Born To Protect. Virginia Kantra

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Born To Protect - Virginia  Kantra Mills & Boon Intrigue

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weighed it in her hand. Jonathan Dalton’s name was on the return label, along with an address in Texas. She turned the envelope over. Tape sealed the flap. She was testing it with her fingernail when she got that feeling again, the warm sensation of being watched.

      She looked up.

      Jack stood in the bathroom doorway, one shoulder propped against the jamb. His face was expressionless. His eyes were annoyed. “Was that addressed to you?”

      Heat swept up her cheeks. She lifted her chin.

      “If it’s about me,” she said, “then it’s my business.”

      He prowled forward and tugged the envelope from her grasp. “Wrong. You told me you didn’t want me interfering with your work. Well, don’t interfere with mine.”

      “I have a right to know what your father has found out. I should know if the situation warrants my taking precautions.”

      “You don’t have the experience to judge that. I do. But if there’s anything in there you need to see, I’ll show it to you.”

      It was more than she expected. Better, perhaps, than she deserved. She sat again, cautiously, on the bed.

      Jack sat beside her. She tried not to notice how his jeans pulled across his thighs, how the mattress sank under his weight and rolled her toward him. Ridiculous. She was twenty-seven years old, and she’d never sat with a man on his bed before. She inched away.

      “Uncomfortable?” he murmured.

      “No,” she lied.

      “Because we can wait till we get back to your place to do this.”

      “I can’t.” She laughed shakily at herself, at the whole situation. “I couldn’t even wait for you to get your things together. Besides, if we find out you’re mistaken—if there is no real danger—then there’s no need for you to come to my place.”

      “Right, then.” He ripped the envelope open.

      She saw a dark blue portfolio with her name on the cover and an eight-by-ten glossy of the formal portrait commemorating her twenty-first birthday. The girl in the photo wore a long white gown and a glittering tiara and what Christina thought of as her “public” face: eyes straight, chin up, mouth bent in a smile.

      Jack studied it. “You tick off the royal photographer, princess?”

      She was surprised. “No.”

      “Because a portrait is supposed to engage the viewer with the subject. This shot is dead. You look like you’re posing for the five-dollar bill.” He turned the glossy over. “No wonder you don’t like having your picture taken.”

      He didn’t know the half of it, she thought ruefully. He had no idea how hard she worked on that invulnerable, plastic, public pose. She didn’t want him to know.

      “I’ve got your bio here,” he said. “You don’t need to see that. Transcripts—UCLA, Montana, very impressive—physical description, distinguishing marks…” He grinned suddenly. “No tattoos?”

      Reluctantly, she smiled back. “No. But I have a scar on the inside of my elbow from playing Saracens and Crusaders with my brother.” She twisted her arm for him to see. Concentrating on an old hurt to conceal the fresh pain of her brother’s disappearance.

      “Nice,” Jack said. “When we get to know each other better, I’ll show you mine.”

      She wondered where under his clothes he carried his scars. And blushed again. She cleared her throat. “You were wounded?”

      “Yeah.” He riffled through more papers.

      “Recently?”

      “Four months ago.”

      “Where?” she asked, and then held her breath at the inappropriateness of her question.

      But Jack didn’t appear to notice. “Philippines,” he answered briefly as he continued to scan the contents of the envelope. “Here we go.”

      She breathed again. “What?”

      “An account of the bombing. This guy they caught in conjunction with the embassy bombing, this Muhammad Oman, is some kind of freelance terrorist.”

      “And?”

      “And when he was interrogated, he fingered Sheik Ahmed Kamal as his boss. Which means your father has good reason for his suspicions.” He fell silent, eyes and fingers skimming the page.

      “What are you reading now?”

      “Background on the feud between Montebello and Tamir…real soap opera stuff, isn’t it?”

      She drew herself up. “You can say that. But Sheik Ahmed’s claim to our land raises issues of natural resources and regional stability. And your government in Washington agrees, or they would not be so anxious to keep the peace.”

      “Plus there’s the little matter of a U.S. military base on the southeastern end of the island,” Jack drawled.

      She didn’t back down. “Precisely.”

      “Look, I’m not getting paid to worry about national security anymore. I’m supposed to worry about yours.”

      “Unless there’s a connection, you’re wasting your time.”

      He flipped over another page. “Time’s one thing I’ve…” His voice failed.

      “What? What is it?”

      He was staring at the portfolio on his lap. The angle of the cover hid its contents from her, but she saw a corner of newsprint and knew, suddenly, sickeningly, what he had found.

      The other picture taken the year she turned twenty-one.

      She couldn’t see the headline. It didn’t matter. The same enlarged, grainy image had appeared on the front cover of every tabloid and on the inside pages of every entertainment rag in the world. Six years later, it still had the power to freeze her stomach and make a man look at her with hot speculation in his eyes.

      Jack didn’t look at her at all, and that was almost worse. “More background,” he said tersely, and closed the folder.

      Damn, she was beautiful.

      Even when she was swathed in a white lab coat, with her hair pulled back and plastic goggles around her neck, Christina had what it took to make Jack sweat.

      But the image he’d just seen—Christina topless, emerging from a lake at dawn, with every fantasy-inspired curve gilded by the sun—was enough to make him drool.

      To make him ache.

      To make him beg.

      The shot must have been snapped with a zoom from a distance and then blown up to meet tabloid requirements. But picture quality wouldn’t have been the first thing on the photographer’s mind, or the mind of any man who saw

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