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How Ruby decoded Claude’s touch code
‘Fearlessness is often regarded as one of the keys to freedom. But does fear not serve a purpose? Is this deeply primal emotion not there to guide us, to help us sidestep danger and prompt us to take a safer path?
The question should be asked: is it always a positive quality to be fearless?
Why do we fear fear?’
DR JOSEPHINE HONEYBONE, founder of the Heimlich Good Emotion Institute, from her thesis, The Worthy Emotion.
ONE BRIGHT SUNNY DAY IN OCTOBER, a woman looked up to see a five-year-old girl wriggle out of a tiny fifteenth-storey window. As far as the woman could make out, the child was lured by the desire to reach a yellow balloon that had become snagged on the ironwork of the building’s fire escape. The girl seemed unaware of the life-threatening drop that yawned beneath her and, without concern, edged forward on hands and knees. She paused when she encountered a hole in the rusting metal walkway – then put her hand through it as if to make sure the gap was real.
The woman on the sidewalk held her breath.
The child reached out across the void but could not quite grasp the long pink ribbon that tethered the balloon, and it gave a mocking nod, turning to reveal its printed smiley face. The girl, who was attending her cousin’s birthday, wondered if the balloon had floated in from some other celebration. Because this balloon was different from most: attached to its string was a brown paper tag, like an old-fashioned luggage label. The child began to wonder if the tag was a message, a greeting from some far-away place.
What was it trying to tell her?
All at once the little girl stood up quite straight – then she confidently stepped onto the metal beam that had once supported the fire escape floor, her fingers almost within touching distance of the balloon now, but not quite. For one whole minute the child stood completely still and then, very slowly, she took her hands from the safety rail, spread her arms wide like a tightrope walker might, and continued to pursue the balloon by stepping one foot exactly in front of the other along the narrow iron strut that
