Shadows In The Night. Heather Graham

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walked back over to Unknown Mummy #1. “Strange,” he said, shaking his head with perplexity as he studied the mummy. “Just who was he? And what brought him here in this state?”

      But then he shrugged. He’d found “natural” mummies at other sites—servants who’d stood guard after burial rites and died where they collapsed after the tombs were sealed and they slowly asphyxiated.

      Henry walked back over to his desk to dictate notes into a recorder for the exhibit, which would one day be based on this project. “The earliest Egyptians buried their dead in small pits in the desert sand. The sand and the heat naturally ‘mummified’ the dead. Later, to prevent animals from digging up the bodies, they resorted to creating coffins. Coffins kept out animals, but they didn’t allow for the natural mummification that had been occurring when the bodies had gone straight into the sand. So the Egyptians began to learn the art of embalming. They quickly discovered that the ‘wet’ parts of the body needed to be removed. That included the heart and lungs, brain and liver and other organs. These were stored in canopic jars, where they were guarded, just as the body was guarded, so the dead were protected and ready as they entered into the afterlife. The process became forty days of drying with natron, a form of salt. Of course, a body was never simply dried. It was adorned with oils at various stages and also treated with religious rites.”

      Henry stopped speaking; he thought he’d heard something moving in the preparation tent. That was odd. The local guards and the staff who worked for Alchemy were weary and bored with the findings. Egyptians had been unearthing mummies forever and ever, and even the security force of Americans and Brits was more bored by the ancient than intrigued. Most of them had worked around the world. They were, in a word, jaded—and far more interested in the pay scale than the work itself.

      He looked around the tent. Nothing. Everything as it had been. Crates and boxes and mummies and treasures!

      He shook his head, impatient with himself. He was incredibly lucky to have this time alone in the preparation tent. He’d been the one to do the research and the calculations; he’d been the one who’d garnered the sponsorship that had provided the money for this expedition. His papers had raised significant interest. It was—yes, indeed—his baby.

      But eventually Dr. Arlo Hampton would want his time here, his chance to study these mummies, these treasures. So would Yolanda Akeem, their liaison with the Department of Antiquities. Then, of course, there was Ned Richter...and his wife. He’d bet that Richter couldn’t care less if he got any time with the mummies and ancient treasures or not. Richter was there to guard Alchemy’s interests and, Henry suspected, to ensure that they looked as if they were being incredibly magnanimous to the Egyptian government. After all, Alchemy financed these expeditions, he was almost certain, for tax breaks—and the media attention and promotion they provided.

      Fine. The excavation was a great success. And this was his time. His time alone with all his treasures!

      He started to go back to his work, but he could’ve sworn he’d seen movement from the corner of his eye.

      He stood up and walked around.

      Nothing.

      Henry sat back down and continued his recording.

      “Ancient Egypt—”

      There was something behind him!

      He tried to spin about.

      And he saw nothing but binding, the linen binding that had been used on the ancient dead, saw it wrapped around fingers and a hand, saw the fingers and the hand circle his neck and—

      Fingers, like wire, clutching his throat, so powerful, so strong...

      He fought their hold. Wriggled and squirmed. He tried to rise; he couldn’t. The pain was terrible. The world began to blacken before him; little dots of light exploded in the darkness. And all he could think was that—

      The mummy!

      The mummy had risen to kill him!

      It was impossible. Impossible. Impossible...

      He was a scientist. Rational. He didn’t believe.

      He was a scientist...

      And as the last electrons exploded against the stygian pit of his dying mind, he couldn’t help but think...

      He was a scientist.

      Being killed by an ancient Egyptian mummy.

      It didn’t make sense. It wasn’t right.

       Chapter One

      One Year Later

      The New Museum of Antiquity

      New York City, New York

      The moon that shone down through the skylights in the temple region of the museum created a stunning vision. Opalescent light shimmered on the marble and made it appear that the ribbon of “Nile” river by the temple was created of crystal and glass. The lights in the area were dim, designed to look as if they were burning torches set along the walls.

      The exhibit in the New Museum of Antiquity was impressive—even to Harley, despite all the time she’d spent in the real Sahara. In designing this space, the organizers had also borrowed heavily from another famous NYC museum, all to the benefit of the Egyptian displays. Harley felt a sudden breeze from an air-conditioning vent, and she shivered.

      “Mummy thing getting to you, huh?”

      “Pardon?” Harley turned quickly to see the speaker. The words had been teasing; they’d also been spoken in a pleasantly deep, masculine voice.

      The voice aroused a strange memory she couldn’t quite reach—and seemed to whisper to something inside her, far beneath her skin.

      She hadn’t seen the speaker before, despite the fact that his voice seemed oddly familiar. Here, on opening night, she should’ve known most of the invited crowd. But she didn’t know him, and—as her chosen field of criminology had taught her—she studied anyone she didn’t recognize in a situation such as this evening’s event.

      A soiree to celebrate the exhibition. This was opening night for the traveling exhibit that would, in the end, return to Egypt, where the precious artifacts of that country would then remain. But tonight they celebrated the very first time the exhibit had been seen! It would open to the public in the morning. It had, quite properly, been named in honor of Henry—the Henry Tomlinson Collection of Egyptian Culture and Art.

      There would be toasts in his honor, of course.

      This phenomenal display would not have been possible without him.

      But Henry was gone, as much a part of history as his treasures.

      She sensed that this man—with his deep, somehow familiar voice—was connected to Henry.

      She definitely hadn’t seen him before.

      He wasn’t the kind of man you forgot.

      He was tall—well over

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