Omri’s thumb, on the Indian’s left side, he could feel his heart beating wildly, like a bird’s.
Although the Indian felt strong, Omri could sense how fragile he was, how easily an extra squeeze could injure him. He would have liked to feel him all over, his tiny arms and legs, his hair, his ears, almost too small to see – yet when he saw how the Indian, who was altogether in his power, faced him boldly and hid his fear, he lost all desire to handle him; he felt it was cruel, and insulting to the Indian, who was no longer his plaything but a person who had to be respected.
Omri put him down gently on the chest-of-drawers where the cupboard stood. Then he crouched down till his face was again level with the Indian’s.
“Sorry I did that,” he said.
The Indian, breathing heavily and with his arms still folded, said nothing, but stared haughtily at him, as if nothing he did could affect him in any way.
“What’s your name?” asked Omri.
“Little Bull,” said the Indian, pointing proudly to himself. “Iroquois brave. Son of Chief. You son of Chief?” he shot at Omri fiercely.
“No,” said Omri humbly.
“Hm!” snorted Little Bull with a superior look. “Name?”
Omri told him. “Now we must find you another place to sleep – outside the cupboard. Surely you sleep in tepees sometimes?”
“Never,” said Little Bull firmly.
“I’ve never heard of an Indian who didn’t,” said Omri with equal firmness. “You’ll have to tonight, anyway.”
“Not this,” said the Indian. “This no good. And fire. I want fire.”
“I can’t light a real fire in here. But I’ll make you a tepee. It won’t be very good, but I promise you a better one tomorrow.”
He looked round. It was good, he thought, that he never put anything away. Now everything he needed was strewn about the floor and on tables and shelves, ready to hand.
Starting with some pick-up-sticks and a bit of string, he made a sort of cone-shape, tied at the top. Around this he draped, first a handkerchief, and then, when that didn’t seem firm enough, a bit of old felt from a hat that had been in the dressing-up crate. It was fawn coloured, fortunately, and looked rather like animal hide. In fact, when it was pinned together at the back with a couple of safety-pins and a slit cut for an entrance, the whole thing looked pretty good, especially with the poles sticking up through a hole in the top.
Omri stood it up carefully on the chest-of-drawers and anxiously awaited Little Bull’s verdict. The Indian walked round it four times slowly, went down on hands and knees and crawled in through the flap, came out again after a minute, tugged at the felt, stood back to look at the poles, and finally gave a fairly satisfied grunt. However, he wasn’t going to pass it without any criticism at all.
“No pictures,” he growled. “If tepee, then need pictures.”
“I don’t know how to do them,” said Omri.
“I know. You give colours. I make.”
“Tomorrow,” said Omri, who, despite himself, was beginning to feel very sleepy.
“Blanket?”
Omri fished out one of the Action Man’s sleeping-rolls.
“No good. No keep out wind.”
Omri started to object that there was no wind in his bedroom, but then he decided it was easier to cut up a square out of one of his old sweaters, so he did that. It was a red one with a stripe round the bottom and even Little Bull couldn’t hide his approval as he held it up, then wrapped it round himself.
“Good. Warm. I sleep now.”
He dropped on his knees and crawled into the tent. After a moment he stuck his head out.
“Tomorrow talk. You give Little Bull meat – fire – paint – much things.” He scowled fiercely up at Omri. “Good?”
“Good,” said Omri, and indeed nothing in his life had ever seemed so full of promise.
WITHIN A FEW minutes, loud snores – well, not loud, but loud for the Indian – began to come out of the tepee, but Omri, sleepy as he was himself, was not quite ready for bed. He had an experiment to do.
As far as he had figured it out so far, the cupboard, or the key, or both together, brought plastic things to life, or if they were already alive, turned them into plastic. There were a lot of questions to be answered, though. Did it only work with plastic? Would, say, wooden or metal figures also come to life if shut up in the cupboard? How long did they have to stay in there for the magic to work? Overnight? Or did it happen straight away?
And another thing – what about objects? The Indian’s clothes, his feather, his knife, all had become real. Was this just because they were part of the original plastic figure? If he put – well, anything you like, the despised plastic tepee for instance, into the cupboard and locked the door, would that be real in the morning? And what would happen to a real object, if he put that in?
He decided to make a double trial.
He stood the plastic Indian tent on the shelf of the cupboard. Beside it he put a Matchbox car. Then he closed the cupboard door. He didn’t lock it. He counted slowly to ten.
Then he opened the door.
Nothing had happened.
He closed the door again, and this time locked it with his great-grandmother’s key. He decided to give it a bit longer this time, and while he was waiting he lay down in bed. He began counting to ten slowly. He got roughly as far as five before he fell asleep.
He was woken at dawn by Little Bull bawling at him.
The Indian was standing outside the felt tepee on the edge of the table, his hands cupped to his mouth as if shouting across a measureless canyon. As soon as Omri’s eyes opened, the Indian shouted:
“Day come! Why you still sleep? Time eat – hunt – fight – make painting!”
Omri leapt up. He cried, “Wait” – and almost wrenched the cupboard open.
There on the shelf stood a small tepee made of real leather. Even the stitches on it were real. The poles were twigs, tied together with a strip of hide. The designs were real Indian symbols, put on with bright dyes.
The car was still a toy car made of metal, no more real than it had ever been.
“It works,” breathed Omri. And then he caught his breath. “Little Bull!” he
