the toe of his shiny jackboot under his body and rolled him over. A trickle of blood dribbled from the child’s lips. He was still clutching the music manuscript as if he wouldn’t give it up, even in death.
Krebs bent down and removed it from the boy’s fingers. It sickened him to see that there was blood on it, but not because it was the blood of an innocent child he had just killed. Rather, it was like seeing a rip in an old master painting. The manuscript had survived all these years, just to be indelibly stained by the blood of a filthy Jew. Disgusting. Krebs carefully slipped the precious object inside his coat before more harm could come to it. Then walked back towards the house to resume his duties. A pretty much routine day had turned out to be a lucky one for him.
Soon, the rest of the Silbermann family would be taken to their temporary new home at the Drancy internment facility, along with more than thirteen thousand other Jews rounded up by Nazi troops and French police in what was known as ‘Opération Vent Printanier’, or ‘Operation Spring Breeze’. From Drancy, not long afterwards, Abel, Vidette and Miriam would find themselves on the train that would deliver them to their terrible fate.
Only one of them would ever return.
Oxfordshire
Many years later
The country estate covered a spread of some thirty acres, a fraction of the grounds it had commanded in former, grander days, but still large enough to keep the big house well secluded from neighbouring farm cottages and the nearby village of Wychstone. The estate was entirely surrounded by a ten-foot-high stone wall, built long ago by an army of local labourers. Its main entrance gates were tall and imposing, all gothic wrought-iron and gilt spikes, set into massive ivied pillars crowned with carved stone heraldic beasts of Olde England that had guarded the gateway since 1759 and bore just the right amount of weathering and moss to convey an impression of grandiosity without looking scabby and decayed.
Neatly hidden among the ivy of the pillars were the electronic black box and mechanism for opening and shutting the gates, as well as the small intercom on which visitors had to announce themselves in order to be let in; the rest of the time, the gates were kept firmly shut. Nor could you see it from the ground, but the walls themselves were topped all the way around with broken glass cemented into the stonework, to deter unwanted callers. Technically illegal without a warning sign, but the property’s owner was little concerned with their duty of care to protect the safety and wellbeing of potential burglars, vandals or other intruders.
Entering the gates and following the long, winding driveway that led through a corridor of fine old oak trees and eventually opened up to reveal the clipped lawns and formal gardens and then the house itself, few people could have failed to be impressed by the scale and majesty of one of the nobler country piles in the region. The manor stood on five floors, comprising over thirty bedrooms and many more reception rooms than were ever in use at any given time. Its multiple gabled roofs sloped this way and that. The red and green ivy that clung thickly about its frontage was kept neatly trimmed away from its dozens upon dozens of leaded windows. Clusters of chimney stacks poked like missiles into the blue Oxfordshire sky, providing a lofty perch for the crows that circled and cawed in the tranquil silence. Down below, parked on the ocean of ornamental gravel surrounding the big house were rows of Aston Martins and Bentleys and classic Porsches, nothing as vulgar as a Ferrari.
The place might have been the personal residence of someone extremely wealthy, a marquis or a viscount, or the ancestor of some Victorian merchant dynasty still reaping the fruits of the family empire. Old money. Or new money, like a dot-com multimillionaire or whizzkid software developer who’d struck lucky with some new gimmick that had set the world on fire. Whatever the case, they would have required a live-in service staff to keep it on an even keel. At least one butler, maybe two, plus the requisite contingent of housekeepers and kitchen staff and gardeners. Or else the fine house might have been open to the public, as a gallery or a museum or a National Trust heritage venue ushering crowds of visitors through its many grandiose rooms during the months of the tourist season.
It was none of those things. Instead, it was a place of business. A going concern, providing a variety of services to its clients. A polished brass plaque above the doorway read, in bold gothic font, THE ATREUS CLUB. Named after a king of ancient Greece, the father of Agamemnon and Menelaus, not that the name bore any connection to the nature and purpose of the establishment. A nature and purpose to which, in turn, few people were ever privy.
The Atreus Club was strictly private, hence the locked gates, and hence the broken glass on the walls. Members only. Expensive to join, and only certain individuals need apply to enjoy the secluded and discreet haven it provided for its exclusive, distinguished membership.
And for good reason, considering some of the activities those pillars of society enjoyed there.
Behind a tall balcony window, up on the fourth floor, one of those activities was currently taking place. The room was large but quite sparsely decorated. It had been a bedroom, and sometimes still was used as such, depending on need. Today, though, it was something else. At its centre stood an antiquated wooden school desk, the kind with the flip-up top and a recess for an inkwell. In front of it was a larger teacher’s desk, behind which stood an equally old-fashioned classroom blackboard, complete with chalk and duster. Scrawled in slanting chalk script across the board were the words, I must not be a naughty boy; I must not be a naughty boy. Over and over.
At the far side of the room, in the light from the tall window, stood a metal frame, seven feet high with a steel bar supported between sturdy mounts either side. Attached to the overhead bar, arms raised above his head by the rubber manacles and rubber chains that bound him firmly in place, stood one of the room’s two occupants. He was naked apart from his socks. A man in his early sixties, grey-haired, tall, slightly stooped, and not in the best of shape physically. His bare buttocks were pinched and somewhat shrivelled and very white, except for where they were striped red from the whipmarks that the room’s other occupant had spent the last few minutes inflicting on him.
She was blonde-haired and attractive in a stern, Slavic kind of way, and at least forty years younger than her client. But not naked, not yet, as specified by the instructions that had to be followed to the exact letter. All part of the expensive services provided by the Atreus Club. And this particular client had specified, as he always specified on his frequent visits here, that the girl be wearing a mortarboard and one of the abbreviated black academic gowns that Oxford University tradition dubbed a Commoners’ gown. Both items duly obtained from the official university outfitters, Shepherd and Woodward’s of the High. No expense spared. Aside from the academic garb and the matching black fishnet stockings, garters and suspender belt, she was wearing nothing else. Again, as per instructions. The instrument of torture was a whippy rattan cane, the type that schoolmasters had once used to inflict corporal punishment on disobedient pupils, back in the day. The client had never been caned at school, however. He had always been a model pupil, set for academic glory.
‘Have you had enough, you bad, bad professor, you?’ the blonde asked with a wicked smile on her red lips. ‘Professor’ was what she was instructed to call him in their fantasy role-play. She spoke with an Eastern European accent that drove him even more crazy.
‘No! Hit me again! Ah!’
The client’s cry of pain and pleasure was drowned out by the whoosh and sharp crack of the cane as she whipped it through the air and added another fresh, livid stripe to his pale rear end. The velvety tassel on her mortarboard swung with the movement.
‘Again!
