off the villain at the end of the piece. Who cares who dun it when the fellow just goes and spends the rest of his life in comfort at the expense of the ratepayer?’
Richard Cross scurried across the studio to welcome them all. He said that it should be a terribly controversial programme and Brian was thrilled to have them all on the show. ‘I think we’ll start with Paul’s thesis about big business, is that all right, Paul? And then we’ll talk about how the police aren’t really equipped to cope with such streamlined organisation, and we’ll talk about spies and undercover work. It’ll be riveting. The milk will boil over in a million homes. Any questions?’
‘Yes,’ said the man from Intelligence. ‘What happened to that little dolly with the whisky?’
Richard Cross gave a faintly distraught laugh.
The Melody Girls had been rehearsing on the stage to the right, and Paul noticed that one of them had remained on the set. She was a tall redhead with strikingly troubled green eyes. Paul thought that she was coming across to them, but somebody called her, and after a moment’s hesitation she went away. Her green flaired chiffon costume was too brief to be hanging around in draughts.
‘Sir Michael,’ the director said to the MP, ‘I wonder whether you’d change places with Paul? Your spectacles are upsetting camera number two. Miss Benson! Where’s Miss Benson? Freddie the Drummer needs some powder on his bald patch –’
The audience suddenly applauded as a dark, moodily intense young man walked onto the set. He was dressed in a dramatic black suit with white frills, and the one touch of colour was his floppy red bow tie. Without looking across he waved a languid hand in acknowledgment of the clapping. ‘Hi,’ he said to his guests in general. ‘Great to see you, marvellous. It’ll be a great programme.’ He was Brian Clay.
‘We’re on in ninety seconds, Brian,’ said the director.
‘Great.’ The super-cool young man sat in the centre seat behind the desk and smiled dramatically. ‘Hi,’ he said to Freddie the Drummer, ‘great to have you out in time for the programme. Paul! How nice to have you on the show.’ He leaned across and offered a languid hand. ‘I thought your last book was great.’
Paul beamed complacently. The nice thing about being flattered by Brian Clay was that he bothered to do it. Clay had the art of seeming to bestow a royal favour, which was warming for the brief moment it lasted. He was terribly sincere. But while Paul was grinning at the military intelligence agent in private amusement they had gone on the air.
‘Hi,’ Brian Clay was saying, ‘and good evening. Tonight we’re going to discuss one of the central, most real threats to our health and security, one of the most dramatic aspects of the world today. I’m talking about crime, and the way it is likely to touch us all in the next ten years, because it’s the fastest growing disease in our society. It no longer only happens to other people –’
His voice was faintly rasping, as if the menace were there among them. ‘And here to discuss it with us tonight –’ He was a professional. He had all the sensational statistics on cards before him, and his intensity would have quite a few old ladies glancing over their shoulders at the back door. ‘Mr Paul Temple, crime writer and in his own way, criminologist!’
A man over to the right waved and the audience applauded. Paul glanced down in sudden apprehension at his trousers.
‘Paul, tell me what’s so different about this present situation. Is it simply that crime is better organised, or is it different? Change or development?’ He stared so innocently that Paul felt a serious answer was required. ‘Mm?’
‘What is different is that the people who get caught these days are not the real criminals. In the past if you caught a gang of bank robbers and sent them to gaol that was it, those criminals were out of harm’s way for several years. But these days – these days the gang gets caught if you’re lucky, but the brain behind the crime is left free to plan his next big job. The men behind organised crime are never caught. So no matter how many petty villains you send to gaol you don’t improve the situation. You only fill up the gaols with petty villains.’
‘That’s a disturbing thought, Paul.’ He turned dramatically to the MP. ‘Sir Michael, I know you think our present laws make it all too easy for the criminals.’
The MP began with heavy facetiousness about his role as a Clay pigeon, and then he laughed lugubriously. On the stage to their right The Melody Girls were assembling for their routine. Paul found his attention straying. He didn’t think that the fervour with which MPs held their opinions indicated their profundity. Sir Michael was a bore. Yet the red-headed girl was watching them without a thought for the coming dance number.
‘Paul, what do you think about that?’
‘Eh?’ The wretch had sprung it on him deliberately. ‘I think Sir Michael is very sincere,’ Paul said, ‘but he knows very little about criminals.’ He wished he had heard a word Sir Michael had said. ‘A prominent MP’s life may be very worthy, but it doesn’t equip a man to understand what makes a criminal tick. There’s a fantastic difference between the lives of the law givers and the law receivers, and I think Sir Michael personifies that difference.’
Brian Clay perked up at the prospect of some real television, while Sir Michael spluttered with astonishment.
‘I keep in touch with the people,’ he shouted, ‘through my constituents! I know my people and what they think! This weekend I’ll be back there holding my monthly clinic, and what will you be doing, writing a novel?’
Paul nodded happily. ‘I’m going off to the cottage, actually, and I hope to start on my new book –’
‘Cottage? You retreat to a cottage in the country and talk to me about crime? What happens in your part of the country? They probably don’t know what crime is!’
‘Freddie, where do you sit on this fence?’ Brian Clay asked.
‘Yes, well, I mean, they’re right, aren’t they? What happens in country cottages? And how would an MP know about crime?’
‘Does that worry you?’ Brian Clay asked the man from Intelligence. ‘Did you used to feel there was a gulf between the life of the pursuer and the pursued?’
‘Never.’ The impeccably dressed man smiled beatifically. ‘What I always say is that if you’re still alive then you haven’t much to worry about, have you?’
That was a conversation stopper. While Brian Clay worked out how to begin again the director waved to the dancers. They were all in place and the music began its introduction.
‘Ladies and gentlemen,’ Brian murmured into the microphone, ‘we give you The Melody Girls!’
The show went out live at ten o’clock on a Friday evening. Doing it live ensured spontaneity and the extra charge of tension which Brian Clay thought so essential to real television. It also meant it was damned late when Paul left the studios. The clock in the gatekeeper’s lodge showed two minutes past eleven. Paul waved in farewell to the man from Intelligence, who tottered off in search of a drink, and looked about for his car.
‘Paul! Over here!’
His wife waved while the gatekeeper raised the barrier. She was looking brightly enthusiastic, so presumably she had approved of his performance. Paul slipped into the passenger seat and kissed her on the cheek.
‘Was
