Happily Never After. Kathleen O'Brien

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Lily, who’d rushed through life and had never wanted to stop for boring maintenance chores, like putting brake fluid in an aging car.

      Or like Kelly, working alone late at night in a falling-down studio with no locks on the doors.

      The doctor who’d seen Kelly that night had assured her this reaction would be quite normal. He had prescribed sleeping pills, which she didn’t take, because they seemed to open the floodgate to dreams. She turned to her work instead. She had several commissions to complete in the next weeks, and besides, the precision and focus required calmed her. The careful piecing together of small, seemingly random shapes, which came together to create a coherent whole, comforted her. Stained glass, she realized, was a pretty good analogy for life.

      It had only been two days, she reminded herself. The funeral wasn’t even scheduled until the day after tomorrow. Eventually, she’d find her equilibrium again. For now, she just had to force herself to pretend a courage she didn’t really possess.

      Though she’d been cutting without her work gloves on—one of her habitual sins—she quietly reached over, opened her drawer and slid her right hand into the soft, protective leather.

      Then she picked up the freshly bisected sheet of glass, which came to a lethal point at the tip, and walked to the back of the studio.

      She adjusted her grip on the glass. Her heart was beating so hard she could feel her pulse in her fingertips. Slowly, she opened the door….

      And found herself looking into the shining black-marble eyes of a raccoon, who had somehow managed to climb to the very top of her three-tiered plant stand and was trying to reach the bird feeder that hung from the soffit.

      The poor thing looked mortified, just as frozen into his awkward position as she had been moments earlier. He was huge, with a fat, sprawling belly that suggested this wasn’t his first late-night raid. The long gray streamer of moss that dangled from his ear proved he had tried other approaches first.

      One of the branches of the nearest oak came within six feet of the bird feeder. That must have been the thud she’d heard. The little scavenger had jumped and missed.

      His stricken gaze seemed to be asking her to pretend she didn’t see him. Smiling a little, she turned her head away. She wasn’t even sure raccoons ate seeds, but if he wanted them that badly, he could have them. She could refill the feeder for the birds in the morning.

      It was time to go to bed. She put her hand on the doorknob.

      Someone touched her shoulder.

      Electric currents of panic shot, primal and unwilled, through every vein. Her right arm came up.

      “Kelly?”

      “Jacob?” The sudden withdrawal of adrenaline left her limbs weak. With a loud exhale, she slumped against the door, just under the bare bulb that served as an entry light.

      “God, Jacob,” she breathed.

      Thankfully she’d recognized the voice before she’d had time to slash out with the glass. As it was, she had already raised it to breast level.

      Jacob Griggs, Lillith’s husband, looked down at her makeshift weapon, but it didn’t seem to frighten him. He seemed beyond caring that he’d come within six inches of being impaled on a dagger of cut glass.

      “I scared you,” he said heavily. He looked up at her. “I’m sorry.”

      He looked horrible. His face was gray, but his eyes were small and red-rimmed inside puffy circles of grief. His hair, normally so thick and shiny Lillith had rarely been able to keep her fingers out of it, seemed to have dulled and thinned almost overnight.

      “It’s okay,” Kelly said. She took his arm, and realized it was shaking. Two days ago, Jacob had been a thirty-five-year-old lawyer who jogged and played racquetball and danced and gave great parties, and generally made every woman in Cathedral Cove jealous of Lillith. In forty-eight hours, he had turned into an old man.

      But what was he doing here at nearly midnight? She looked into those eyes again and wondered if he even knew where he was.

      “Jacob, do you want to come in?”

      He just stared at her.

      She squeezed his hand. “Did you need to talk?”

      To her horror, he began to cry. His face twisted with the agony of trying to hold it back. “I don’t know,” he said. “I don’t know.”

      “It’s okay,” she said. She put her arm around his waist, though he was a full five inches taller. She wasn’t sure he wouldn’t collapse.

      He was still repeating the same broken words. “I don’t know, I don’t know,” he moaned.

      “What is it? What don’t you know, Jacob?”

      He shook his head, back and forth, back and forth.

      “I don’t know anything,” he said. His lips were dripping with tears. Finally he groaned and bent over double, his hands on his knees, like a runner pushed beyond endurance. “I don’t know how to live without her.”

       CHAPTER THREE

      IMOGENE MELLON HAD LONG AGO stopped believing in justice.

      Maybe, she thought as she slowly descended Coeur Volé’s wide, twining staircase in the predawn hours, that had happened on her wedding night. The longest night of her life.

      The night she’d discovered her handsome, socially prominent husband wasn’t normal.

      Well, maybe she should choose another phrase. In Imogene’s youth “not normal” had been a euphemism for homosexual, and lots of young women had no doubt found themselves married to men who were merely looking for camouflage. Imogene believed she could have lived with that. At least then, maybe she and Adler might have learned to be friends.

      Instead she had discovered that Adler liked women just fine. He specifically liked to hurt them. Nothing too dramatic. Nothing that left marks or required care. He’d called it “spicing things up.” He’d implied that if you peeked into any bedroom in town you’d find a few of these “toys.”

      It made him extremely potent. By the end of her first week of marriage, Imogene was pregnant with Sebastian. A year later, Sophie was conceived. After that, Imogene took birth-control pills secretly for several years. When Adler found out, he broke her wrist, and two months later she was pregnant again, with Samantha.

      Her beautiful babies, almost all of them conceived in undignified tableaux of sadism and pain. Still, the children should have been her consolation, her reward for enduring without complaint. And they were, for a while. Then, gradually, she’d begun to understand that they weren’t normal, either.

      So much for justice.

      She reached the wide staircase landing now, and, as she did almost every morning, she paused to appreciate the way the rising sun lit the huge stained-glass window. She liked to watch the figures come to life. It made her feel less alone in this haunted mansion.

      Jean Laurent, the French artist Adler had

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