32
The cold night breeze shifted, blowing stinging smoke from old Teolin’s campfire into Mahti’s eyes. The young witch blinked it away, but remained squatting motionless, his bearskin cloak pulled around him like a little hut. It was bad luck to fidget during this last crucial step of the making.
The old witch hummed happily as he heated his knife again and again, using the tip and edge to incise the rings of dark, intricate patterns that now covered most of the long wooden tube. Teolin was ancient. His wrinkled brown skin hung on his skinny frame like old cloth and his bones showed through. The witch marks on his face and body were hard to read, distorted by the ravages of time. His hair hung over his shoulders in a thin tangle of yellowed strands. Years of making had left his blunt, knobby fingers stained black, but they were as nimble as ever.
Mahti’s last oo’lu had cracked one cold night this past midwinter, after he’d played out an elder’s gallstones. It had taken months of searching to find the right kind of bildi branch to make a new one. Bildi trees weren’t scarce, but you had to find a sapling trunk or large branch that had been ant-hollowed, and the right size to give a good tone. “High as your chin, and four fingers broad”; so he’d been taught and so it was.
He’d found plenty of flawed branches in the hills around his village: knotted ones, cracked ones, others with holes eaten out through the side. The large black ants that followed the rising sap through the heartwood were industrious but undiscerning craftsmen.
He’d finally found one, and cut his horn stave from it. But it was bad luck for a witch to make his own instrument, even if he had the skill. Each must be earned and given from the hand of another. So he’d strapped it to his back over his bearskin cloak and snowshoed for three days and nights to bring it to Teolin.
The old man was the best oo’lu maker in the eastern hills. Witch men had been coming to him for three generations and he turned away more than he accepted.
It took weeks to make an oo’lu. During this time it was Mahti’s job to chop wood, cook food, and generally make himself useful while Teolin worked.
Teolin first stripped the bark and used live coals to burn out the last of the ants’ leavings. When the stave was fully hollowed he went out of earshot to test the tone. Satisfied, he and Mahti rested and traded spells for a week while the hollow branch hung drying in the rafters near the smoke hole of Teolin’s hut.
It dried without warping or cracking. Teolin sawed the ends square and rubbed beeswax into the wood until it gleamed. Then they’d waited two more days for the full moon.
Tonight was the sit-still.
That afternoon Mahti had scraped away the snow in front of the hut and dragged out an old lion skin for Teolin to sit on. He laid a large fire, with more wood stacked within easy reach, and hunkered down to tend it.
Teolin sat down wrapped in his moth-eaten bearskin and set to work. Using a heated iron knife, he etched the rings of magic onto the wood. Mahti watched with rapt attention as he fed the fire, marveling at how the designs seemed to flow from the tip of the blade, like ink onto deerskin. He wondered if it would come so easily to him, when the time came for him to make oo’lus for others?
Now the Mother’s full white face was high overhead and Mahti’s ankles ached from squatting, but the oo’lu was nearly done.
