The Potter’s House. Rosie Thomas

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forgot the jut of my hips and my overlong and protuberant spinal column, and the dull grate of bone. In his arms I became languorous and creamy and fat.

      Afterwards he held me against him, warming me with his solid flesh.

      ‘Cary, Cary. Be still,’ he ordered and I knew that he didn’t mean just now, under the crisp covers of his bed, but in my life. No more spinning around and gobbling pills. No more talking nonsense or drinking or dementia.

      ‘I asked Cecil to bring me over to you,’ he said. Cecil was the photographer’s agent. ‘I didn’t think you would even speak to me, but I made him do it just the same.’

      ‘I would have come to you, if you hadn’t.’ Maybe I would have done, too.

      That was a Thursday evening. I had a job the next day, but I called in sick. It was the first time I had ever done such a thing and my booker was astonished. Peter called his office too. We stayed in bed for the whole of Friday and for the weekend that followed it, except for when we got up to forage for something to eat and drink. I padded around wearing one of his shirts because I had nothing with me but my party dress and we fed each other cold chicken legs or buttered toast.

      ‘Good,’ he approved.

      Another time when we were quietly lying together and watching raindrops on the window glass he asked, ‘Why did you say you were mad? Except for the job you do and the people you do it with you seem exceptionally sane to me.’

      I fended him off. ‘No real reason. Drink, nerves, babble. Or I suppose that if someone were to look at you and then at me, they might put you in the sane category and me in the other. Just as a matter of relativity.’

      ‘Because of the way we look, relatively?’

      Without his glasses Peter’s eyes were soft, with creases at the corners. His forehead and the faint lines hooking together his mouth and nose and the curve of his lips were already dear to me. I touched them, stroking the skin with the flat of my thumbs.

      ‘No. Nothing to do with that. It’s history.’

      ‘What history?’

      ‘Tell me yours first.’

      He held me so that my chin rested in the hollow of his shoulder. I closed my eyes and listened while he described his childhood. He was the middle one of three boys, children of a City solicitor and a career mother. They lived in a good house in Hampshire and the brothers played cricket in the garden and sailed dinghies, and went to a suitable public school and then on to appropriate universities.

      ‘Not very interesting, you see,’ Peter said.

      ‘It is to me. Where are your brothers now?’

      He told me that they were both lawyers and both married, and made a joke about it being such a conservative family that his own minute deviations from this norm were regarded as acts of rebellion.

      ‘No wife, you mean?’

      ‘No law, no wife. But I have had a couple of girlfriends. I’m quite normal, you know.’

      I did know already, but I wanted to know more about his background because he was so safe and rational, the living equivalent of the scent of clean laundry. Everything about Peter Stafford, past and present, was a magnet to me.

      Probably after that we started to make love again and so his original question to me was forgotten. I avoided talking about my own history that time, although eventually, of course, I did confess it to him.

      In any case, within three months Peter and I were married.

      He asked me once or twice if I had seen our new neighbour again, and I told him no. Then I met Lisa parking her car as I was coming back from a walk in Hyde Park. We talked for a minute or two, and on impulse I asked her if she would like to come and have dinner with us the following week. To my surprise she accepted. She was lonelier than I had calculated and Baz had not yet been replaced.

      Lisa rang the doorbell late, well after all the other guests had arrived. Peter answered the door and I heard him introducing himself and then Lisa’s laughing response before he shepherd her into the drawing room. She was wearing a short, slippery red dress with a little pink cardigan shrugged over it, and red suede shoes. Our guests collectively sat upright, our old friends Clive and Sally Marr and Mark and Gerard from upstairs, and the visiting American woman associate of Peter’s, and the young portrait painter and his girlfriend whom I had invited in an attempt to span the age gap between Lisa and the rest of us. Her arrival was like a shaft of daylight coming into the nighttime gathering.

      I saw her looking around at the room that was identical in shape and size, and yet so different from hers.

      ‘Your flat is very smart,’ she said, after we had greeted each other.

      ‘Is it?’

      ‘Definitely.’

      I introduced her to the others and as she moved around I saw that what she brought with her wasn’t exactly light, but warmth. Aside from her youth and her prettiness, she had genuine heat that thawed the formality of the occasion. Clive Marr unwound his long arms and legs from their self-protective embrace and shook her hand, and Jessy the American woman smilingly made room for her on the sofa. I hitched my black woollen sleeves round my wrists. I was glad that Lisa Kirk was entirely natural and at ease, and that she didn’t need her hostess’s protection. My hands were cold, so I went closer to the fire and warmed them.

      The evening took off. Clive told a funny story I had never heard before about his days as a houseman under an autocratic consultant who thought his inveterate stutter was an affectation. ‘D-d-d-iverticulitis, Dr Marr?’ he mimicked, embedding his own impediment within the fearsome doctor’s voice with surgical precision.

      Everyone laughed including Lisa, and Clive looked boyish with pleasure.

      Dan Cruickshank the portrait painter gossiped indiscreetly about the royal princess who was currently sitting for him, and Mark and Gerard leaned forward greedily to catch the details. From across the room Peter smiled at me, his eyes creasing behind his glasses. I smiled back, buckling my mouth into a curve against a sense of alarm that I didn’t yet recognise.

      We went into the next room to eat. The candles reflected tapering ovals of light off glass and polished wood. Lisa studied Peter’s pictures, a pair of splashy Hodgkins and a small Bacon. She had taken off her little pink cardigan and her shoulders were bare except for thin straps. Her skin was pale and the candlelight seemed to strike off it, breaking and intensifying into painterly slashes of green and peach and yellow so that I narrowed my eyes to make it recombine, wondering if I had already had too much to drink.

      ‘Lisa, would you like to sit here?’

      Peter drew out the chair next to his. I took the other end of the table, between Gerard and Dan. The talk and laughter swelled and I sliced and spooned food on to plates and watched it disappear. After long years of conditioning myself, I didn’t any longer care much about eating. But I had plenty of time at my disposal to prepare meals like this one and cooking was still one of my pleasures.

      At my end of the table Dan and Sally and Jessy were talking about portraiture. Peter had wanted Dan to paint me and we had met originally to talk about the project. I had hedged and demurred, because I didn’t want to sit and be scrutinised so closely, and in the end the idea

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