The Malice. Peter Newman
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As if in answer a light winks into existence at the bottom of the hill, illuminating a man in dark uniform, the only decoration a badge of the winged eye at the collar. As girl and goat approach, the figure resolves into a familiar shape: Genner. He shines his light on them. ‘Vesper? What …? His light travels to the sword and back up to Vesper’s face. ‘What are you doing with a relic of The Seven?’
‘I’m sorry!’ she blurts. ‘I had to, I—’
Genner’s frown smoothes suddenly. ‘It chose you!’ he exclaims. ‘We expected it to call your father … but it’s you! You … you are the new bearer.’
Caught between trouble and truth, she nods, her eyes darting back towards the house with the lie.
He goes down on one knee, lowering his head. Ginger hair refuses to be sombre, springing from its tie like an angry bush. Words are intoned, soft, musical, their meaning lost on Vesper. Genner looks up. ‘Thank The Seven. Bearer, we must—’
‘Me?’ She stifles a laugh. ‘I’m not … I just thought, well, if my father doesn’t want to use the sword, I should take it to someone who did.’
‘Vesper, you don’t understand. The sword lets you carry it. It has chosen you.’
She remembers the way it looked at her and doesn’t believe him. ‘I suppose so.’ Vesper looks warily over her shoulder.
Behind Genner, the air shimmers as if struck by the summer suns. A beat later, the space is filled by a sky-ship. Vesper’s eyes widen, taking in the stars reflected in its surface, and the tapering wings where twin engines spin, murmuring.
Genner smirks. ‘That’s exactly what I said when I first saw one.’
The kid is less impressed, diving for cover behind Vesper’s legs.
‘Are you ready, bearer?’
On the side of the sky-ship a door opens, swinging upward on a hinge. ‘This way,’ Genner says, gesturing to the door. ‘We’ve been waiting for you.’
Vesper allows herself to be led aboard, hesitating briefly as thoughts of her parents flare, worried faces, words of disappointment, and that frown.
The kid panics. Before he can make a decision, the girl and the man have climbed inside. With a cry, the kid dashes after them.
The door shuts before he gets there.
The kid cries out again.
The engines spin faster, light building, taking the weight of the sky-ship, preparing to leap towards heaven.
The door opens again and Vesper’s head appears. ‘Come on then!’
This time the kid doesn’t hesitate.
As soon as he has leapt inside, the door closes again. Light pulses, pushing down, and grass sprays outward. The frame of the vehicle trembles, the air around it becoming opaque.
A moment later, the sky-ship is gone.
The first of the suns begins to rise, charging the air gold. Its light picks up a house on top of a hill. The house is quiet, full of tension. The door opens and a man steps out. He limps quickly across to the smaller house and looks inside.
Dark eyes glare at him.
He ignores them and goes back into the other house. Minutes pass and he appears again, this time with a hand-carved staff. The wood is worn with use, much like the man that carries it. He sets out quickly, wincing as he goes, amber eyes hunting the grasses.
Harm steps out soon after, moving slowly. He also carries a stick but, rather than leaning on it, he lets it brush the earth by his feet, bouncing lightly, testing for bumps.
‘Any sign of her?’
Vesper’s father doesn’t answer, continuing his study of the ground.
Irregular footprints are easily found in the dirt. Nodding grimly, he follows.
The red glow of the second sun tints the clouds as he reaches the bottom of the hill.
He stops, frowning at the carnage inflicted on the ground. Powerful forces have churned earth here, eating the trail. His frown deepens. No tracks appear on the other side.
He looks up, shielding his eyes from the light.
Nothing.
Eventually, Harm’s hand finds his shoulder. He allows himself to be turned round, takes a breath to speak but, instead of words, tears fall.
For a long time they stand, two men joined in sadness, their shadows circling, the suns slow-dancing across the sky.
*
Away from the hustle and bustle of the imperial port, three figures haggle. Waves lap the rocks. Gossip and insults fly back and forth, changing hands faster than goods. Underneath gruff exteriors a strange affection lies. Each has survived long enough to weather the distaste of the other. Each has a secret.
One is a woman who fled from the south years ago. As her companions fell around her, she found the strength to move forward, fuelled by their failure. Sometimes she dreams of those days, waking with the taste of raw meat on her lips.
One is a man who steals goods from others, passing them off as his own.
One is neither woman nor man. Appearing to mortal eyes they appear as a woman of middling years. Perhaps her hair is a little lank, her skin a little pale, but this is hardly uncommon for those forced to live beyond the Shining City’s border.
The three hide their true natures, keeping well clear of the Winged Eye’s agents, skulking in the fringes.
As they continue their haggling and grumblings, a sky-ship passes overhead, quick, invisible.
Two of the figures do not notice. The third looks up sharply, as if a wasp has stung her on the crown.
‘You alright there, Nell?’
She pauses. The others cannot see the essence flow around her. Normally, the First keeps each of its fragments buried deep within mortal shells, to protect them from the rage of the world. However, a link between them remains, faint, a spiderweb drawn in watercolour, more memory than substance, an echo. And while each is distinct, evolved slightly away from the original, they can, for a moment, become one again.
The First takes the moment. Experiences jar together, jumbling, confusing, multiple timelines jostling, arranging themselves, finding order. Briefly, the First breathes easily, unconstrained.
Then the burning starts and it is over.
Lines of essence fade and consciousness divides, shrinking down.
In total, the pause is little more than the heartbeat of a hummingbird, but that is all it takes for the information to pass unseen across the ocean.
Such exertions cause the First terrible pain but impulses are easily controlled. In a dozen different places,