The Office of the Dead. Andrew Taylor
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All things considered, the money lasted surprisingly well. Henry worked as a sort of stockbroker, sometimes by himself, sometimes with partners. If it hadn’t been for Grady he might still be doing it. He once told me it was like going to the races with other people’s money. He was in fact rather good at persuading people to give him their money to invest. Occasionally he even made them a decent profit.
‘Swings and roundabouts, I’m afraid,’ I heard him say dozens of times to disappointed clients. ‘What goes up, must come down.’
So why did his clients trust him? Because he made them laugh, I think, and because he so evidently believed he was going to make their fortunes.
So why did I stay with him for so long?
It was partly because I came to like many of the things he did. Still do, actually. You soon get a taste for big hotels, fast cars and parties. I liked the touch of fur against my skin and the way diamonds sparkled by candlelight. I liked dancing and flirting and taking one or two risks. I occasionally helped Henry attract potential clients, and even that could be fun. ‘Let’s have some old widow,’ he’d say when things were going well for us, and suddenly there would be another bottle of Veuve Clicquot and another toast to us, to the future.
When Henry met me I was a shy, gawky girl. He rescued me from Harewood Drive and gave me confidence in myself. I think I stayed with him partly because I was afraid that without him I would lose all I had gained.
Most of all, though, I stayed because I liked Henry. I suppose I loved him, though I’m not sure what that means. But when things were going well between us, it was the most wonderful thing in the world. Even better than dry martinis and the old widow.
Letters continued to travel between Janet and me. They were proper ones – long and chatty. I didn’t say much about Henry and she didn’t say much about David. A common theme was our plans to meet. Once or twice we managed to snatch a day in London together. But we never went to stay with each other. Somehow there were always reasons why visits had to be delayed.
We were always on the move. Henry never liked settling in one place for any length of time. When he was feeling wealthy we rented flats or stayed in hotels. When money was tight, we went into furnished rooms.
But I was going to spend a few days with Janet and David in Rosington after Easter 1957. Just me, of course – Henry had to go away on what he called a business trip, and in any case he didn’t want to go back to Rosington. Too many people knew why he’d left.
I’d even done my packing. Then the day before I was due to go, a telegram arrived. Mrs Treevor had had a massive heart attack. Once again the visit was postponed. She died three days later. Then there was the funeral, and then the business of settling Mr Treevor into a flat in Cambridge. Janet wrote that her father was finding it hard to cope since her mother’s death.
So we continued to write letters instead. Despite her mother’s death, it seemed to me that Janet had found her fairy tale. She sent me photographs of Rosie, as a baby and then as a little girl. Rosie had her mother’s colouring and her father’s features. It was obvious that she too was perfect, just like David and the Dark Hostelry.
Life’s so bloody unsubtle sometimes. It was all too easy to contrast Janet’s existence with mine. But you carry on, don’t you, even when your life is more like one long hangover than one long party. You think, what else is there to do?
But there was something else. There had to be, as I found out on a beach one sunny day early in October 1957. Henry and I were staying at a hotel in the West Country. We weren’t on holiday – a potential client lived in the neighbourhood, a wealthy widow.
It was a fine afternoon, warm as summer, and I went out after lunch while Henry went off to a meeting. I wandered aimlessly along the beach, a Box Brownie swinging from my hand, trying to walk off an incipient hangover. I rounded the corner of a little rocky headland and there they were, Henry and the widow, lying on a rug.
She was an ugly woman with a moustache and fat legs. I had a very good view of the legs because her dress was up around her thighs and Henry was bouncing around on top of her. His bottom was bare and for a moment I watched the fatty pear-shaped cheeks trembling. The widow was still wearing her shoes, which were navy-blue and high-heeled, surprisingly dainty. I wouldn’t have minded a pair of shoes like that. I remember wondering how she could have walked across the sand in such high heels, and whether she realized that sea water would ruin the leather.
I had never seen Henry from this point of view before. I knew he was vain, and hated the fact that he was growing older. (He secretly touched up his grey hairs with black dye.) The wobbling flesh was wrinkled and flabby. Henry was getting old, and so was I. It was the first moment in my life when I realized that time was running out for me personally as well as for other people and the planet.
Maybe it was the alcohol but I felt removed from the situation, capable of considering it as an abstract problem. I walked towards them, my bare feet soundless on the sand. I crouched a few yards away from the shuddering bodies. Suddenly they realized they were not alone. Simultaneously they turned their heads to look at me, the widow with her legs raised and those pretty shoes in the air.
Still in that state of alcoholic transcendence, I had the sense to raise the Box Brownie and press the shutter.
I don’t keep many photographs. I am afraid of nostalgia. You can drown in dead emotions.
Among the photographs I have thrown away is the shot of Henry bouncing on his widow on the beach. I knew at once that it could be valuable, that it meant I could divorce Henry without any trouble. At the time, the remarkable thing was how little the end of the marriage seemed to matter. Perhaps, I thought as I took the film out of the camera, perhaps it was never really a marriage at all, just a mutually convenient arrangement which had now reached a mutually convenient end.
I still have a snap of us by the pool in somebody’s back garden in Durban with Henry sucking in his tummy and me showing what at the time seemed a daring amount of naked flesh. There’s just the two of us in the photograph, but it’s obvious from the body language that Henry and I aren’t a couple in any meaningful sense of the word. Obvious with twenty-twenty hindsight, anyway.
In my letters to Janet I had been honest about everything except Henry. I didn’t conceal the fact that money was sometimes tight, or even that I was drinking too much. But I referred to Henry with wifely affection. ‘Must close now – His Nibs has just come in, and he wants his tea. He sends his love, as do I.’
It was pride. Janet had her Mr Perfect and I wanted mine, or at least the illusion of him. But I think I’d known the marriage was in trouble before the episode with the widow. What I saw on the beach merely confirmed it.
‘I want a divorce,’ I said to Henry when he came back to our room in the hotel. By the smell of him he’d fortified himself in the bar downstairs.
‘Wendy – please. Can’t we –?’
‘No, we can’t.’
‘Darling.