Emperor of Thorns. Mark Lawrence
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I staggered on the way to the door, catching at a monk’s arm for support. He shook me off, a stony look on his face, as if I were diseased. The church stretched and squashed, the walls and pillars dancing like reflections on a pond.
‘What?’ I tasted the bitterness again and my tongue ran out of words. My hands sought the knife that should have been on my belt. My hands knew the danger.
‘Jorg?’ I heard Arthur’s voice, saw him bundled away by the monk with the ticks and foul stinks.
Somehow I came to the doors that led outside, and leaned on them. Cold night air would help. They gave, opening by degrees, and I slipped through. Strong arms wrapped me. One of Murillo’s men-at-arms. A black hood, taking away the world, throttling hands. I threw my head back and heard a nose break. And fell into a confusion without up or down, without sight, straining against bonds, and drowning, choking, retching in the dark.
Memory gives me only pieces of the time spent in the bishop’s chambers, but those pieces are clear and razor-edged. I had never fought Katherine when she pulled me into nightmare. Now I fought her as she tried to leave. I fought her as I drew each part of those broken memories through the channel she had opened – like Brother Hendrick and his Conaught spear, I didn’t care if they tore me, so long as she felt some fraction of it too.
The smell of Murillo, perfume and sweat. The corrupt softness of his bulk. The strength that twisted my limbs until they creaked, until the pain reached me through the fog of whatever drug the wine had hidden, and tore thin screams past the gag. I made Katherine watch and share, made her share the pollution, the crude stink of his lust, the delight he took in his power, the horror of being helpless. I let her hear his grunting. I made her understand how dirt can get inside you, too deep to be scrubbed out, too deep to be bled out, perhaps too deep even to be burned out. I showed her how that stain can spread, back across the years turning all a child’s memories to rot and filth, out across a future, taking all colour and direction.
I kept her with me, lying soaked in blood and filth and pain, bound, blindfold, sick with the drug and yet clinging to it for fear of the clarity a clear head would bring.
I won’t say rage kept me alive. Those poisoned hours offered no escape, nothing so tempting as dying, but perhaps if I could have slid away into death, if it had been an option, then my anger might have been the thing to keep me back. As the drug faded from me and focus returned, a need for revenge started to build, quickly eclipsing all minor desires such as escape, the easing of pain, or the need to breathe.
Chains can hold a man. A well-fastened manacle will require the breaking of bones before the prisoner can win free. Ropes in general cannot be broken, but with determination they can often be slipped. Lubrication is the key. Sweat will normally start the process, but before long the skin will give and blood will help those rough fibres slide over raw flesh.
The bishop didn’t wake. I made no noise while I freed my hands, tied behind my back. I eased from the bed, slithering across stained silk sheets. On the floor I took the fruit knife from the bedside table and by the glow of the dying fire sawed at the bonds around my ankles. I walked naked from the room. As if there could be more shame. I took the knife and the poker from the fire with me.
In the small hours of night the monastery corridors lay empty. I walked them blind, trailing the point of the knife along the walls from time to time to count my way. I heard plainsong as I walked, though there were none awake to sing it. Even so, I heard plainsong, pure in its promise, as if all things holy and good were pressed into notes, and spilled from the mouths of angels. I hear it even now when I remember those orphan boys, the digging in that field, mud and potatoes, lessons and games. I hear it as if it were reaching faint through a closed door. And the song drew a tear from me, oh my brothers, not the hurt, or shame, not betrayal, or that last lost chance of redemption – just the beauty of that song. One tear on a hot slow roll down my cheek.
I left by the door to the stables, unlatching it and turning the heavy iron ring. Both the soldiers on the other side turned, blinking away boredom. I felled them with two blows of the poker, first to the left temple of the right guard, then the right temple of the left. Whack, whack. They didn’t deserve to be called soldiers, defeated by a naked child. One lay silent, the other, Bilk I think, writhed and groaned. Him I skewered through the throat. That shut his noise. I left the poker in him.
The stables smelled of every other stables. In the darkness, amongst the horses, I could have been anywhere. I moved without sound, listening to the clop of hooves, the restless snort and shudder of disturbed mounts, the scurry of rats. I took as much rope as I could carry and a sharper knife used for working leather. The coils itched my shoulder and back as I returned through the blind corridors.
I left the rope outside the bishop’s door and went back for a bale of straw and the soldiers’ lamp. The big horses that pulled the Pope’s carriage were housed in the stall closest to the stable doors. The larger of the two stepped out when I opened the stall, head down, looking more asleep than awake. I set a tether around his thick neck and left him standing there. He looked as though he would stand forever, or at least until someone gave him reason to move again.
I guessed Murillo’s men-at-arms would be billeted with Lord Ajah’s soldiers in the almonry for the night. At some point the monks would be on the move for the night prayer. I didn’t know when that might happen, nor truly care: I would just kill anyone in my way. The night still had a dream-like quality, perhaps the tail end of whatever poison Murillo had had the priest slip into the wine.
The swinging lamp chased thin shadows across the walls, copies of my limbs. I wedged handfuls of straw beneath the roof eaves where I could reach by climbing on barrel or sill. I wedged more between the split wood, stacked for winter against the chapterhouse wall. There’s not much to burn in a stone-built monastery, but the roof is always the best bet. And of course the guest quarters where the bishop slept offered more combustibles, with several tapestries, wooden furniture, shuttered windows. I went into the priests’ rooms, two priests in the chamber to the left of the bishop’s and three opposite. I cut their throats as they slept, a hand to the mouth while I tugged the sharpness of the leather-knife through skin, flesh, cartilage and tendon, through vein, artery, and wind-pipe. Men sliced like that make strange noises, like wet bellows pumping, and thrash before they die, but in the tangle of their bed linens it isn’t loud. I set straw and bedding ready to fire in the priests’ rooms too.
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