a bit too much emotion, Edie shrugged and said lightly, “I’m a behind the scenes person, that’s all.”
“Yeah. Me, too.” When she blinked, clearly surprised, Nick explained. “When I’m working on a building, the building is what matters.” He waved a hand to encompass the whole of the one he’d been working on. “Not who does the work.”
Edie looked thoughtful, then she nodded. “Yes. I see what you mean.” Then she ran an appreciative hand down one of the window casings. “You’ve done an amazing job. At least I guess you have. Honestly, it’s hard to tell where the old stuff ends and the new begins.”
“Exactly the way it’s supposed to be.”
“How do you start?”
“I case the joint,” he told her with a grin. “I go over it all with a fine-tooth comb, so to speak. I learn who built it and when and why. Then I live in it.”
“Hence the architectural renovations in your bedroom,” she said with a grin. “Seriously?”
“Seriously.” He pointed toward a door at the far end of the hall. “My digs.”
Her gaze followed his gesture. Rhiannon would doubtless have rubbed up against him and suggested, “Show me.”
Edie looked at the door, then turned back to him and asked, “When was the tower built?”
So Nick told her.
“It was a thirteenth century addition to the castle. It was designed to be a lookout and barracks for the soldiers who defended against the onrushing hordes.”
“Hordes?” Her eyes got wide. “There were hordes? It’s so small! Why would they bother?”
“The whole country was bigger back then. The royal family had more wealth and they had some good mountain valleys for cultivation. There are several natural springs as well as rivers. It would have made a nice prize for whoever could take it.” He grinned and shrugged. “But no one could.”
“I had no idea.”
“The Chamion family are survivors. They knew how to pit one enemy against another. They also knew how to make alliances and how to make friends. There’s lots of history here,” he went on as he led her through the finished rooms to a heavy oak door at the far end. He pushed it open to reveal a hall where there was substantial scaffolding. “We’re still working in here.”
There were tarps and sawhorses—his concession to modern working conditions—all over, along with piles of lumber. But the tools were all primitive, ones that thirteenth century carpenters, joiners and masons would have used. Edie headed straight for them. She asked about every one, made him explain how he used them, where he’d found them. She looked at him with admiration when he said he often made his own.
“A matter of necessity,” he said. “No old ones left.”
“And you do it all yourself?”
Nick laid a proprietary hand on one of the scaffolds. “I started it. I did the first rooms on my own so I had a good feel for things. Recently I’ve been working up in the tower and there are a couple of local craftsmen doing this.”
She walked around the room, noting where he’d replaced a joist. The new wood was evident. But she ran her finger over the chisel marks and shook her head. “It must take forever.”
“Which is why it took generations to build places like this.”
She smiled, then lifted her gaze from the wood to look at him again. He felt her gaze assessing him. “You look like such a ‘modern’ man,” she said. “It’s hard to imagine you spending your days doing this.”
His mouth quirked. “Well, I don’t usually wear a suit to work.”
“How did you get into it? Kids usually say they want to be a fireman or a cowboy.”
“I wanted to be an architect.”
“Of old buildings?”
He shrugged. “I like them.”
“Have you ever designed a new building?”
“Once,” he said curtly, turning away.
There was a moment’s silence. Then, “I’m sorry,” Edie said.
Nick shot her a quick glance from beneath drawn down brows. She was leaning against one of the worktables, her gentle eyes on him, looking incongruous and desirable, both at the same time. “Sorry about what?” he said gruffly.
“Getting too close.”
His frown deepened. “Close to what?”
“You.” She smiled faintly. “Asking about how you came to do this. What you had designed,” she added.
He felt an edginess between his shoulder blades. “It’s not important.” He picked up a chisel and balanced it on his palm, stared at it, then abruptly set it down again to look at her.
She looked back, her brows lifted a little. “I would have said it was very important,” she countered quietly.
She would have been right.
Now Nick rubbed the back of his neck, kneaded the muscles, but they remained tense. “It was,” he said tonelessly. It had changed his life.
This time she didn’t ask. She didn’t pry. She simply waited.
Nick shoved his hands into his trouser pockets, rocked back on his heels, stared into the middle distance, not at Edie.
“I designed a house,” he said at last, unsure why the words were coming out of his mouth. He didn’t talk about the house. Had never talked about it with anyone. But now he found himself saying, “I was getting married. I built it for my fiancée.” He said the words almost defiantly.
Edie made a small sound. Otherwise she didn’t move, didn’t speak.
“It was supposed to be the perfect house,” he went on, his tone as harsh as his feelings. He’d intended it to be his gift to her. He’d wanted it to be perfect. As perfect as she was.
Amy had laughed at that. “Don’t be silly,” she’d said. “I’m far from perfect.”
But he’d thought she was. Absolutely perfect in every way. She was certainly perfect for him.
So he’d made her tell him everything she’d ever dreamed of having in a house—the expansive picture windows looking out across Long Island Sound, the winding staircase, the second-story balcony overlooking the naturally landscaped pool. The massive stone fireplace, the island-centered kitchen, the three upstairs bedrooms—a suite for them and one each for the children they would have—he was determined they would all be exactly as she wanted them.
“Her heart’s desire,” he said bitterly now.
“But it wasn’t?” Edie ventured softly.
He
