for many years. Them and you. And I am telling you that if you had been taken by one of the tien, there would be a mark on you—one that you could not see—”
“A signatura,” Joy said. “I know.”
Mr. Vinh stopped. “How do you know?”
“She has the Sight,” Inq explained. Joy nodded.
Mr. Vinh’s voice softened, as did his face. “You have the Sight?” he echoed and stopped to think. “Your family does not know?” Joy shook her head. Mr. Vinh drummed his fingers on the edge of the table and wiped the corners of his lips as if smoothing them closed. He spoke slowly. “You have the Sight and you are in love with a Scribe,” he said. “Yes. Perhaps I have heard of you.”
“You have?” Joy squeaked.
“Rumors, of course,” Mr. Vinh dismissed. “Everyone comes with rumors. Rumors and requests and cash.” He smiled, revealing tobacco-stained teeth. “So, yes, perhaps you exist. Strange that we have met so often and neither of us has known...but, then again, that’s the way of things nowadays—rush, rush, rush. So many people so close together and yet too busy to notice one another.” He shrugged and made a last careful note. “So maybe I can tell you something about glamours, after all. It is good for you to know these things. But before we get down to business, I have a question for you, busy girl, and I will tell you what I know if you would be so kind as to answer it.”
Joy glanced at Inq, who nodded. “Okay.”
“Good. Very good,” Mr. Vinh said and came around to sit on the mats. Joy and Inq joined him on the floor. He folded to a sitting position with ease.
“So what can I tell you?” Mr. Vinh said, placing his hands on his knees. “I am a wizard, which means that I provide services for humans and tien. Most often spells and most often for money, although I sometimes will take trade for hard-to-find things.” He opened his hands; one thumb was smudged in black paint. “My family was from a province near the Mekong River, before we came to America and brought our magic here. I make poultices and charms and small, everyday sort of spells, but glamours are my big magic—taught to me from my grandfather from his father and his father before him and so on, back centuries. It is an old craft and one that relies heavily on both art and discretion.” He smiled wryly. “My art at my discretion, you understand. It is the most common way that the tien may pass among humans.” He gestured with one hand. “You have the Sight—you understand why that is. You’ve seen what they look like without the veil.”
Joy shifted on the mats. “What veil?”
The wizard bowed toward Inq. “The veil is the natural aura of the tien that lets them slip past our eyes like oiled paper—” he drew his hands quickly past his face “—without notice. It is what has kept them alive in our world for centuries. Camouflage is an effective survival strategy.”
He rested his hands on his knees and continued. “The simplest glamour is not about creating something new, but dampening the individual veil, allowing humans to perceive them normally,” Mr. Vinh said. “This is not an option for many, as to see tien in their true form, unfiltered, would likely cause alarm, breaking pacts between our worlds, so minor modifications can be made to normalize their appearance or create an entire new facade,” he said. “It is a major undertaking and very expensive. Of course, in order to pass close inspection, there are additional changes necessary for masking horns, wings, tails, extra body mass.” He glanced at Inq. “Or unusual eyes.”
She winked.
Joy’s head spun. “But...how?”
Mr. Vinh grinned. “My son is a gifted animator,” he said with pride. “CAD modeling has greatly improved the quality of our glamours. We’ve been developing the technique since the early eighties.”
“No,” Joy said. “I mean, how is that possible?” She looked around the tiny room. “Spells. Glamours. Wizards. How is any of this possible?”
“A better question might be how are you possible, busy girl?” Mr. Vinh asked. “I cannot tell you how I make my magic, but perhaps you can tell me how you make yours.” He leaned forward slightly at the waist in interest. “So, my question—I have heard that you managed to remove your signatura, freeing yourself from your Master and unraveling the segulah’s curse.” Joy stared. Mr. Vinh was well-informed. She didn’t expect to hear these words from another human being. “Tell me,” he said. “How did this happen?”
“Oh,” Joy said trying to catch a cue from Inq, but she was busy inspecting the cabinet shelves. “It was an accident,” she said, choosing her words carefully. “Ink threw his scalpel to me after he’d stabbed Aniseed so that it could pass through her ward. I used it to free myself.” She and Ink had agreed to place the explanation for her escape and the magic of unmaking on the blade itself and not attribute it in any way to Joy, avoiding the truth that they had discovered while marking a man in a prison cell: that she could somehow erase marks that were supposed to be permanent, removing the True Names that linked the Folk to the last bits of magic in the world. “I had no idea what would happen,” she said honestly. “I was just trying to get out.”
“And so you did,” Mr. Vinh said as he rubbed his palms against his trousers. “This is a powerful thing. A valuable thing.” His eyes flicked to her. “You are full of valuable things.” Inq turned her head, almost frowning. Joy wasn’t sure what he meant, but she found that she’d been twisting her fingers in her lap. She flattened her palms against the mats. He pushed himself to a stand. “Like information,” he clarified as he straightened. “I value information because I value facts. Facts are the difference between real magic and trickery. It is very important to know all of the facts,” he said. “Here’s a fact—you do not need a glamour, so I do not know what I can offer you, but if you have need of a wizard, now you know where to look.” He fiddled with the frog buttons and placed his robe back on its hook. “I can offer you spells and remedies, and my son has a side business as a courier, should you wish to send something into the Twixt, but no discounts on store items. I still have to report to the IRS.”
Joy gave a small laugh. “Understood.”
He pushed open the Employees Only door back into the pool of glaring light and garish shelves of junk food. “Thank you for an enlightening lunch break,” he said. Joy’s stomach grumbled. This had been her lunch break, too. She needed to eat. He closed the door and shuffled back up the aisle. “If you need anything, drop by. Twenty-four hours. Someone is always available.” He smiled. “Busy girl is not the only one who’s busy around here.”
Joy rooted around her bag for something quick and edible. There wasn’t much. She was considering the worms. “Thanks, Mr. Vinh.”
“Anytime, busy girl,” he said cheerily. To Inq, he said, “Come back later. I’ll adjust the pupils. They’re not tracking as well as I’d like.”
“Artists!” Inq said and pushed through the door, ignoring its parting bing-bong. “Such perfectionists.”
Joy said nothing, knowing that humans noticed the details; it was how she’d known that something was wrong with Ink and Inq when she’d first seen them with their impossibly smooth skin and penetrating all-black eyes. The Folk seemed to bother only with surface impressions, which explained how the Scribes had gone so long without bothering to add little things like belly buttons or fingernails. It made sense that they would need a human to make convincing glamours for them.
She remembered the last time she’d sat with Ink, carving the perfect
