Stormswept. Helen Dunmore

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Stormswept - Helen  Dunmore

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I’d like it, but other people say we couldn’t survive like that, and we’d have to build up the causeway, even though it would cost millions. Otherwise the tourists won’t come, and most of our income will be gone. It’s hard to make money here. The only jobs are fishing and tourism, unless you’re a doctor or a nurse or something like that. Mum has a part-time job in the post office.

      Jenna stuffs our shoes with newspaper and washes the salt water out of our tights, while I put on potatoes to go with the stew. It is dark outside now, but inside it’s warm and you can smell the bread Mum made earlier, which is cooling on racks in the kitchen, ready for the freezer. The wind is blowing hard. The sea is beating up, and even with the door and windows closed we can hear the waves thump on the rocks. There will be deep water now where Jenna and I stood on the causeway. I shiver. Sometimes it frightens me, how quickly the world can shift between safety and danger. I want to retreat into a small, secure space. But at other times, risk pulls me like a magnet. I remember that strange feeling, when the sea almost lifted me off the causeway. I wanted it to lift me. Where did I want it to take me?

      Maybe Jago Faraday is right, and I’m leading Jenna into trouble. She is so cautious and sensible. She would never take a risk unless I did, but then she would always follow me.

      “You should dry your hair, Morveren,” says Jenna. “It’s dripping down your back.”

      We both have long dark hair that reaches almost to our waists. When we were little Mum used to give us different partings, so that other people knew which one of us they were talking to, and she would buy blue hairbands for Jenna and green for me, because those were our favourite colours. We don’t bother with any of that now. If people don’t see that our characters are completely different, and that makes our faces different too, then let them go on mixing us up.

      A thought strikes me. “You could do my detention for me next time.”

      “It would still get written into your school diary,” says Jenna, who has clearly worked this out long ago. Otherwise, she would do the detention for me, I think. Jenna’s like that.

      There’s a bang at the window, and I jump.

      “That shutter’s come loose again,” says Jenna calmly.

      “I’ll fix it,” I say, and before she can offer to help, I slip out of the door.

      The night is wild now, full of wind and rain. All the cottages on the Island have shutters, to protect the glass in the windows from winter storms. I grab the loose shutter as it slams against the sill, and wedge in the hook that holds it. The wind whips my hair and I taste salt on my lips. Sometimes, when there is a storm, salt spray flies right over the Island. We go down to the headland and watch the waves battering the Hagger Rocks. I could go there now. I can find my way in the dark. I know every stone of the Island – we all do.

      The wind whirls round the corner of our cottage. It’s pushing me, folding around me. The branches of our tamarisk tree whip above my head. How strange – I’m not by the window now, I’m already at the gate. The wind is shoving me along as if it knows where it wants me to go. My hand is on the latch. I open it, and now the wind seizes hold of me, carrying me with it, almost lifting me off my feet.

      

hen a storm is raging, I feel ten times more alive. Storms are in my blood, because of the way our island came to be, and the way I came to be here.

      Long ago, there was no Island, and no wide bay full of sea. Mainland and Island were all one. There was solid land here, where our ancestors built a great city. It had wide streets and rich houses, and a hall as big as a cathedral, where they held gatherings. Everybody in that city loved music, and they would come together to play and sing and dance all night long, until they went home in the grey light of dawn.

      But one night everything changed. The hall was packed with people. There was a great gathering, with music that was going to play all night long. There were fiddles and bodhrans, bagpipes, whistles and harps. The music flooded out, and in spite of the crowd everybody was dancing. All you could hear was the skirl of the band and the stamp of hundreds of feet.

      That’s why nobody heard the change in the wind. It had been blowing a gale all day, but our ancestors were used to gales and bad weather, just as we are. They didn’t let it stop their celebrations. The wind grew louder and louder, louder than any wind that had ever been heard in that land. It roared around the roof like an express train, and as it blew the sea began to move.

      It moved slowly and stealthily at first, as if it didn’t want to alarm anyone. Only one person saw what was happening, and that was a boy who was perched up on his father’s shoulders so that he could see everything. The windows were high up in the walls and only the boy could look out of them. He turned, just as the moon broke free of the raging clouds and shone out. The boy saw the wild, foaming waves flatten as if a giant hand were pressing down on them. And then, very slowly the sea began to move backwards, as if it were swilling away down a giant plughole.

      The boy blinked. He couldn’t believe what he was seeing.

      “Dad! Dad!“ he shouted. “The sea’s going backwards!”But his father didn’t hear him above the noise in the hall. The boy stared with his mouth open. In the far distance, where the sea had gone, he saw a wall of water, higher than any wave he had ever surfed, higher than any house, far higher than the walls of the great hall. It was as black as night with a crest of curling foam. It was moving, but not backwards now. It was coming in towards the land.

      The boy cried out, so loud that this time his voice was heard above all the noise in the hall:

      “The sea! The sea’s coming!”

      People close by frowned at him for screaming like that. The band kept on playing, but one man heard the terror in the boy’s voice, and he went to the doors at the back of the hall and pulled them open. Outside it was almost dark. The air streamed with spray until it was hard to see anything. But the moon shone out and then the man saw what the boy had seen: a wall of water advancing slowly but with terrifying force, as if nothing in the world could stop it. The hair on his scalp prickled. A cold wind roared through the hall from the open door. At the same moment the man’s voice rang out like a trumpet:

      “The sea’s coming! Run for your lives!”

      The fiddler stopped playing, with his elbow raised. Everyone stood frozen for a second and then a wave of panic rushed through the crowd. People began to shove towards the door, grabbing their children and their loved ones. Some clambered up to the windows and there was the crash of breaking glass, and then a scream. The blind fiddler held his fiddle high. Whatever happened, he would protect what was most precious to him. He couldn’t see what was happening but he could smell the panic and hear the cries of parents calling for their children:

      “The sea’s coming! Cador, where are you? Tamasin! Tamasin!”

      “The sea’s coming! We’ll be trapped!”

      They’d lived with the sea all their lives. They knew all about storms, but this they had never seen. Those at the back of the hall could see the wall of water rushing towards them, reaching for them, as they fought to get out of the doors.

      The boy on his father’s shoulders saw the blind fiddler holding his fiddle high. He bent down and shouted into his father’s ear above the roar of the water and the screams and cries:

      “Father!

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