Cast in Chaos. Michelle Sagara

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Cast in Chaos - Michelle  Sagara

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exact words. She also,” he added, glancing at the covered mirrors that adorned part of the foyer, “attempted to decorate. She seemed to be afraid of the mirrors, which is not, with that child, at all the usual case. Come, please. Let us go to the Supplicant room.”

      Sigrenne, still large and still intimidatingly matronly in exactly the same way as Marrin of the Foundling Hall—but without the attendant fur, fangs, and claws—was waiting for Master Sabrai in the Supplicant room. She was not on guard duty, so she didn’t resemble an armor-plated warrior, unless you actually paid attention to her expression.

      That expression softened—slightly—when she caught sight of Kaylin. “You’re the Supplicant?” she asked.

      “Well, sort of. One of the Supplicants, at any rate.”

      “How is Marrin?”

      “Doing really well. I swear, someone rich left all their money to the Foundling Halls. I’ve never heard so few complaints from her.”

      “It’s probably the new kit.”

      “You heard about him?”

      “I saw him.” Sigrenne’s face creased in a smile that made her look, momentarily, friendly. “She brought him here when she came for her usual suspicious flyby.”

      Some of the orphans left on the steps of the Foundling Halls ended up with the Oracles. Marrin, as territorial as any Leontine, still considered them her responsibility in some ways, so she made sure they were eating, dressing, and behaving as well as one could expect in the Oracular Halls.

      Master Sabrai raised a brow at Sigrenne, and then threw his hands in the air, a gesture entirely at odds with both his dress and his generally reserved manner.

      Sigrenne took this as permission to speak about matters that concerned the Oracles more directly. “You’re the only Supplicant we’re entertaining today. And that would mean you’re here by Imperial Dictate.” The last two words were spoken with very chilly and suspicious capitals.

      Kaylin stiffened. “The other Supplicants?”

      “Meetings have been postponed.”

      “For how long?”

      “Indefinitely. You can imagine how popular this has made Master Sabrai.”

      If the Oracles did, indeed, see into the future—or the past—they often spoke in a way that made no bloody sense to anyone who couldn’t also see what they were seeing. Some of the Oracles didn’t speak at all, although that was rarer. But since the Emperor himself consulted with the Oracular Halls from time to time—and funded them—many powerful men and women thought they could gain some advantage by visits to the Oracles.

      Those visits weren’t free, and they weren’t cheap. Kaylin, who sneered at the charlatans in Elani on a weekly basis, found the so-called real thing just as troubling, but for different reasons. She was mostly certain that the Supplicants who came with their questions couldn’t make heads or tails of the answers they actually got, and she couldn’t figure out why they’d spend the money at all.

      But people with that much money could be really, really difficult if disappointed. She glanced at Sabrai. “Why have the Halls been closed to visitors?” she asked, in the no-nonsense tone she’d adopted while on formal Hawk business.

      “I would imagine,” he replied, “that you have some suspicion, or Lord Sanabalis wouldn’t have sent you.”

      “Is it like the last time?”

      “No. Or at least, not yet.”

      She waited.

      So did he. And since he was used to dealing with people who could forget a conversation before they’d even finished a sentence, he won. “What do you mean when you say not yet?”

      “There were a number of disturbing incidents today.”

      “Were there any visual Oracles offered?”

      “There were. They are not…unified, but there is a similarity of theme in some of them. It is not the visual that is of concern, and until we isolate the possible cause, we would prefer not to deal with the more trivial questions that cross this threshold. Why did the Emperor send you?”

      “There were marked unusual disturbances in parts of the city today.”

      “Unusual?”

      “You could call them miraculous, given that we were on Elani.”

      “How?”

      “Some of the daily garbage that passes for magic on Elani actually seemed to work,” she replied.

      He was silent for a few moments, staring just to the left of Kaylin’s shoulder.

      “Master Sabrai,” Sigrenne said firmly.

      He blinked, and shook his head. “My pardon, Sigrenne. I was…thinking.” His gaze became more focused, and his expression sharper. “And did incidents of this nature occur elsewhere?”

      “Yes. I’m wondering, at this point, if they occurred here.”

      “No. Or at least not in a fashion that would appear unusual to either myself or the caretakers. What question do you have for us?”

      “I’ll get to that in a minute,” she replied, with a confidence she didn’t feel, because she didn’t actually have a question she wanted to hand to the Oracles. “Can you describe the unusual verbal incidents you’ve been experiencing?”

      He hesitated for just a moment, and then said, “Let me see the letter you’re carrying.” It wasn’t what she was expecting, but she had no trouble handing it over. He, on the other hand, read it with care before he returned it.

      “We have transcripts on hand,” he finally said. “They are less…useful…than normal, but in the past two days, a pattern seems to be emerging. The pattern involves fear—of monsters, of armies, of invasions. And,” he added, with a frown, “of doors.”

      She watched the glance that passed between Master Sabrai and Sigrenne.

      “There’s more.”

      Master Sabrai nodded and massaged the bridge of his nose. “Everly is painting.”

      CHAPTER 4

      Everly wasn’t painting. He was stretching a canvas. He worked, as he always did, in silence; the only noises he made were the usual grunts physical effort produced. The canvas, however, was taller than he was, and it was almost as wide as it was tall. Kaylin looked at it, and then turned to Master Sabrai.

      “When did he start?”

      “Approximately two hours ago. We keep wood, nails, and canvas in the corner of his gallery.” The gallery in question was also the room he slept and lived in.

      “He hasn’t done any drawings at all?”

      “No. Not one. Whatever it is he’s painting, the image is

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