faint, to turn over, to pour back into the bosom of its mother earth, a portent happened. A gore-crow came flapping wearily before the approaching night. It came, it did not waver, it took the arrow. It flew away, heavy and hoisting, with the arrow in its beak.
Kay was frightened by this, but the Wart was furious. He had loved his arrow’s movement, its burning ambition in the sunlight, and, besides, it was his best one. It was the only one which was perfectly balanced, sharp, tight-feathered, clean-nocked, and neither warped nor scraped.
‘It was a witch,’ said Kay.
Tilting and horsemanship had two afternoons a week, because they were the most important branches of a gentleman’s education in those days. Merlyn grumbled about athletics, saying that nowadays people seemed to think that you were an educated man if you could knock another man off a horse and that the craze for games was the ruin of scholarship – nobody got scholarships like they used to do when he was a boy, and all the public schools had been forced to lower their standards – but Sir Ector, who was an old tilting blue, said that the battle of Crécy had been won upon the playing fields of Camelot. This made Merlyn so furious that he gave Sir Ector rheumatism two nights running before he relented. Tilting was a great art and needed practice. When two knights jousted they held their lances in their right hands, but they directed their horses at one another so that each man had his opponent on his near side. The base of the lance, in fact, was held on the opposite side of the body to the side at which the enemy was charging. This seems rather inside out to anybody who is in the habit, say, of opening gates with a hunting crop, but it had its reasons. For one thing, it meant that the shield was on the left arm, so that the opponents charged shield to shield, fully covered. It also meant that a man could be unhorsed with the side or edge of the lance, in a kind of horizontal swipe, if you did not feel sure of hitting him with your point. This was the humblest or least skilful blow in jousting.
A good jouster, like Lancelot or Tristram, always used the blow of the point, because, although it was liable to miss in unskilful hands, it made contact sooner. If one knight charged with his lance held rigidly sideways to sweep his opponent out of the saddle, the other knight with his lance held directly forward would knock him down a lance length before the sweep came into effect.
Then there was how to hold the lance for the point stroke. It was no good crouching in the saddle and clutching it in a rigid grip preparatory to the great shock, for if you held it inflexibly like this its point bucked up and down to every movement of your thundering mount and you were practically certain to miss the aim. On the contrary, you had to sit loosely in the saddle with the lance easy and balanced against the horse’s motion. It was not until the actual moment of striking that you clamped your knees into the horse’s sides, threw your weight forward in your seat, clutched the lance with the whole hand instead of with the finger and thumb, and hugged your right elbow to your side to support the butt.
There was the size of the spear. Obviously a man with a spear one hundred yards long would strike down an opponent with a spear of ten or twelve feet before the latter came anywhere near him. But it would have been impossible to make a spear one hundred yards long and, if made, impossible to carry it. The jouster had to find out the greatest length which he could manage with the greatest speed, and he had to stick to that. Sir Lancelot, who came some time after this part of the story, had several sizes of spear and would call for his Great Spear or his Lesser Spear as occasion demanded.
There were the places on which the enemy should be hit. In the armoury of The Castle of the Forest Sauvage there was a big picture of a knight in armour with circles round his vulnerable points. These varied with the style of armour, so that you had to study your opponent before the charge and select a point. The good armourers – the best lived in Warrington, and still live near there – were careful to make all the forward or entering sides of their suits convex, so that the spear point glanced off them. Curiously enough, the shields of Gothic suits were more inclined to be concave. It was better that a spear point should stay on the shield, rather than glance off upward or downward, and perhaps hit a more vulnerable point of the body armour. The best place of all for hitting people was on the very crest of the tilting helm, that is, if the person in question were vain enough to have a large metal crest in whose folds and ornaments the point would find a ready lodging. Many were vain enough to have these armorial crests with bears and dragons or even ships or castles on them, but Sir Lancelot always contented himself with a bare helmet, or a bunch of feathers which would not hold spears, or, on one occasion, a soft lady’s sleeve.
It would take too long to go into all the interesting details of proper tilting which the boys had to learn, for in those days you had to be a master of your craft from the bottom upward. You had to know what wood was best for spears, and why, and even how to turn them so that they would not splinter or warp. There were a thousand disputed questions about arms and armour, all of which had to be understood.
Just outside Sir Ector’s castle there was a jousting field for tournaments, although there had been no tournaments in it since Kay was born. It was a green meadow, kept short, with a broad grassy bank raised round it on which pavilions could be erected. There was an old wooden grandstand at one side, lifted on stilts for the ladies. At present the field was only used as a practice-ground for tilting, so a quintain had been erected at one end and a ring at the other. The quintain was a wooden Saracen on a pole. He was painted with a bright blue face and red beard and glaring eyes. He had a shield in his left hand and a flat wooden sword in his right. If you hit him in the middle of his forehead all was well, but if your lance struck him on the shield or on any part to left or right of the middle line, then he spun round with great rapidity, and usually caught you a wallop with his sword as you galloped by, ducking. His paint was somewhat scratched and the wood picked up over his right eye. The ring was just an ordinary iron ring tied to a kind of gallows by a thread. If you managed to put your point through the ring, the thread broke, and you could canter off proudly with the ring round your spear.
The day was cooler than it had been for some time, for the autumn was almost within sight, and the two boys were in the tilting yard with the master armourer and Merlyn. The master armourer, or sergeant-at-arms, was a stiff, pale, bouncy gentleman with waxed moustaches. He always marched about with his chest stuck out like a pouter pigeon, and he called out ‘On the word One –’ on every possible occasion. He took great pains to keep his stomach in, and often tripped over his feet because he could not see them over his chest. He was generally making his muscles ripple, which annoyed Merlyn.
Wart lay beside Merlyn in the shade of the grandstand and scratched himself for harvest bugs. The saw-like sickles had only lately been put away, and the wheat stood in stooks of eight among the tall stubble of those times. The Wart still itched. He was also sore about the shoulders and had a burning ear, from making bosh shots at the quintain – for, of course, practice tilting was done without armour. Wart was pleased that it was Kay’s turn to go through it now and he lay drowsily in the shade, snoozing, scratching, twitching like a dog and partly attending to the fun.
Merlyn, sitting with his back to all the athleticism, was practising a spell which he had forgotten. It was a spell to make the sergeant’s moustaches uncurl, but at present it only uncurled one of them, and the sergeant had not noticed it. He absent-mindedly curled it up again every time Merlyn did the spell, and Merlyn said, ‘Drat it!’ and began again. Once he made the sergeant’s ears flap by mistake, and the latter gave a startled look at the sky.
From far off at the other side of the tilting ground the sergeant’s voice came floating on the still air.
‘Nah, Nah, Master Kay, that ain’t it at all. Has you were. Has you were. The spear should be ’eld between the thumb and forefinger of the right ’and, with the shield in line with the seam of the trahser leg …’
The
