seeking Beowulf, to tell him
about the river he had found
near his new house.
Nor was it the first time he
had tried to name that stream.
And never in his life before
– or since –
did he find better luck!
For came then to the building
that Beowulf, full of wisdom.
(In E. L. Whisty voice)
‘Beo, there’s this river that runs
through my new gaff.
What should I call it?’
Quickly Beowulf’s brain moved
and he answered direct,
(in John Major voice)
‘Call your new home Hacka’s village.
And the stream shall be named
The Brook of Hacka’s village.’
‘That’s original and catchy, O great chief,’
said Hacka, much pleased. ‘Thanks a lot.’
As he went out, smiling.
He saw an evil demon in an angry mood
Pass in the other direction.
‘Evening, mate!’ said Hacka.
The demon had fire in his eyes.
That monster expected
to rip life from the body of each
one before morning came.
But Hacka didn’t notice –
He was too excited about his new river.
I never thought I’d turn into the sort of person who talked about the weather incessantly, but the rain round our way was definitely getting worse. Big plump drops, vertical sheeting, soft drizzle, aggressively cold splashes, wind-blown white scouring sleet, peppery eye-stinging bursts and, of course, dull, wet London showers.
Holes have been dug in the nearby streets and small Thames Water and Subterra signs have been erected. They are obviously doing ‘something’ to the underground rivers. Cutting a deal with them, perhaps, urging them to be quiet. Or diverting them further underground in case they snitch. Or converting the waters of the river into beer. I got through to Thames Water and tried to find someone responsible for underground rivers, but with no success. Then I’m back in a queue: ‘We are sorry to keep you. Your call is important to us. However, we are currently experiencing high call volumes. You are moving up the queue and your call will be answered as soon as possible. Thank you for your patience at this busy time.’
Floods. Snow. Christmas comes and goes. Under a young tree lies a charred pile of stuff – pieces of clothing, books, aerosol cans and a small stool. A pair of men’s shoes are still slightly smouldering. The aftermath of some apocalyptic festive break-up? Or perhaps a young graffiti-addicted accountant simply spontaneously combusted on his star-gazing stool while contemplating the sheer joy of life.
More lazy days in the library, looking at old maps of the area and the Hackney Brook valley. A book by a local historian, Jack Whitehead, shows the contours of the valley in 3D. The brook rose in two places, the main one at the foot of Crouch Hill, east of Holloway Road, with a smaller branch near the start of Liverpool Road.
Then my mind drifts and I stare at the faded chequerboard floor and listen to the beep of the book-checking computer thing, the cherchercher of the till, the murmur of African accents, the rumble of traffic going past the window. In Stokey library people eye each other up, but not in a good way – more ‘Errr, you’re walking along the lesbian crafts and hobbies section? You must be a poof.’
At last I find what I’ve been looking for. An old map, from some obscure US university, showing the course of the Hackney Brook in relation to the nearby New River and which corresponds with the old map from the Islington book that my neighbour lent me. It shows the rivers crossing over at a point parallel to the Stoke Newington ponds, about a quarter of a mile west. Thus ‘the Boarded River’ was the New River, kept at the correct gradient as it passed through the Hackney Brook valley and over the Hackney Brook. This is the point in the film where I turn to my glamorous assistant, as the Nazi hordes are waiting to pounce, and she kisses me in congratulation. I take off her glasses and realize she is actually quite beautiful. I then hand her a gun and say, ‘Do you know how to use this?’ Suddenly the door bursts open, she shoots five evil Nazis and we smash though a window and escape …
I also had a look at John Rocque’s famous map of London in the British Library (rolled up it looks like a bazooka). Rocque’s depiction of Hackney Brook is a little sketchy – he has it starting further east and north than its true course and doesn’t have it crossing Blackstock Road at all. This might have thrown me off course, but allied to various mistakes in the same area suggests that Rocque never actually visited Hackney and Stoke Newington. He was too scared. Probably got one of his mates to do it.
Mate: So there’s this little river. I’ve drawn it on the back of a beer-stained parchment for you.
Rocque: Tis very squiggly.
Mate: OK, if that’s your attitude why don’t you go and have a look at it?
Rocque: Ooh no, I’m, er, far too busy. And I’ve got a cold.
I had a vague notion of walking the route of the Hackney Brook and then all the other rivers and streams in London, then writing to the Guinness Book of Records and appearing on Record Breakers.
Me: Yes, well, you have to bear in mind the substrata of London and its alluvial plane. Back in the mists of time there blah blah blah …
Then the studio floor opens up and there’s an underground river. A little boat appears in the distance with a single oarsman and it’s Norris McWhirter and he’s holding a clipboard and tells the audience some factoids about the rivers. Then we listen to a tape of Roy Castle doing the unplugged version of ‘Dedication’ and the audience cheers.
It’s time to do some dowsing again. I buy a can of Tennent’s Super and walk across
