sensed that this time he had struck the right note. Isabella was on his side once and for all.
‘Have you the names of the men with whom my sisters-in-law …?’ she asked.
She lacked the crudeness of her cousin and could not bring herself to utter certain words.
‘Do you not know them?’ she said. ‘Without their names I can do nothing. Get them, and I promise you that I shall come to Paris at once upon some pretext or other, and put an end to this disorder. How can I help you? Have you told my uncle Valois?’
She was once more decisive, precise and authoritative.
‘I took care not to,’ answered Artois. ‘Monseigneur of Valois is my most loyal patron and my greatest friend; but he is the exact opposite of your father. He’d go gossiping all over the place about what we want to keep quiet, he’d put them on their guard, and when the moment came when we were ready to catch the bawds out, we should find them as pure as nuns.’
‘Well, what do you suggest?’
‘Two courses of action,’ said Artois. ‘The first is to appoint to Madam Marguerite’s household a new lady-in-waiting who will be in our confidence and who will report to us. I have thought of Mme de Comminges for the post. She has recently been widowed and deserves some consideration. And in that your uncle Valois can help us. Write him a letter expressing your wish, and pretending to interest on the widow’s behalf. Monseigneur has great influence over your brother Louis and, merely in order to exercise it, will at once place Mme de Comminges in the Hôtel-de-Nesle. Thus we shall have a creature of ours on the spot, and as we say in military parlance, a spy within the walls is worth an army outside.’
‘I’ll write the letter and you shall take it back with you,’ said Isabella. ‘And what more?’
‘You must allay your sisters-in-law’s distrust of you; you must make yourself amiable by sending them nice presents,’ Artois went on. ‘Presents that would do as well for men as women. You can send them secretly, a little private friendly transaction between you, which neither father nor husbands need know anything about. Marguerite despoils her casket for a good-looking unknown; it would really be bad luck if, having a present she need not account for, we don’t find it upon the gallant in question. Let’s give them opportunities for imprudence.’
Isabella thought for a moment, then went to the door and clapped her hands.
The first French lady entered.
‘My dear,’ said the Queen, ‘please bring me the golden almspurse that the Merchant Albizzi brought me this morning on approval.’
During the short wait Robert of Artois for the first time ceased to be concerned with his plots and preoccupations and looked round the room, at the religious frescoes painted on the walls, at the huge, beamed roof that looked like the hull of a ship. It was all rather new, gloomy and cold. The furniture was fine but sparse.
‘Your home is not very gay, Cousin,’ he said. ‘One might think one was in a cathedral rather than a palace.’
‘I hope to God,’ Isabella said in a low voice, ‘that it does not become my prison. How much I miss France!’
He was struck by her tone of voice as much as by her words. He realised that there were two Isabellas: on the one hand the young sovereign, conscious of her role and trying to live up to the majesty of her part; and on the other, behind this outward mask, an unhappy woman.
The French lady-in-waiting returned, bringing a purse of interwoven gold thread, lined with silk and fastened with three precious stones as large as thumbnails.
‘Splendid!’ Artois cried. ‘This is exactly what we want. A little heavy for a woman to wear; but exactly what a young man at Court dreams of fastening to his belt in order to show off.’
‘You’ll order two similar purses from the merchant Albizzi,’ said Isabella to her lady-in-waiting, ‘and tell him to make them at once.’
Then, when the Frenchwoman had gone out, she added for Robert’s ear, ‘You’ll be able to take them back to France with you.’
‘No one will know that they passed through my hands,’ he said.
There was a noise outside, shouts and laughter. Robert of Artois went over to the window. In the courtyard a company of masons were hoisting to the summit of an arch an ornamental stone engraved in relief with the lions of England. Some were hauling on pulley-ropes; others, perched on a scaffolding, were making ready to seize hold of the block of stone, and the whole business seemed to be carried out amid extraordinary good humour.
‘Well!’ said Robert of Artois. ‘It appears that King Edward still likes masonry.’
Among the workmen he had just recognised Edward II, Isabella’s husband, a good-looking man of thirty, with curly hair, wide shoulders and strong thighs. His velvet clothes were dusty with plaster.3
‘They’ve been rebuilding Westminster for more than fifteen years!’ said Isabella angrily. (She pronounced it Vestmoustiers, in the French manner.) ‘For the whole six years I’ve been married I’ve lived among trowels and mortar. They’re always pulling down what they built the month before. It’s not masonry he likes, it’s his masons! Do you imagine they even bother to say “Sire” to him? They call him Edward, and laugh at him, and he loves it. Just look at him.’
In the courtyard, Edward II was giving orders, leaning on a young workman, his arm round the boy’s neck. About him was an air of suspect familiarity. The lions of England had been lowered back to earth, doubtless because it was thought that their proposed site was unsuitable.
‘I thought,’ Isabella went on, ‘that I had known the worst with Sir Piers Gaveston. That insolent, boastful Béarnais ruled my husband so successfully that he ruled the country too. Edward gave him all the jewels in my marriage casket. In one way or another it seems to be a family custom for the women’s jewels to end up on men!’
Having beside her a relation and a friend, Isabella at last allowed herself to express her sorrows and humiliations. The morals of Edward II were known throughout Europe.
‘A year or so ago the barons and I succeeded in bringing Gaveston down; his head was cut off, and now his body lies rotting in the ground at Oxford,’ the young Queen said with satisfaction.
Robert of Artois did not appear surprised to hear these cruel words uttered by a beautiful woman. It must be admitted that such things were the common coin of the period. Kingdoms were often handed over to adolescents, whose absolute power fascinated them as might a game. Hardly grown out of the age in which it is fun to tear the wings from flies, they might now amuse themselves by tearing the heads from men. Too young to fear or even imagine death, they would not hesitate to distribute it around them.
Isabella had ascended the throne at sixteen; she had come a long way in six years.
‘Well! I’ve reached the point, Cousin, when I regret Gaveston,’ she went on. ‘Since then, as if to avenge himself upon me, Edward brings the lowest and most infamous men to the palace. He visits the low dens of the Port of London, sits with tramps, wrestles with lightermen, races against grooms. Fine tournaments, these, for our delectation! He has no care who runs the kingdom, provided his pleasures are organised and shared. At the moment it’s the Barons Despenser; the father’s worth no more than the son, who serves my husband for a wife. As for myself, Edward no longer
