The Ranch She Left Behind. Kathleen O'Brien
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âSorry about Alec, too,â Rowena said. âWeâve got a lot of crazy males around here, apparently. Iâll move the jar, whatever it is.â She shuddered dramatically.
âRo, itâs okay. You donât need to kick Alec out. Iâm not staying at the ranch.â
Rowena stopped abruptly at the threshold and turned. âYouâre not?â
âNo.â
âAw, Penny. You donât have to go back to San Francisco tonight, surely? Dallas would be so disappointed. You havenât even met Gray yet. You canât go back tonight!â
âNo, butââ
âPenny!â Bree appeared in the great room suddenly, balancing a tray of coffee cups and flatware. Obviously Barton hadnât found her, because her face lit up with delighted surprise, and she instantly began searching for a clear space on which to deposit the tray.
Once free, Bree enveloped Penny in a hug so tight she temporarily had to give up all thought of breathing.
âWhy didnât you call?â Bree frowned at Rowena. âYou didnât forget to tell me, did you, Ro? Youâre so caught up in planning the winter scheduleââ
âI didnât forget. She just showed up out of nowhere. Iâm still trying to figure out whatâs going on.â Ro turned back to Penny. âSo, if youâre not going back tonight, of course youâll stay here. We wouldnât hear of your staying anywhere else.â
âRo, Iââ
âNo foolishness about imposing. Itâs your house. RatsâI shouldnât ever have rented the sister suite. But weâll think of something. Where are your things?â
Ro moved to the window to scan the yard. âIâll get Barton back. Or somebody. Whoâs not leading a class right now, Bree? Weâve got tons of strapping college kids. One of them will bring your suitcases in.â
But Bree was staring at Penny thoughtfully. Her cool, observant control had always spotted things Rowenaâs passionate fire either overlooked or tried to will away.
âHang on a minute, Ro.â Breeâs blue eyes had darkened slightly, and her cameo-pale forehead furrowed. âEverythingâs okay, isnât it, Pea?â
âEverythingâs fine.â Eventually, Penny would have to tell them about the intruder. But one thing at a time.
âGood.â Rowena scraped her black hair away from her face impatiently. She was an old hand at rejecting any little reality that annoyed her. âThen of course you wonât go back to San Francisco tonight, so letâs find one of the kids toââ
âRo, let Penny talk.â Bree put her hand on their older sisterâs arm.
Penny smiled, grateful. Rowena was a steamroller when she got going, and Penny would find herself ensconced in one of the cottages by nightfall, with a pet parakeet and a Silverdell voterâs ID, if she didnât slow things down.
Breeâs voice was gentle. âTell us whatâs going on, Penny. Did you really come all this way just for one day? Are you really going back tonight?â
Penny took a breath. âNo. In fact, Iâm not going back to San Francisco at all. I sold the town house.â
âYou what?â Both her sisters spoke at once.
âI sold the town house. You know Ruth left it to me, for a nest egg. She expected me to sell, and luckily it moved very quickly. So Iâve come back to Silverdell.â
âThen...but thatâs fantastic!â Rowena frowned, tugging the sheet from her shoulder and glancing around the porch, her gaze again calculating, sorting. âOkay, so weâll have to free up something more permanent. Theyâre almost finished with the four new cottages, but they wonât be move-in ready untilââ
âRowena!â Penny squared her shoulders. âBree. I know this is going to be a shock, and thatâs why I didnât call ahead. Or write. I wanted to tell you in person, face-to-face. The thing is...Iâm not going to be living at the ranch.â
âDonât be silly,â Rowena repeated, almost absently. âItâs no imposition. Itâs what weâve all been hoping for. You know weâve been begging you to come ever since Ruth died. Since before Ruth died. Of course youâll live here.â
âNo. I wonât.â Penny took Roâs right hand and Breeâs left into her own. âI love you for wanting to take care of me. But I wonât be moving into the ranch.â
Rowena opened her mouth, obviously prepared to protest reflexively, but a glare from Bree made her shut it again.
âDamn it, Ro. Let her explain.â
But could she? Could she ever make them understand how, up until today, sheâd always been a stranger to herself, a guest in her own life? Their love, Ruthâs love, the exile to San Francisco, the quiet, hermit life with her great-aunt...where no storms came...
No storms. And nothing else, either.
Everyone had tried to shield her from the ugliness of the Wright family history. Maybe they thought that, since sheâd been only eleven at the time of the tragedy, she had a chance of growing up unscarred if they wrapped her in cotton and tucked her away.
But in the end, theyâd only managed to create a ghost of a girl, who had no idea who she was or what she wanted out of life.
âIâve bought a house. A duplex. Iâm renting one side out for now, but eventually I hope to open a studio. Give lessons, maybe. Definitely paint and take pictures, and anything else that will help me earn a living.â
The news wounded them. She could see it in the speechless shock that wiped their eyes and smiles clear of emotion.
âIâm sorry,â she said, though sheâd vowed to herself that she wouldnât apologize. She had nothing to apologize for. She had a right to make her own decisions, to live wherever she pleased. And yet she hated to hurt them.
âRowena, Bree...please try to understand. I love you both more than I can say. But itâs time I created a life of my own.â
* * *
THE DUPLEX MAX had rented was newly refurnished, which was one of the reasons heâd chosen it. Heâd come out twice to look at various possible rentals. Heâd seen plenty of houses much grander than this little cottage, but grand didnât suit his agenda. Simple suited him. Simple and clean, with structural integrity and enough charm to please the soul.
Even Ellen hadnât been able to say the duplex was ugly. Small, yes. But delightful in a quaint, historic-cottage way.