Borrowed Finery. Paula Fox

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edge of her bed, carried her to the bathroom, placed her on the toilet, waited outside the door until she signaled she was through, brought her back to her room, dressed her in one of her three or four print dresses, and carried her to the wheelchair in front of the bay windows, where she would spend the day until early evening, when he would carry her back to her bed.

      She wore soft wool slippers.

      She was as unmoving as a woman in a painting. When the day was fine, the sky unclouded, one of those blue American days full of buoyancy and promise that seemed to occur only when I was small, she might break the tranquil silence between us with a remark about the river. How beautiful it always was, she might comment, in her rather toneless voice. She could see Polpis Island and glimpse a bit of West Point just beyond the Storm King mountain. Then she would slip back into silence as though resuming a dream.

      Uncle Elwood told me she had been a widow for many years. The dream might have been about her husband, how she had stood with him on the deck of a steamboat, northbound on the Hudson River, and he had seen the land that he would purchase months later to build a house on for her, this very house where she still lived, an old woman confined by illness to a wheelchair.

      I looked at her hands, which lay on the wood tray fitted between the chair’s arms. They were so twisted they looked like small knobbed claws pointing at each other.

      Very slowly, she bowed her head even farther down and smiled at me. It was an impersonal smile, as if pain had worn away any distinctive traits that might have defined her nature. As I looked up at the slight widening of her mouth, I imagined I recognized a kind of incorporeal kindness—and I think for those few minutes she was able to stand apart from her wounded body.

      I couldn’t conceive of Uncle Elwood’s struggle to make do with the yearly salary he was paid by the church so that it would take care of his mother, himself, and me, along with paying for repairs to the ailing house, any more than I could have conceived of the lives of my parents unfolding somewhere in the world. And I would not have known how poor the Blooming Grove parishioners were, how they could barely afford a pastor of their own.

      Behind his mother’s closed door, I could hear him telling her, in a voice made loud and incautious by desperation, that he had to replace the coal furnace—which he had to stoke every evening and morning when the weather turned cold—with an oil burner and that the house required a new roof. It leaked so shockingly, he said, he could fly to Jericho!

      At his words, fly to Jericho, my heart jumped into my throat. It was the most extreme thing I ever heard him utter. He was at the end of his rope! It was the absolute limit!

      His protests never lasted more than a few minutes, but the pictures that formed in my mind, evoked by the distress I heard in his voice—usually so serene, so playful—frightened me.

      The malevolent furnace, as it labored at night with great clankings, would climb the stairs and kill us with fire, and the holes in the roof would be enlarged so drastically we would be exposed to the merciless night sky and its rain and wind and cold.

      But more terrible by far was the well in the middle of the meadow.

      When the water pressure in the house was so low that only a puff of stale air came from the kitchen faucet when it was turned on, and the toilet in the bathroom wouldn’t flush, Uncle Elwood set out for the well, carrying a bucket.

      I watched in dread from the living room window as he lowered the bucket by a rope tied to his hand. He leaned far out over the edge of the well—too far!—to keep the rope straight as it dropped an instant later, to hit the water with a plonk.

      He would fall! An enormous jet of well water would lift his drowned body toward the sky, then flood the whole earth!

      He hauled on the rope, hand over hand, and at last pulled out the bucket, filled. When I ran out of the house and down the three broad steps of the porch to meet him, he was surprised at the intensity of my relief, as though he had returned safely from a long perilous journey.

      Then he recalled what I had told him of my fear when he went to the well. He spoke reassuringly to me, as he did when I was ill. He told me what a fine artesian well it was, how milk snakes kept the water pure. Oh, snakes! Worse!

      With his unengaged arm, he clasped me to his side as we walked across the hummocky ground. I was not able to explain to him the extremity of my terror. I couldn’t explain it to myself.

      Time was long in those days, without measure. I marched through the mornings as if there were nothing behind me or in front of me, and all I carried, lightly, was the present, a moment without end.

      From the living room there were views east and south. A line of maple trees and birches marked the southern boundary of the property, and beyond it stood an abandoned mansion. I had walked along its narrow porch among six towering columns and peered through dusty windows at its empty rooms. The ground sloped gently down to the river less than a mile away. It was the same long slope upon which our house stood.

      From the windows that faced east, beyond the line of tall sumacs, rose a monastery whose roofs and towers I could see in late autumn and winter, when the deciduous trees surrounding it shed their leaves. At intervals during the day the monastery bells pealed.

      When I sat on the porch in my wicker rocking chair in the twilight of a summer’s day, eating a supper of cold cereal and buttered bread, I would echo the sounds the bells made by tapping my spoon against the side of the china bowl that had held the cereal. I was alone with my thoughts. They drifted through my mind like clouds that change their shapes as you gaze up at them.

      To the north where the storms came from, I could view from the windows in the minister’s study a line of tall, thick-trunked evergreen trees and, as though I were on a moving train, catch glimpses of a crumbling wall and some of its fallen stones lying on the pine-needle-strewn ground. Uncle Elwood said the wall had been there when his father bought the property.

      Beyond the lawn, which he tended now and then, doggedly and with an air of restrained impatience, pushing a lawn mower with rusty blades, were meadows grown wild. Once or twice a year, a farmer driving a tractor, his wife and their children in a small ramshackle truck behind him, arrived to cut the tall grass and carry it away.

      Once the children brought along a sickly puppy and showed it to me. We passed its limp body among us, caressed it, and at last killed it with love. We stared, stricken, at the tiny dog lying dead in the older boy’s hands, saliva foaming and dripping from its muzzle. The younger brother began to grin uneasily.

      Later that day, after the farmer and his family had departed, I told the minister I had had a hand in the death of the little animal. Although he tried to comfort me, to give me some sort of absolution, I couldn’t accept it for many years.

      Even now, I am haunted from time to time by the image of a small group of children, myself among them, standing silently at the back door of the house, looking down at the corpse.

      Every spring, thawing snow and rain washed away soil from the surface of the long driveway, leaving deep muddy furrows and exposed stones. I spent hours cracking the stones open, using one for an anvil, another for a hammer, to find out what was inside them. Most appeared to be composed of the same gray matter, but a few revealed streaks of color and different textures in their depths or glinted with sparks of light.

      I saw how Uncle Elwood struggled to hold the steering wheel of the car steady as it heaved and skidded along the rough, wet, torn-up ground. But I thought too of how gratifying it was when I found a stone that stood out from

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