The Immortals. J.T. Ellison
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“I need to talk to you.”
Taylor stopped. “Shoot.”
“I think it would be a good idea to have you give the presser.” He tapped his hand on the hood of her car as he spoke, and the emphasis felt contrived. She was immediately suspicious.
“Oh, come on. The press conference is your job.”
“I know it is, and I’ll be up there with you.” He quit tapping, leaned against the car. He crossed his bulky arms and said, “We’ve been friends for a long time, right?”
“Going on ten years.”
“You trust me, right?”
“Yes.”
“Then do the presser. I promise it’s the right thing to do.”
“But—”
He cut her off. “Taylor, the city of Nashville wants to see you lead again. You’ve been fodder for the press for a couple of months now, and practically the moment you’re reinstated, a huge string of murders happens on your watch. They know about Fitz going missing, they know about the Snow White Killer’s apprentice. You need to regain their confidence. You need to let them know that you’re in control, that the old Taylor Jackson is back in business. Your close rate is still head and shoulders above any cop in the city—hell, most of the country. This is the perfect opportunity for you to get them back in your court.” He took a breath, then quickly said, “And we can put a camera behind you, film forward, see what the crowd shows us.”
“Ah, so that’s the plan. Bribery by B-roll. You’re just appealing to my need to find the creeps who did this.” But she smiled, and he smiled back.
“I honestly think it will do you some good. Quell the scuttlebutt.”
She blew out a breath and thought for a few minutes. Dan was right, she did need to get the city’s confidence back. Badges and honors were all well and good, but in the long run, the only thing that mattered was the close. Though the people of Nashville were a forgiving bunch, the escapades over the past year had tarnished her spotless reputation, and in turn the reputation of Metro. They needed to know that she was back, one hundred percent back, solid and able to solve this case. Because eight teenagers in one night was going to rock Nashville unlike any case it had previously faced.
Too bad Baldwin had to leave town. She’d worked with his team on other cases and knew that, despite their differences in the past, the chief of police liked having the FBI involved in major crimes. He felt it engendered confidence from the masses. No matter what, when people heard those magic letters, F-B-I, they felt safer. Well, most people.
She heard her mother’s voice in her head. Beggars can’t be choosers. No kidding, Mother.
She ran it through her head for a minute. They could use the extra footage of the scene. She had a feeling that their killer was watching, reveling.
“Okay, I’ll do it. When?”
“We’re live in fifteen minutes.”
She put her hand on his arm to stop him. “Hey, Dan? Thanks.”
He just nodded and left her.
She scooted inside and found Lincoln making notes on his netbook.
“Hey,” she said.
“Hey back,” Lincoln replied. “Just talked to McKenzie. He’s got the party frozen. Says there’s some parents frothing at the mouth to get their kids home under their own roofs. When you’re done here he’s ready for you to go over there and chat with the kids.”
“You have the video covered?”
“Yes. I’m going to head back to the CJC, upload everything we have and start searching for squirrels.”
“Good. Dan wants me to do the presser, so wait for that footage. Did you two cook this little plan up?”
“Nope. It was his idea. But he did ask if you’d shoot him on the spot if he suggested it. I told him you weren’t quite that trigger-happy.”
She narrowed her eyes at him, and he gave her a small smile.
“I need to get prepped. Do we have next-of-kin notifications on all the victims?”
“All but one. Here’s your information.” Lincoln handed her a sheaf of papers. It was hard to believe that only four hours had passed since they’d arrived at the first scene. It felt like days.
“Got pics from the rest of the scenes?”
He handed her some Polaroids and his notebook, where he’d accurately sketched the layout of each tableau.
“This is perfect, thanks. Oh, a little something to tuck into the back of your mind—the crime scene I just came from, Brandon Scott? You’ll see the level of violence was ten times the rest of the victims. I think he may have been the target, and the rest of the victims were just to cover the killer’s tracks. You need to get as much information on this kid as humanly possible, and fast. He may be the best link we have to our killer.”
“Really? Then maybe the suspect is still close by.”
“I get that feeling, don’t you? This is all so damn…showy.”
“Yes, it is. And coordinated. Not a single person we’ve interviewed saw anything out of the ordinary. No bogeymen creeping in the backyards, nothing. The killer fits into the neighborhood.”
Taylor flipped the page on Lincoln’s notes. He was so thorough, she felt like she’d just relived the last few hours.
“On our suspect? I’m going to hazard a guess that we’re looking for a Caucasian male between fifteen and twenty-five.”
“Fifteen…you think a kid could be responsible for this level of destruction?”
“Anything’s possible. The victimology is the first clue—you know that. But I wouldn’t recommend saying that out loud. I think we need to roust some of the school administrators and see if anyone has been making threats first.”
“I’ll keep all options on the table.”
“Okay, then.” She took Lincoln’s notes and stepped into the Kings’ kitchen to gather her thoughts. Her mind was abuzz with possibilities.
Was Brandon Scott the intended victim and the rest of the murders collateral damage? That was a horrid thought, but something that she certainly needed to be aware of. It was entirely possible that this wasn’t the work of an adult. She knew they had a monster on their hands, but if that monster turned out to be a kid himself, they had bigger problems.
Nine
Nashville
10:00 p.m.
Taylor stood in front of the whirring cameras, Dan Franklin next to her. She was speaking into forced light, and couldn’t see much, just the outlines of bodies,