he saw, as if on a half-developed negative, a shoulder emerge through the fog. A face peered, a hand was pressed against the glass and then closed to tap twice. GPF unlocked his door and returned to his desk. A moment later the visitor came coughing down the passage. ‘Entrezl’ called GPF modishly and his visitor walked into the room.
‘Sorry to harry you,’ he said. ‘I thought you’d be in this morning. It’s the monthly subscription to that relief fund. Your signature to the cheque.’
GPF swivelled round in his chair and held out Lady Pastern’s letter. His visitor took it, whistled, read it through and burst out laughing. ‘Well!’ he said. ‘Well, honestly.’
‘Press cuttings,’ said GPF and handed them to him.
‘She must be in a fizz! That it should come to this!’
‘Damned if I know why you say that.’
‘I’m sorry. Of course there’s no reason, but … How have you replied?’
‘A stinger.’
‘May I see it?’
‘By all means. There it is. Give me the cheque.’
The visitor lent over the desk, at the same time reading the copy-sheets and groping in his breast pocket for his wallet. He found a cheque and, still reading, laid it on the desk. Once he looked up quickly as if to speak but GPF was bent over the cheque so he finished the letter.
‘Strong,’ he said.
‘Here’s the cheque,’ said GPF.
‘Thank you.’ He glanced at it. The signature was written in a small, fat and incredibly neat calligraphy: ‘G. P. Friend.’
‘Don’t you ever sicken of all this?’ the visitor asked abruptly with a gesture towards the wire basket.
‘Plenty of interest. Plenty of variety.’
‘You might land yourself in a hell of a complication one of these days. This letter, for instance –’
‘Oh, fiddle,’ said GPF, crisply.
II
‘Listen,’ said Mr Breezy Bellairs, surveying his band. ‘Listen, boys, I know he’s dire but he’s improving. And listen, it doesn’t matter if he’s dire. What matters is this, like I’ve told you: he’s George Settinjer, Marquis of Pastern and Bagott, and he’s Noise Number One for publicity. From the angle of news-value, not to mention snob-value, he’s got all the rest of the big shots fighting to buy him a drink.’
‘So what?’ asked the tympanist morosely.
‘“So what!” Ask yourself, what. Look, Syd, I’m keeping you on with the Boys, first, last and all the while. I’m paying you full-time same as if you played full-time.’
‘That’s not the point,’ said the tympanist. ‘The point is I look silly, stepping down half-way through the bill on a gala night. Me! I tell you straight, I don’t like it.’
‘Now, listen Syd. Listen boy. You’re featured, aren’t you? What am I going to do for you? I’m going to give you a special feature appearance. I’m going to fetch you out on the floor by me to take a star-call, aren’t I? That’s more than I’ve ever done, boy. It’s good, isn’t it? With that coming to you, you should worry if the old bee likes to tear himself to shreds in your corner for half an hour, on Saturday night.’
‘I remind you,’ said Mr Carlos Rivera, ‘that you speak of a gentleman who shall be my father-in-law.’
‘OK, OK, OK Take it easy, Carlos, take it easy, boy! That’s fine,’ Mr Bellairs gabbled, flashing his celebrated smile. ‘That’s all hunky-dory by us. This is in committee, Carlos. And didn’t I say he was improving? He’ll be good, pretty soon. Not as good as Syd. That’d be a laughable notion. But good.’
‘As you say,’ said the pianist. ‘But what’s all this about his own number?’
Mr Bellairs spread his hands. ‘Well, now, it’s this way, boys. Lord Pastern’s got a little idea. It’s a little idea that came to him about this new number he’s written.’
‘Hot Guy, Hot Gunner?’ said the pianist, and plugged out a phrase in the treble. ‘What a number!’ he said without expression.
‘Take it easy now, Happy. This little number his lordship’s written will be quite a little hit when we’ve hotted it up.’
‘As you say.’
‘That’s right. I’ve orchestrated it and it’s snappy. Now, listen. This little idea he’s got about putting it across is quite a notion, boys. In its way. It seems Lord Pastern’s got round to thinking he might go places as a soloist with this number. You know. A spot of hot drumming and loosing off a six-shooter.’
‘For chris-sake!’ the tympanist said idly.
‘The idea is that Carlos steps out in a spotlight and gives. Hot and crazy, Carlos. Burning the air. Sky the limit.’
Mr Rivera passed the palm of his hand over his hair. ‘Very well. And then?’
‘Lord Pastern’s idea is that you get right on your scooter and take it away. And when you’ve got to your craziest, another spot picks him out and he’s sitting in tin-can corner wearing a cowboy hat and he gets up and yells “yippi-yi-dee” and shoots off a gun at you and you do a trick fall –’
‘I am not an acrobat –’
‘Well, anyway, you fall and his lordship goes to market and then we switch to a cod funeral march and swing it to the limit. And some of the Boys carry Carlos off and I lay a funny wreath on his breast. Well,’ said Mr Bellairs after a silence, ‘I’m not saying it’s dynamic, but it might get by. It’s crazy and it might be kind of good, at that.’
‘Did you say,’ asked the tympanist, ‘that we finish up with a funeral march? Was that what you said?’
‘Played in the Breezy Bellairs Manner, Syd.’
‘It was what he said, boys,’ said the pianist. ‘We sign ourselves off with a corpse and muffled drums. Come to the Metronome for a gay evening.’
‘I disagree entirely,’ Mr Rivera interposed. He rose gracefully. His suit was dove-grey with a widish pink stripe. Its shoulders seemed actually to curve upwards. He was bronzed. His hair swept back from his forehead and ears in thick brilliant waves. He had flawless teeth, a slight moustache and large eyes and he was tall. ‘I like the idea,’ he said. ‘It appeals to me. A little macabre, a little odd, perhaps, but it has something. I suggest, however, a slight alteration. It will be an improvement if, on the conclusion of Lord Pastern’s solo, I draw the rod and shoot him. He is then carried out and I go into my hot number. It will be a great improvement.’
‘Listen, Carlos –’
‘I repeat, a great improvement.’
The
