In the Dark: Tales of Terror by E. Nesbit. E. Nesbit

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In the Dark: Tales of Terror by E. Nesbit - E.  Nesbit

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come.

      But if any heard, none came. The street retained its empty silence, the houses, masked in close shutters, kept their reserve. The four were wrestling, all pressed close together in a writhing bunch, drawing breath hardly through set teeth, their feet slipping, and not slipping, on the rounded cobble-stones.

      The contact with these creatures, the smell of them, the warm, greasy texture of their flesh as, in the conflict, his face or neck met neck or face of theirs – Roger felt a cold rage possess him. He wrung two clammy hands apart and threw something off – something that staggered back clattering, fell in the gutter, and lay there.

      It was then that Roger felt the knife. Its point glanced off the cigarette-case in his breast pocket and bit sharply at his inner arm. And at the sting of it Roger knew that he did not desire to die. He feigned a reeling weakness, relaxed his grip, swayed sideways, and then suddenly caught the other two in a new grip, crushed their faces together, flung them off, and ran. It was but for an instant that his feet were the only ones that echoed in the street. Then he knew that the others too were running.

      It was like one of those nightmares wherein one runs for ever, leaden-footed, through a city of the dead. Roger turned sharply to the right The sound of the other footsteps told that the pursuers also had turned that corner. Here was another street – a steep ascent. He ran more swiftly – he was running now for his life – the life that he held so cheap three minutes before. And all the streets were empty – empty like dream-streets, with all their windows dark and unhelpful, their doors fast closed against his need.

      Far away down the street and across steep roofs lay Paris, poured out like a pool of light in the mist of the valley. But Roger was running with his head down – he saw nothing but the round heads of the cobble stones. Only now and again he glanced to right or left, if perchance some window might show light to justify a cry for help, some door advance the welcome of an open inch.

      There was at last such a door. He did not see it till it was almost behind him. Then there was the drag of the sudden stop – the eternal instant of indecision. Was there time? There must be. He dashed his fingers through the inch-crack, grazing the backs of them, leapt within, drew the door after him, felt madly for a lock or bolt, found a key, and, hanging his whole weight on it, strove to get the door home. The key turned. His left hand, by which he braced himself against the door-jamb, found a hook and pulled on it. Door and door-post met – the latch clicked – with a spring as it seemed. He turned the key, leaning against the door, which shook to the deep sobbing breaths that shook him, and to the panting bodies that pressed a moment without. Then someone cursed breathlessly outside; there was the sound of feet that went away.

      Roger was alone in the strange darkness of an arched carriageway, through the far end of which showed the fainter darkness of a courtyard, with black shapes of little formal tubbed orange trees. There was no sound at all there but the sound of his own desperate breathing; and, as he stood, the slow, warm blood crept down his wrist, to make a little pool in the hollow of his hanging, half-clenched hand. Suddenly he felt sick.

      This house, of which he knew nothing, held for him no terrors. To him at that moment there were but three murderers in all the world, and where they were not, there safety was. But the spacious silence that soothed at first, presently clawed at the set, vibrating nerves already overstrained. He found himself listening, listening, and there was nothing to hear but the silence, and once, before he thought to twist his handkerchief round it, the drip of blood from his hand.

      By and by, he knew that he was not alone in this house, for from far away there came the faint sound of a footstep, and, quite near, the faint answering echo of it. And at a window, high up on the other side of the courtyard, a light showed. Light and sound and echo intensified, the light passing window after window, till at last it moved across the courtyard, and the little trees threw back shifting shadows as it came towards him – a lamp in the hand of a man.

      It was a short, bald man, with pointed beard and bright, friendly eyes. He held the lamp high as he came, and when he saw Roger, he drew his breath in an inspiration that spoke of surprise, sympathy, and pity.

      ‘Hold! hold!’ he said, in a singularly pleasant voice, ‘there has been a misfortune? You are wounded, monsieur?’

      ‘Apaches,’ said Roger, and was surprised at the weakness of his own voice.

      ‘Your hand?’

      ‘My arm,’ said Roger.

      ‘Fortunately,’ said the other, ‘I am a surgeon. Allow me.’

      He set the lamp on the step of a closed door, took off Roger’s coat, and quickly tied his own handkerchief round the wounded arm.

      ‘Now,’ he said, ‘courage! I am alone in the house. No one comes here but me. If you can walk up to my rooms, you will save us both much trouble. If you cannot, sit here and I will fetch you a cordial. But I advise you to try and walk. That porte cochère is, unfortunately, not very strong, and the lock is a common spring lock, and your friends may return with their friends; whereas the door across the courtyard is heavy and the bolts are new.’

      Roger moved towards the heavy door whose bolts were new. The stairs seemed to go on for ever. The doctor lent his arm, but the carved banisters and their lively shadows whirled before Roger’s eyes. Also, he seemed to be shod with lead, and to have in his leg bones that were red-hot. Then the stairs ceased, and there was light, and cessation of the dragging of those leaden feet. He was on a couch, and his eyes might close. There was no need to move anymore, nor to look, nor to listen.

      When next he saw and heard, he was lying at ease, the close intimacy of a bandage clasping his arm, and in his mouth the vivid taste of some cordial.

      The doctor was sitting in an armchair near a table, looking benevolent through gold-rimmed pince-nez.

      ‘Better?’ he said. ‘No, lie still, you’ll be a new man soon.’

      ‘I am desolated,’ said Roger, ‘to have occasioned you all this trouble.’

      ‘Not at all,’ said the doctor. ‘We live to heal, and it is a nasty cut, that in your arm. If you are wise, you will rest at present. I shall be honoured if you will be my guest for the night.’

      Roger again murmured something about trouble.

      ‘In a big house like this,’ said the doctor, as it seemed a little sadly, ‘there are many empty rooms, and some rooms which are not empty. There is a bed altogether at your service, monsieur, and I counsel you not to delay in seeking it. You can walk?’

      Wroxham stood up. ‘Why, yes,’ he said, stretching himself. ‘I feel, as you say, a new man.’

      A narrow bed and rush-bottomed chair showed like doll’s-house furniture in the large, high, gaunt room to which the doctor led him.

      ‘You are too tired to undress yourself,’ said the doctor, ‘rest – only rest,’ and covered him with a rug, roundly tucked him up, and left him.

      ‘I leave the door open,’ he said, ‘in case you have any fever. Goodnight. Do not torment yourself. All goes well.’

      Then he took away the lamp, and Wroxham lay on his back and saw the shadows of the window-frames cast on the wall by the moon now risen. His eyes, growing accustomed to the darkness, perceived the carving of the white panelled walls and mantelpiece. There was a door in the room, another door from the one which the doctor had left open. Roger did not like open doors. The other door, however, was closed.

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