it’s a necropsy—but we have a fellow on staff who deals with all animals that aren’t of the human variety,” Hatfield said. “And we’ll keep you apprised every step of the way.”
“Thanks,” Griffin said. “They are blackbirds, right? Not young crows or ravens?”
“Blackbirds,” Hatfield agreed. “The size alone gives us that.”
Vickie held where she was, watching Griffin’s broad back as he headed down the rows of carefully shelved wine.
After all, he was an agent; she wasn’t sure what procedure would be. It was best in this situation to let Griffin move forward without her.
And...
For a moment, she felt dizzy, remembering her dream.
Poe—Edgar Allan! She had met him at a tavern that wouldn’t have been far from here...the tavern he’d been found near, delirious and wearing clothing that wasn’t his.
He’d been missing three days. Some said he’d been kidnapped for his vote—and thus the different clothing that he wore. Some said that it had been the drink, that he’d met up with friends and the alcohol had quickly cost him his life.
Some said it had been a murder plot, perpetuated by relatives of the widow he’d planned to marry when his business was accomplished...
But the author and poet had not died in a wine cellar. Rather, one of his immortal characters had done so!
“Miss?”
“Oh! I’m sorry!”
Men from the medical examiner’s office were there to take the body. She quickly moved out of the way.
Griffin came back from walking up and down the racks of wine.
“I’ll know soon enough what I suspect, even if it takes a bit longer to be official,” said Dr. Hatfield. “Special Agent Pryce, you’re welcome to come by this afternoon with Carl. I’m afraid that this gentleman will be bringing me in to work all day on a Saturday.”
Griffin shook hands all around and gave Detective Morris a card; Morris returned the courtesy. Then Griffin set an arm on Vickie’s shoulder and they started back up the steps to the restaurant.
They walked outside.
Vickie stopped dead.
There were birds everywhere.
“Ravens!” she gasped.
“Blackbirds,” he said. “I had an uncle who loved birds. Crows, ravens, rooks and blackbirds—all confused for each other, but all different birds. Ravens belong to the crow—or corvids—family, but not all crows are ravens. Blackbirds belong to the thrush family. A raven, however, is about the size of a hawk and a crow is about the size of a pigeon. Those guys...”
He was looking up; he suddenly stopped speaking.
“How bizarre!” he said.
“What?” she asked.
He pointed high where a bird glided over the street, far above the little blackbirds that gathered on buildings and wires.
“That one—that one is a raven,” he said.
Vickie wasn’t at all sure why—the sun was brilliantly shining—but she shivered. She stared at the bird.
It flew over the area, again and again, before lighting on the roof of a nearby building.
Griffin looked at her. “Come on. Let’s go see Mrs. Verne. I’ll report to Jackson. Maybe we can still get in a trip out to Fort McHenry.”
“Actually...”
“What?”
“I think we should visit Poe’s grave,” Vickie said.
“Haven’t you been before?”
“I have.”
“It’s just... It’s a grave,” he reminded her.
“Yes, but fitting today, don’t you think?” She shrugged. “It is one of those things you do in Baltimore, you know.”
* * *
The hardest part of the job wasn’t dealing with the dead.
The dead didn’t weep like the living.
Griffin hadn’t met Monica Verne before, but thanks to his conversation with Jackson, he knew that Adam Harrison was friends with her.
Adam was careful about the friends he chose.
Griffin and Vickie reached Monica Verne’s palatial home on the outskirts of the city right before noon.
An attractive young woman wearing a black dress, functional pumps and a bleak expression opened the door.
“Police?” she demanded. She had an accent. She was most probably from somewhere in Eastern Europe.
“No, ma’am,” Griffin began.
“You are despicable! You are horrible. Poor Mrs. Verne. She’s just learned about this unspeakable tragedy—from you people! And you are hounding her!”
“Ma’am!” Griffin said. “We’re not the police. We’re FBI—and Mrs. Verne requested that we be here. Please, we’re here on behalf of Adam Harrison.”
“Oh, oh, oh! Do come in! This way!”
She led them to the widow. Monica Verne was seated in the enclosed back porch of the home, which sat on a little hillock. Picture windows looked out on beautiful gardens, a pond and a small forest.
Monica was slender, almost ethereal. She was no trophy wife; while very lovely, she’d done nothing to correct the changes of time. She was obviously in her late sixties, and still beautiful. Great bone structure, huge powder blue eyes and a quick smile for them—even through her tears.
“I’m so grateful that you’re here and that you’ve come so quickly! I knew that Adam would help... I knew. The police are going to get this all wrong. It’s such bull! Franklin was, of course, a player when he was young—some drugs, a hell of a lot of drinking, partying. That’s how we met—back when I was modeling he was just becoming known as an author. Struggling! Wasn’t making much of anything at the time. I was actually the far more prestigious person! We met at a party where I was a guest—and he was working for the catering company!” She wasn’t boasting when she spoke; she was laughing. She choked slightly, more tears spilling from her eyes.
Vickie reached out and set her hand over Monica’s. “I’m so sorry.”
Monica looked at Vickie and nodded. Griffin thought that Vickie’s ability to empathize with others and offer them real comfort was going to be one of her greatest assets in joining the Krewe. It was also going to be one of the most difficult parts of the job for her to learn
