Artists in Crime. Ngaio Marsh
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‘You could force it through the crack between the boards,’ said Garcia suddenly, from the window.
‘How? It’d fall out when she was shoved down.’
‘No, it wouldn’t. Look here.’
‘Don’t break the knife and don’t damage the throne,’ said Troy.
‘I get you,’ said Hatchett eagerly. ‘The dagger’s wider at the base. The boards would press on it. You’d have to hammer it through. Look, I’ll bet you it could be done. There you are, I’ll betcher.’
‘Not interested, I’m afraid,’ said Malmsley.
‘Let’s try,’ said Pilgrim. ‘May we, Troy?’
‘Oh, do let’s,’ cried Phillida Lee. She caught up her enthusiasm with an apologetic glance at Malmsley. ‘I adore bloodshed,’ she added with a painstaking nonchalance.
‘The underneath of the throne’s absolutely filthy,’ complained Malmsley.
‘Pity if you spoiled your nice green pinny,’ jeered Sonia.
Valmai Seacliff laughed.
‘I don’t propose to do so,’ said Malmsley. ‘Garcia can if he likes.’
‘Go on,’ said Hatchett. ‘Give it a pop. I betcher five bob it’ll work. Fair dinkum.’
‘What does that mean?’ asked Seacliff. ‘You must teach me the language, Hatchett.’
‘Too right I will,’ said Hatchett with enthusiasm. ‘I’ll make a dinkum Aussie out of you.’
‘God forbid,’ said Malmsley. Sonia giggled.
‘Don’t you like Australians?’ Hatchett asked her aggressively.
‘Not particularly.’
‘Well, I’ll tell you one thing. Models at the school I went to in Sydney knew how to hold a pose for longer than ten minutes.’
‘You don’t seem to have taken advantage of it, judging by your drawing.’
‘And they didn’t get saucy with the students.’
‘Perhaps they weren’t all like you.’
‘Sonia,’ said Troy, ‘that will do. If you boys are going to make your experiment, you’d better hurry up. We start again in five minutes.’
In the boards of the throne they found a crack that passed through the right spot. Hatchett slid the thin tip of the knife into it from underneath and shoved. By tapping the hilt of the dagger with an easel ledge, he forced the widening blade upwards through the crack. Then he let the throne back on to the floor. The blade projected wickedly through the blue chalk cross that marked the plot of Sonia’s heart on the throne. Basil Pilgrim took the drape, laid it across the cushion, pulled it in taut folds down to the throne, and pinned it there.
‘You see, the point of the knife is lower than the top of the cushion,’ he said. It doesn’t show under the drape.’
‘What did I tell you?’ said Hatchett.
Garcia strolled over and joined the group.
‘Go into your pose, Sonia,’ he said with a grin.
Sonia shuddered.
‘Don’t,’ she said.
‘I wonder if the tip should show under the left breast,’ murmuring Malmsley. ‘Rather amusing to have it in the drawing. With a cast shadow and a thin trickle of blood. Keep the whole thing black and white except for the little scarlet thread. After all, it is melodrama.’
‘Evidently,’ grunted Garcia.
‘The point of suspension for the drape would have to be higher,’ said Troy. ‘It must be higher than the tip of the blade. You could do it. If your story was a modern detective novel, Malmsley, you could do a drawing of the knife as it is now.’
Malmsley smiled and began to sketch on the edge of his paper. Valmai Seacliff leant over him, her hands on his shoulders. Hatchett, Ormerin and Pilgrim stood round her, Pilgrim with his arm across her shoulder. Phillida Lee hovered on the outskirts of the little group. Troy, looking vaguely round the studio, said to herself that her worst forebodings were likely to be realized. Watt Hatchett was already at loggerheads with Malmsley and the model. Valmai was at her Cleopatra game, and there was Sonia in a corner with Garcia. Something in their faces caught Troy’s attention. What the devil were they up to? Garcia’s eyes were on the group round Malmsley. A curious smile lifted one corner of his mouth, and on Sonia’s face, turned to him, the smile was reflected.
‘You’ll have to get that thing out now, Hatchett,’ said Troy.
It took a lot of working and tugging to do this, but at last the knife was pulled out, the throne put back, and Sonia, with many complaints, took the pose again.
‘Over more on the right shoulder,’ said Katti Bostock.
Troy thrust the shoulder down. The drape fell into folds round the figure.
‘Ow!’ said Sonia.
‘That is when the dagger goes in,’ said Malmsley.
‘Don’t—you’ll make me sick,’ said Sonia.
Garcia gave a little chuckle.
‘Right through the ribs and coming out under the left breast,’ murmured Malmsley.
‘Shut up!’
‘Spitted like a little chicken.’
Sonia raised her head.
‘I wouldn’t be too damn funny, Mr Malmsley,’ she said. ‘Where do you get your ideas from, I wonder? Books? Or pictures?’
Malmsley’s brush slipped from his fingers to the paper, leaving a trace of paint. He looked fixedly at Sonia, and then began to dab his drawing with a sponge. Sonia laughed.
‘For God’s sake,’ said Katti Bostock, ‘let’s get the pose.’
‘Quiet,’ said Troy, and was obeyed. She set the pose, referring to the canvases. ‘Now get down to it, all of you. The Phoenix Group Show opens on the 16th. I suppose most of us want to go up to London for it. Very well, I’ll give the servants a holiday that weekend, and we’ll start work again on the Monday.’
‘If this thing goes decently,’ said Katti, ‘I want to put it in for the Group. If it’s not done, it’ll do for B. House next year.’
‘I take it,’ said Troy, ‘you’ll all want to go up for the Group’s private view?’
‘I don’t,’ said Garcia. ‘I’ll be pushing off for my holiday about then.’
‘What