Cart and Cwidder. Diana Wynne Jones
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Moril quite liked Ganner. Ganner told Moril he could do just what he liked and go anywhere he wanted, and obviously meant it. He was a very good-natured man. Moril quite liked the other people in the house too. He liked Ganner’s old nurse specially. She fussed rather, and she said rather too often that she had always known Lenina Thornsdaughter would come back to them, but she called Moril “My duck” and said he was a “blessing”. And while she was dressing him, she told Moril a story about a lord of Markind who had been outlawed. Moril had not heard the story before, and he drank it up. But he felt strange. Everything felt strange.
Moril took Ganner at his word and explored the house. He found two gardens and the kitchens. He looked at the cellars and the small rooms under the roof, but in between each exploration he found himself drifting into the stableyard. The cart had been put away in a coach house there, just as it was, wine jar, cwidders and all, down to the string of onions under the driving seat. It was just the same, yet somehow it already looked smaller and dustier and a little faded. Moril spent a lot of time talking to Olob, who was standing dejectedly in a stall nearby and seemed glad of his company. Moril stole sugar for him from the kitchen, which was easy to do because everyone there was in a great bustle, preparing for the wedding feast. Olob ate it politely, but he looked sad, and he was sweating rather.
“Poor fellow,” Moril said sadly. “I’m hot too. It’s being in a house.”
As the afternoon drew on, Moril became hotter still. Being between walls so oppressed him that he wondered whether to go out and walk in the town. But Markind had not inspired him with any wish to see more of it. He wandered to the stableyard and then into one of the gardens. Brid was there. She was feeling much the same, for she had taken off her cherry-coloured boots and was sitting with her feet in one of the goldfish ponds.
They exchanged sad, polite smiles, and Moril went on into the second garden. Behind him he heard Ganner’s voice.
“My dear little girl! You’ll catch your death like that! Do please dry your feet and put your boots on. You’ll worry your mother.”
Moril felt sorry for Brid. Then he suddenly felt even more – desperately – sorry for himself. He needed to be somewhere else, out in the open. He looked round wildly, upwards, everywhere. And a sturdy creeper growing up the thick yellow wall of the house gave him an idea. He slung himself on to it and started to climb.
It was extremely easy, except for the last bit, which needed a long stride and a heave across some crumbly stonework. Then he was on the wide, leaded roofs. It was splendid. Moril looked round, into the town, out across the valley, and over to valleys beyond. He turned north and looked at the misty blue peaks there, where he had so longed to go, and Kialan – lucky Kialan! – was going soon. But that made him sad. So, presently, Moril began to patter about across the leads and among the chimneys. He skirted courtyards and looked down into the gardens. Then he ran along a narrow part to another wing and looked down into another court.
And there was Ganner, horrified and gesturing below. “Come down! Come down at once!”
Moril looked. There was a lead pipe and an easy flight of windows. Obediently he swung his legs over the edge of the roof.
Ganner stopped him with a hoarse shriek. “No! Stop! Do you want to break your neck? Wait!” He ran away and presently ran back with a crowd of men carrying a ladder. With them ran a group of horrified maids and the old nurse, wringing her hands.
“My duck! Oh, my duck!”
Moril sat sadly on the edge of the roof, swinging his legs and watching them all pothering with the ladder. He knew what was wrong with Ganner now. He was a fusspot.
The ladder finally thumped against the wall beside him. “You can come down now,” Ganner called. “Go very carefully.”
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