he made her want to change things, to forget she was very happy with who she was.
“Why are you here?” she asked when they found the trail and walked side by side. Get to know the mark, she thought.
“You asked me to come.”
“Ha-ha, smart-ass. I meant, why are you doing the show?” she asked, focusing on Scott and not on how easily the rules of grifting were returning to her.
“I’m friends with Joel Tanner. He needed a name to take to the networks.”
Joel was the executive producer on the show. He was riding a string of popular hits on television that threatened to rival Aaron Spelling’s golden touch in the eighties and nineties. Raine found him to be a fair man most of the time. She didn’t have to deal with him too often, which she liked. He was also her boss, so if this thing with Scott didn’t work out, Scott had the inside track on making sure she never worked again. “That was nice of you.”
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