Muse. Rebecca Lim

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Muse - Rebecca  Lim

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are you, uh, doing?’ Gia says uncertainly, as I try another door to the left of the first one. Again, I don’t bother with the light switch. I don’t need to.

      I find myself staring into a luxury all-marble bathroom with its own flat screen TV and built-in sound system. It’s covered in enough personal effects to bury a person alive, but there’s nothing in here remotely resembling anything to wear, and even I draw the line at walking the streets in my pyjamas. Only crazies do that.

      I might hear voices in my head, but that doesn’t make me crazy.

      I slam shut the bathroom door and turn to face the girl on the bed. ‘Where are my clothes?’ I demand.

      Gia starts to laugh so wildly, she sounds like she’s crying.

      ‘Where are my clothes?’ I say again, fiercely. ‘I need to go out. There are things I have to do.’

      Top of the list? Locate one of those all-night internet joints I used to frequent when I was Lela. I need to use that seething, wholly man-made ‘web’ I still can’t get my old-school head around to draw Ryan to me, the way I did before. Across oceans, across time zones.

      In all this time, I’ve never been able to find Luc and he’s never been able to find me. But Ryan, at least, has a physical location on this earth. He comes from a small town called Paradise that’s as far from it as it’s possible to get. But it’s a real place, perched on an ugly stretch of beach in a country I don’t even have a name for yet. I’d been forced to leave Lela’s body before I’d managed to find that out.

      Even if Ryan hasn’t reached home yet, he’s going to be checking his emails. I can get a lock on him again, I know it.

      Gia’s still laughing. ‘Where are my clothes!’ she whoops. ‘Listen to yourself! You sure you’re “clean”?’

      I frown, still unable to see the joke.

      Gia leads me out of my bedroom and into a massive sitting room that’s decorated in more of the same riotous rococo excess. There are too many occasional tables, mirrors, knick-knacks, table lamps, armchairs, divans, vases of scented, white blooms, hand-knotted silk rugs and footstools for one lone skinny female like me to use.

      We pass a coffee table surrounded by deep, winged armchairs, and an elegant dining table with eight chairs around it that’s been placed beneath a set of windows facing out onto the street to catch the light and the incredible view. I’m in part of an old Milanese palazzo, I realise, looking around. The proportions of the rooms are baronial. Beneath all the unrelenting froufrou, the place has old bones.

      ‘Is all this all … mine?’ I murmur.

      ‘We’re sharing it,’ Gia says over her shoulder, ‘like we always do. Although you always make sure you give me the smallest room in the suite.’

      We come to a stop outside two doors on the other side of the vast sitting area that are painted a discreet olive-grey colour, with inset door panels outlined in gold leaf. Both doors are closed.

      Gia points at the one on the right. ‘That one’s mine and it’s off-limits,’ she says matter-of-factly. ‘The last time you asked to borrow one of my vintage Jean Desses cocktail dresses, I found myself at Paris Fashion Week staring at a photo of it on the back of one of your supermodel “friends” at a hotel nightclub opening in Miami. You know, the one who always forgets to put on her underwear before she goes out. You swore you had no idea how it got there and when I finally got it back after threatening legal action, the dress had part of its skirt missing.’

      I look at her blankly. She’d lost me at the word vintage and she knows it.

      Gia sighs, opening the door on the left and flicking on the light. ‘Does this answer your earlier question?’ she says with heavy sarcasm.

      I can see why she’s incredulous. The vast room has had all of its furniture removed and is filled with matching bespoke luggage in an expensive-looking black, tan and white chevron pattern. There would have to be sixteen pieces of the stuff at least, and the initials I.D.Z. are emblazoned across the front of each one in large, bright green script, with a matching navy blue and green racing stripe running down the centre of each piece.

      ‘Flashy,’ I drawl in Irina’s husky voice.

      Gia gives me an odd look. ‘These are just your “essentials”,’ she replies. ‘We had a screaming match over the six other suitcases I forced you to leave at home because we’re only supposed to be here for, like, five days.’

      Spilling out of every open case is a wealth of coats, dresses, jackets, tops, skirts, trousers, shorts, sweaters, wraps, jeans, leggings, boots and shoes in every colour and texture imaginable, along with handfuls of filmy lingerie. It’s a sea of leather, denim, fur, feathers, couture, vintage and velvet. Irina is clearly not averse to a sequin. The room is like an Aladdin’s cave of high-end apparel. There’s enough clothing here to dress an army of women for a week without anyone having to lift a finger to do laundry.

      When I think about Carmen Zappacosta’s one dingy sports bag, her little boy’s clothes and her much-loved flat, grey toy bunny with its fur all worn-down in places, its reattached glass eyes, I feel almost misty. Ditto Lela Neill’s haphazardly stored collection of threadbare second-hand clothing, most of it past its use-by date the first time around and dyed an unbecoming black, green or purple.

      How could one person have so many … things?

      ‘Are these all mine, too?’ I say idiotically, knowing the question is basically rhetorical and that I fully deserve the look Gia is giving me now. The crazy-long inseams on the crystal-studded, low-rider jeans draped across the nearest case are a dead giveaway. Plus, Irina has long, bony, ballet-dancer’s feet that match the pair of towering snakeskin stilettos slung carelessly near the door. Gia’s feet are like something from the days of Imperial China: doll-sized.

      ‘You know I’m not even going to dignify that with an answer,’ Gia replies as she ushers me out of the room and back into the warmly-lit sitting room.

      She paces across to an antique secretaire against one wall and retrieves a pile of glossy magazines from it, thrusting them in my direction.

      ‘You’re Irina Zhivanevskaya, remember? Supermodel, tabloid darling. One of the most recognised faces on the planet? Women all over the world copy the way you dress, the way you wear your hair, the places you hang out. They follow your every move, every disastrous hook-up, with morbid interest.’

      I quickly scan the covers in my hands and Irina’s mesmerising face is on every one.

      Gia gives a small laugh. ‘You’re one of the “one name” girls — like Gisele or Daria, Elle, Lara or Iman. You can’t just “go out”,’ she says. ‘You haven’t been able to just “go out” for several years. It takes full hair and make-up and a decoy car or two for you to just get up and leave any place. Let alone here. And especially now.’

      She takes back one of the magazines in my hands and flicks through it until she finds the cover story and hands it back to me. I frown as I read about Irina’s latest battle with a very public addiction to drugs that’s left her dangerously erratic. I look up to see Gia’s cool eyes on me.

      ‘It’s mostly just old gossip hurriedly cobbled together because no one’s quite sure how bad it really is, not even me, because you lie and lie. I’ve quit on you three times already and you’ve somehow

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