Kill the Dead. Richard Kadrey
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“Okay. How have you been?”
“Getting my arm about burned off and the rest of me beat to shit by vampires. I was hoping maybe one of you would return my call and help me out with that since that’s what I thought you did for a living. Don’t worry, though. I got some Bactine.”
“Problem solved, then,” says Kinski.
“I hope you’re doing some superfine doctoring wherever it is you’ve been going. You better have figured out how to cure cancer with ice cream or something ’cause your reputation is going to shit around here.”
Kinski takes a step closer, speaking quietly.
“There’s a lot going on in the world that doesn’t have anything to do with you.”
“What does that mean?”
“It means you’re always going to get burned up. Or your ass kicked by vampires. Sinatra sings ‘My Way’ and you crack your ribs. You’re a walking disaster area and I can’t fix that for you.”
“Thanks all to hell, doc. You’re a real chip off the Hippocratic oath. I’d ask you for a referral to another doctor but L.A. is full of assholes, so it shouldn’t be hard to find one.”
“You want some advice? Start stealing ambulances instead of flashy cars. Allegra can take care of you until we get back. That’s all I can do for you right now.”
“Where is it you need to be so fast? Are you two okay?”
“Candy and I need to be elsewhere. We need to be there soon, and standing here talking to you isn’t getting us any closer.”
Kinski goes to his car and Candy gets inside. I walk around to the passenger side and look in the window at her. She looks at me, away, and then back. There’s something in her eyes that I can’t quite figure out. It’s more than being uncomfortable about when we kissed at Avila, but I can’t tell what. Did she fall off the wagon again and kill someone?
Kinski starts the car and guns the engine. He takes the brake off, and I step out of the way so he can line up the car for the street. I’m getting back in the Veyron when I hear a car door open and slam shut. A second later Candy is next to me. She grabs me around the neck.
“I miss you, but we have to go. Things will be okay soon. You’ll see.”
She pecks me on the lips, turns, and gets back in the car. The doc steers them out onto Sunset, where they disappear into traffic.
THE CHATEAU MARMOT is a giant white castle on a green hill and it looms over Sunset like it fell out of a passing UFO. It fits in with the surrounding city with all the subtlety of a rat on a birthday cake. Make that a French rat. The place is a château, after all.
When the parking attendant sees the Bugatti, he mistakes me for someone he should care about and rushes over. His interest lasts for maybe a second, the exact amount of time it takes me to step out of the car. People have cash registers for eyes at places like this. By the time my feet are on the ground, he’s totaled up exactly how much my clothes and haircut are worth and I’ve come up short. Still, I’m driving a two-million-dollar car, so I might be an eccentric foreign director who’s just flown in for some meetings and sodomy, which means he can’t quite work up the nerve to shoo me away like a stray dog that just crapped in the pope’s big hat.
“Good evening, sir.”
“What time do you have?”
He checks his watch.
“Ten to eleven.”
“Thanks.”
He tears a numbered parking tag in half, hands me half, and sets the other half on the Bugatti’s dashboard.
“Are you staying at the hotel?”
“No. Meeting a friend.”
“That will be twenty dollars, sir.”
I tear up the parking tag and drop the pieces on the ground.
“I’ve got a better idea. Keep the car.”
“Sir?”
He wants to come after me, but other cars are arriving, so he drives the Bugatti into the garage.
Inside, I go the front desk and it hits me that I don’t have a room number or any idea who to ask for. Point for Kasabian.
“Good evening, sir. How can I help you?”
The desk clerk looks like Montgomery Clift and is better dressed than the president. He’s smiling at me, but his pupils are dilating like he thinks I’m going to start stealing furniture from the lobby. I stashed the leather jacket in the Room of Thirteen Doors before coming over and am wearing the rifle coat. I thought it looked classier and more formal, but maybe I was wrong.
“A friend of mine is staying here, but I don’t have his room number.”
“Of course. What’s your friend’s name?”
“I don’t know.”
“Excuse me?”
“He’s not going to give his real name and I don’t know what name he’s using. He has a lot of them.”
The clerk raises his eyebrows a little. Now he has an excuse to release his inner snotty creep.
“Well, I’m not sure what I can do about that. You and your friend should probably have dealt with that in advance. Are you even sure he’s here? We specialize in a fairly exclusive clientele.”
“He’ll be in your penthouse. The biggest one you have.”
The clerk smiles like I’m a bug and he’s deciding whether to step on me or hose me down with Raid.
“Unless your friend is a Saudi prince with an entourage of thirty-five, I’m afraid you’re mistaken.”
“Check your register again. I know he’s here, Maybe the prince checked out.”
“The prince’s rooms are booked through the summer, so, no, there’s no mistake.”
I get out my phone and dial the direct line to my room above Max Overdrive. I know Kasabian is there, but he doesn’t answer. He knows what time it is and he’s probably dancing a centipede jig and laughing at me as the phone rings and rings. I put the phone back in my pocket. The clerk is looking at me. His expression hasn’t changed. What I want to do is punch a hole in the front of the desk, reach through, grab his balls, and make him sing The Mickey Mouse Club song. But these days, I’m working on the theory that killing everyone I don’t like might be counterproductive. I’m learning to use my indoor voice like a big boy, so I smile back at the clerk.
“Are you sure you don’t have another penthouse lying around here somewhere? Some off-the-books place you keep for special guests?”
“No, I’m sure we don’t have anything like that. And without a name