Fourth Estate
An imprint of HarperCollinsPublishers Ltd.
1 London Bridge Street
London SE1 9GF
Published by Fourth Estate in 2007 and by Harper Perennial in 2009
First published in 2007 by Farrar Straus and Giroux in the United States
Copyright © Alex Ross 2007 and 2009
Alex Ross asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
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Source ISBN: 9781841154763
Ebook Edition © DECEMBER 2012 ISBN: 9780007380862
Version: 2019-07-26
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ALEX ROSS, music critic for the New Yorker, is the recipient of numerous awards for his work, including an Arts and Letters Award from the American Academy of Arts and Letters, the Belmont Prize in Germany, three honorary doctorates and a MacArthur Fellowship.
In 2013, a groundbreaking, year-long festival at the Southbank Centre will bring The Rest is Noise to life – with concerts, talks and other events inspired by the book
SHORTLISTED FOR THE SAMUEL JOHNSON PRIZE FOR NON-FICTION 2008
WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD 2007
SHORTLISTED FOR THE PULITZER PRIZE FOR NON-FICTION 2008
‘Just occasionally someone writes a book you’ve waited all your life to read. Alex Ross’s enthralling history of twentieth-century music is one of those books’
Guardian
‘A superb and inclusive account by a champion of modern music’
Sunday Times
‘Print is silent. Which is why the task of writing about music is so difficult. I should therefore probably explain that the noise you now ought to be hearing is the sound of my hands as they stop typing and start applauding this vital, engaging, happily polyphonic book’
Observer
‘Magnificent: a study of the politics of music and also of the impact of political movements on music. A harmonious mix of musical gossip and politics’
Sunday Telegraph
‘To write a book that convincingly describes the path of classical music through the turbulent twentieth century is an act worthy of celebration. To write one, as Alex Ross has, that is entertaining, enlightening and inspiring to both devotees and less classically literate music fans is worth breaking out the bunting for’
Time Out
‘A remarkable achievement, quite outstripping comparable surveys. A highly enjoyable book of impressive scholarship and critical intelligence that every music lover should read’
Spectator
‘Alex Ross’s incredibly nourishing book will rekindle anyone’s fire for music’
BJÖRK
‘It’s a history of 20th-century music so vivid and original in approach that it made me listen again to many pieces I thought I knew well’
PHILIP PULLMAN, Guardian, Books of the Year
‘An audacious, pacy, thrilling survey of 20th-century composition’
The Times, Books of the Year
‘Essential …An engrossing survey of classical music in the 20th century’
CASPAR LLEWELLYN SMITH, Observer, Books of the Year
‘Stunning …Visionary music critic Alex Ross comes closer than anyone to describing the spellbinding sensations music provokes. The Rest is Noise spins out seamlessly and is a joy to read. Ross shadows musicians and their intimate worlds in vibrant detail’
BLAIR TINDALL, Financial Times, Books of the Year
‘The Rest is Noise combines scrupulous and inventive analyses of the 20th century’s music with lavish care over that music’s improvised history’
ADAM THIRLWELL, Guardian, Books of the Year
‘A gripping account’
ROBERT SANDALL, Sunday Times, Books of the Year
‘The New Yorker’s supremely gifted critic tells the story of musical composition through the 20th century – and makes it sound brand new. Here is a writer who can link life and work without trivialising either. This history of modern sounds
