of the last show, of the tour, was finally gone.
Wrapping herself in a large towel, she stepped into the dressing room. The mirror was foggy with steam so she opened the door, dressed quickly in jeans and a blue silk blouse and packed a small suitcase, put her backpack in order and swung one strap over her shoulder.
She turned to do a sweep of the room and froze.
The birdcage door was wide open. Jikata blinked—could the bird have unlatched it herself? Apparently so. A very valuable, rare bird.
Her gaze trailed to the open door of the dressing room. Shit! She looked wildly around the room, but it was small and a foot-long scarlet bird was not evident against the cream-and-gold background.
Dammit!
She hadn’t seen or heard the wretched bird leave. No trilling of a goodbye song. No soft whoof of feathers.
Sliding her feet into ballet slippers, she opened the door wider, then heard a tinny chime. She glanced at the table where the chiming-ball necklace Juliet Philbert had given her when they’d met had been. Pretty and shiny on a gold satin ribbon, it was gone, too.
Jikata grimaced. She was ambivalent about chimes. She’d included them in her own compositions that hadn’t been successful, then the last one that had made it big. It was hitting the top of the charts now. The strange concoction of bells and chimes and an occasional gong tone. She’d sung—chanted—a mishmash of words in English and Japanese and French and had layered her voice in the track again and again over four octaves. She barely had a full four-octave range and had worked hard on that track until each note was strong and perfect.
“Come to Me” was going platinum.
The tune wasn’t really her composition and that’s what bothered her. She’d heard odd patterns of notes, of chimes, of chants, the occasional gong beat in her head over the past two years. It had started here in Denver, her hometown, two years ago February. A February as dreary as her life. Ishi hadn’t wanted to see her then, either.
She shook the thought away. Stop dithering! Go hunt the bird. She stepped to the door, called, “Chasonette!” Would a bird come to her name? Cockatoos were supposed to be intelligent for birds, weren’t they?
Another chime. Faint. But her hearing was good and she was sure it came from the stage area. She hurried past the greenroom, angling toward stage left, which had more space than stage right. A bird would want more space to fly in, wouldn’t it?
Only a few dim bulbs were on and she moved through light and shadow. She pushed through the curtains to look into the house—even dimmer—and saw a flash of a red wing through the door to the lobby someone had propped open with a broom.
Damn!
So she hopped from the stage and ran up the plush maroon aisle, through the door to the equally elaborate lobby.
Then she heard the wonderful song of a woman’s voice, with the slightest of quavers that made Jikata think the singer was old. An elder and perfect master of her craft. The wordless Song compelled Jikata to listen. Not to hear, but listen, and the mistress of that voice had the range of Jikata’s own, a full four octaves, richer for years of use.
Other music lilted. Crystal singing bowls, chimes, and the jangle of Chasonette’s ball melded perfectly into the whole.
“Chasonette?” she called.
Chasonette chirped. Jikata ran after her, misjudged the distance of the sound and went through the mirrored wall.
No!
That couldn’t have happened. Could it?
She stood in a gray mist. Wind whipped at her hair. There were no walls around her, just an echoing distance. Where was she? Her toes curled in her shoes, felt solid ground through the thin soles of her slippers. Shouldn’t it be new, plush carpet?
She hesitated, but more chimes and the voice and the bowls and the sheer magnificence of the sound drew her. How often did a person hear this sort of concert? Never.
There were cadences and tones to this Song that outclassed all her composition attempts. As if she’d…heard through a mirror darkly…. She chuckled, but she yearned. This, this was what she’d been trying to achieve for the past year. If only…
Another questioning chirp and Jikata realized she was humming her “Come to Me” hit. Light was ahead and walls looked cut from rock. That reassured her a little. Everyone knew there were tunnels under Denver. She’d somehow made it into one of them.
Then the woman’s voice twisted the melody and the notes seemed to hit physical points inside Jikata. She literally felt her heart squeeze. So wonderful, and there was more, she heard the reverberation of the chant she’d included in her own work. Come to me.
The woman’s voice caressed her with a soothing cadence. Jikata blinked, she saw the woman, a tiny, aged, Asian woman standing in light that reflected off mist around her, giving her a glow. Chasonette perched on her shoulder, the ribbon of the chiming ball in her beak. She shook it. The sound shivered over Jikata’s skin. She glimpsed people behind the woman, playing singing bowls.
Stranger and stranger, but not threatening.
Jikata hurried forward, met a thickness in the air like a membrane, surged through it. More wind. In a tunnel or dreaming. She could have fallen asleep on the Victorian fainting lounge in her dressing room after her shower. But she plunged ahead. Then she was with the woman, and Chasonette hopped from the woman’s shoulder to Jikata’s, dug in her claws. Ouch, she felt that!
“Welcome to Lladrana,” the older woman said in English. She gestured and cymbals clashed and chimes sounded and a shudder went through Jikata.
Brightness flared before her eyes, blinding her. She flung out her arms, trying to keep her balance. Another clang as if from a gong, but the percussion was slightly off and she knew it came from many cymbals. What the hell was going on?
A dream. Just a dream.
Hair had risen over her skin, and she’d gone clammy. The air she sucked in smelled like incense and was heavy and humid. She shook her head, trying to think beyond the sound.
She couldn’t.
The music strummed her as if she were a taut string, vibrating through her.
Another clang of cymbals and she fell, panting, to the floor. Starburst. Darkness. Then Chasonette was beside her on the ground, rubbing her head against Jikata’s cheek. So soft.
Jikata could see the bird’s yellow eye and thought she was finally back to reality. She leaned on an elbow, but her support didn’t feel like a padded lounge, or carpet. It felt like rock.
She looked around and saw a large cave, people wearing long robes standing in a circle. Some had small tables holding crystal bowls before them and held the thick glass wands to set them humming. Others held cymbals of brass, silver, gold…?
Her mouth was open so she sucked in deep breaths. The small woman gazed down at her with triumph, crinkling deep wrinkles around her eyes even as her throat moved with renewed song, music that lowered down the scale as if ending a long piece.
We are here! I am back! A warbling voice
