bottle and do real work. Now I just have to figure out how to wrangle his soul out of damnation so I can give it back to him.
“Hey, Mike. How’s tricks?”
Mike must have been lost in his work. He lurches up from his seat like he wants to jump out of his own skin and into whatever kind of animal he’s building. It looks like a Nerf ball with spikes. Mike has always been high-strung. It takes him a second to catch his breath.
“Shit. Don’t sneak up on me like that.”
Then he remembers he’s talking to the guy he thinks is the Devil.
“Shit. I’m sorry. I didn’t mean to yell.”
I shake my head.
“No worries. It’s about the nicest thing anyone’s said to me today.”
Mike’s right hand is still sort of attached to the strange Nerf animal by spiderweb-thin filaments that run from a tiny clamp in his hand to the animal’s back. The animal is gently suspended in the air in a larger web strung up between two long, curved pipes bolted to each side of a metal table. The pipes look like they might have come off a car’s exhaust system. Mike’s terrifying tools are spread out on the table. They look like things Hellions would use to perform surgery on people they don’t like very much.
Once Mike has a second to process that this is an unscheduled visit, thankfully, a smaller wave of panic sets in.
“Oh God, don’t tell me. Something went wrong with Kasabian’s hands? His legs? I swear I’ll get whatever it is working again.”
“Attempt to be cool, Mike. Kasabian is fine. What’s the story with your spiny friend?”
“It’s a puffer fish. A fugu. Some famous Sub Rosa sushi chef is in town and one of the families wants to give him a present.”
“A fish. So, if the guy made barbecue, you’d be making him a mechanical brisket?”
“No, man. Fugu is special. Like an art form. It’s loaded with this stuff called tetrodotoxin. A badass neurotoxin. Cut the fish wrong and bam. Everyone’s dead. You need a license to make it and everything.”
I shrug.
“And people pay brisk money for this stuff?”
“‘Brisk’ ain’t the word. It’s more like make-you-weep money.”
“I didn’t realize that civilians were as stupid as Hellions when it comes to the shit they’ll stick in their mouths.”
“I wouldn’t know about that and hope I never do.”
Mike detaches the clamp from his little fish and wipes his hands on his dirty rag.
“The commission sounds like a good thing for you. You’re moving up in the Tick-Tock world.”
“Yeah. Things are going okay. You didn’t come by just to check up on me, did you?”
Up until now I’ve been holding the 8 Ball under my arm like a loaf of bread. I take it and hold it up so he can get a good look at it.
“Nothing like that. I was wondering if you’d look at something for me. It’s a fake mystical object I’m guessing someone paid a lot of money for. I was hoping you’d have some idea who made it.”
Mike takes it gently, like he’s handling a baby duck.
“I’ll have a look but I mostly know animals. Those charm- and talisman-making assholes won’t give us the time of day. They talk about Tick-Tock Men like all we make are big-ass Tamagotchis. But we’re artists, you know?”
“I know. That’s why I brought it to you. I figure an artist knows an artist.”
Mike turns the 8 Ball over in his hands, looking over every inch of it. He pulls down a magnifier mounted on the edge of the table and examines every bolt and fastening.
“Beautiful work,” he says. “Incredible detail. And these materials. Brass-and-platinum skin over a core of surgical steel and cinnabar. You see these tiny sapphires by the base?”
He holds it up. There are a few blue specks on the 8 Ball’s belly.
“Someone’s charmed them. That’s what gives it a low-level magic signature. It’s gorgeous work. Does it have a name?”
“Qomrama Om Ya.”
“Never heard of it. I like animals.”
“If it helps, the guy had a raven in his room. Good work. Very convincing.”
Mike looks up from the magnifier.
“You didn’t happen to check under the tail feathers, did you?”
“You mean, did I look at the bird’s ass? No. It never crossed my mind. I’d go back and try, only by now the ass is probably blown halfway to Las Vegas.”
Mike goes back to the 8 Ball.
“Too bad. Lots of people sign their work in places most people don’t look. That way if the bird changes hands and needs repairs, they can find the original builder.”
“That’s truly fascinating. I’ll look under your ass if it’ll help you tell me something I can use.”
“Wait,” says Mike. “Gotcha. Right there.”
He hunches over the magnifier, holding the 8 Ball closer.
“I know who made it.”
“You sure?”
He crooks a finger at me and I go around to his side of the table. The 8 Ball is huge in the magnifier. He uses one of his delicate tools to point to a single sapphire stud.
“You see that little mark etched around the sapphire? That’s the alchemical symbol for verdigris. Only one Tick-Tock Man signs his work with that. You’ll love him. He’s a total asshole. Atticus Rose.”
“Do you have a number for him?”
Mike does a sarcastic little laugh.
“Are you kidding? Rose is a golden eagle riding a gumdrop thermal over Candy Land. On a good day I’m a snail crawling across that grease pit out front. Eagles don’t give their business cards to snails.”
“You’re not a snail, Mike. You’re at least a ferret.”
“Thanks,” he says like he actually means it. “Anyway, like I was saying, we don’t move in the same circles.”
“Who would know him?”
“The high-and-mighties. Someone who can pay the equivalent of a Lamborghini for a parakeet. Someone like Blackburn. Maybe his government or showbiz buddies. You ever party with them? Me neither.”
I take the 8 Ball back from Mike. It’s hard for him to let go. It’s like he’s
