, as if this explains it. “He’s kind of dreamy, isn’t he?”
“No. But he is kind of an asshole.”
“He’s older. He and Ryan are seniors in college. They’re friends. Apparently the two of them are quite the ladies’ men.”
“You’re kidding.”
“I’m not.” She pauses, and in a slightly formal tone of voice, adds, “If you don’t mind—”
“I know, I know,” I say, jumping off the bed. “We’re supposed to be writing.”
L’il doesn’t seem to share my overweening interest in other people. Perhaps she’s so confident in her own talents, she feels like she doesn’t need to. I, on the other hand, could easily spend the entire day engaged in gossip, which I prefer to call “character analysis.” Unfortunately, you can’t engage in character analysis by yourself. I go back into my cubbyhole, sit down at my desk, roll a piece of paper into my typewriter, and sit there.
Ten minutes later, I’m still sitting there, staring at the wall. There’s only one window in our area, and it’s
