The Wicked Redhead. Beatriz Williams
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After a fine, cool Sunday, the weather had turned damp overnight, and the smell of urine and vomit stuck to the air of the Christopher Street subway station. Ella sidestepped a puddle of spilled, milky coffee on her way to her spot—directly across the tracks from a peeling movie advertisement—and tried to breathe through her mouth. The film starred Jeff Bridges, looking even more scruffy than usual, locked in some kind of arabesque with an actress dressed in a gladiator outfit. Ella had spent the last month of mornings trying to decide whether the two of them were bowling or ice skating. The question was driving her slowly insane, and now, as she stared at the distant object in Jeff’s hands that might or might not be a bowling ball, she thought, At least I won’t have to stare at that fucking movie poster anymore. After this morning, she could stand somewhere else on the platform, instead of the particular spot that would put her on the subway car nearest the exit turnstiles at Fiftieth Street, and stare at some other advertisement.
The rails sang. The train roared softly down the tunnel. Burst like an avalanche into the station a moment later, rippling the coffee puddle, and Ella stepped on board and creased her Wall Street Journal into long, vertical folds that doubled back on each other, just as if this were any kind of regular morning, and she was headed for the office. The electronic bell rang its double tone. The doors thumped shut, found some obstacle, thumped again. The train jerked into motion, and Ella, staring at the blur of words in the newspaper column before her, realized that she had no idea what the name of that movie was. Maybe she never would.
At the Fourteenth Street station, the train filled with Brooklynites transferring from the 2 and 3 trains, and Ella, who was already standing, ended up shoved against one of the center poles, pretending to read her vertically folded Wall Street Journal in the alleyway between two thick male arms, belonging to two men in identical navy suits who were probably not going to get fired this morning.
Fired. Canned. Let go. Laid off, dismissed, discharged. Sacked, if you were British. Query: If Ella were working in the London office of Parkinson Peters, would she be sacked? Or could she demand to get fired instead? She refolded the paper to feign reading the second column and decided she would so demand, damn it. You had the right to get axed on your own terms. The train lurched for no reason. Squealed to a stop in the blackened tunnel between Eighteenth Street and Twenty-Third Street. The lights died. The whir of ventilation vanished, and the sudden stillness was like the end of the world. Nobody moved. The whole car just went on staring at its darkened newspapers, staring at the dermatology advertisements on the train walls, staring at ears and hats and backpacks and necks, staring at anything but someone else’s stare. Sweating palms on metal poles, submitting to the close-packed indignity of the New York subway. There was a garbled announcement, something about Penn Station. The car came to life, lights and noise and air, and lurched forward again. Ella fixed her gaze to her knuckles. Next to her, the man with the navy jacket sleeve made a slight movement and slipped his hand further up the pole, away from hers.
The train blew into Twenty-Third Street and stood on its brakes. Pitched Ella into the chest of the navy suit guy, who looked at her in horror.
Five more stops. Thirty city blocks between Ella and unemployment.
And her job was the least of her worries.
IN AN UNEMPLOYMENT TRIBUNAL, which God forbid, Parkinson Peters and its polished, navy-suited lawyers could probably make a reasonable case against Ella. You could always find actionable cause if you wanted to get rid of somebody, after all, and maybe Ella could have been more careful to make absolutely certain Travis Kemp—the managing partner on the Sterling Bates audit—knew that Ella’s husband happened to be employed at Sterling Bates, albeit in a wholly different division. She could have reminded Travis of the information on her disclosure form on file with human resources, instead of assuming he’d reviewed it before assigning her to the project. She could have used that opportunity to affirm that her husband, Patrick Gilbert, had no relationship, formal or otherwise, with the activities of the disgraced Sterling Bates municipal bond department, which Parkinson Peters had been hired to audit, and allowed Travis to decide whether Ella should remain on the team.
But none of those actions would have mattered, in the end. Ella’s dismissal had nothing to do with any kind of wrongdoing, at least on her part. She’d known that from the moment she hung up the phone with Travis on Friday evening, brimming with tears, brimming with all the physiological symptoms of shock. She was the kind of person who always paid for the apple she dropped in the supermarket instead of putting it back on the stack, who slipped a tip in the Starbucks box even when the barista wasn’t looking. She had tagged the unusual pattern of payments at Sterling Bates not because it was her job, but because it was the right thing to do.
Friday night, she’d shook with rage at the injustice of it all.
Not until later did she realize she had bigger things to worry about.
But she couldn’t think about that. She couldn’t think about Saturday night and she especially couldn’t think about Sunday afternoon, because the subway was really cooking now, congestion cleared up ahead, and by the time Ella had finished pretending to read the left two columns of the Wall Street Journal and started feigning the middle one, she was already crashing into Fiftieth Street, brakes squealing, mosaics blurring past, slowing, stilling. In the instant of silence before the doors opened, Ella nearly gagged on the smell of somebody’s sausage sandwich.
And then she was free. She burst out into the sour, damp underground and through the turnstiles, up the stairs, clutching her company laptop bag that contained a laptop scrubbed clean of files, clutching her Wall Street Journal in the other hand. She emerged into a chilly mist and checked her watch—seven thirty-nine, way too early, even for Ella—and ducked into a Starbucks to gather herself. Her hair was already curling into a hopeless cloud; she pulled an emergency scrunchie from the outside pocket of her bag and bound the mess back into a ponytail. Found her security pass and cell phone. Saw that she had missed two calls, one from Patrick and one from Hector, who had each called within a minute of the other. Hector had left a voice mail. Patrick, knowing better, had not.
Her husband and her lover. To be clear, her estranged husband and her brand-new lover, but did that matter in the eyes of God? Maybe it did, but waking up yesterday morning, she hadn’t felt a shred of guilt. Had instead felt bathed in something like God’s mercy, after six mortifying, agonizing weeks.
Now, as she stood before the pickup counter and accepted a latte she didn’t really want, Ella thought that maybe she was wrong. That she had bathed in nothing but sexual afterglow, and God was a vengeful God after all. Like Parkinson Peters, punishing her for a crime that belonged to somebody else.
BY ANY ABSOLUTE MEASURE, Ella had woken on Sunday morning in a state of sin. The waking was Nellie’s fault, the sin was all her own. Actually, the waking was probably Ella’s fault too, since responsibility for the dog’s bladder now belonged to her. She’d set aside Nellie’s wriggling, investigating body and squinted her eyes at the clock on the bedside table. Eleven minutes past nine. Also, there was a note.
Nellie lunged forward and licked Ella’s nose in frantic little strokes.
“All right, all right,” Ella had said. Sat up too fast and wobbled. Set her two hands on either side of her bottom and shook her head. Nellie climbed into her lap and stared beseechingly upward. Nothing more soulful than the round black eyes of a King Charles spaniel who needed to pee.
Across the room, the blinds were down over the windows, but the sunlight streaked fearlessly around the edges