sanctum.
That’s by design.
Our information comes from word-of-mouth, mother to child; from truths hidden in superstitions, fairy stories and nursery rhymes. It’s only been in the last few years that Lil and I, spurred on by our grand-mère’s dying wish, started using the Internet to find and coordinate some of the diverse women who make up our roster.
Or who would, if we kept a roster, which we don’t.
Even before that, though, Grail Keepers had an ancient technique for recognizing each other. It’s similar to how early Christians used to self-identify, back when their beliefs could get them fed to the lions—one person would draw an arch in the dust, and the other would draw an intersecting arch, and the result would be that simple fish design you now see on the back ends of cars. Scuff out the design, and nobody but those two people would be the wiser.
We do something similar with circles.
One woman draws a circle. The other draws an intersecting circle, and voilà—you have an ancient design, like a sloppy number eight, that represents the overlapping of worlds. Not that we knew this as children. Back then, it was just a rhyme game our mommies taught us: “Circle to circle, never an end, cup and cauldron, ever a friend.”
Now that I’m all grown up and educated, I know the symbol is called a vesica piscis or a “chalice-well” design, after the famous version at the well at Glastonbury Abbey. Like on wedding-ring quilt patterns. Like on my pendant.
Hence my interest in Officer Sofie’s card.
Jogging to my blue Mini for the second time that night, I wished I’d had time to draw the second circle on Sofie Douglas’s card and hand it back to her. That would’ve been subtler, safer. I didn’t. So I phoned her on my hands-free mobile as I sped down the highway and simply said, “This is Maggi. From tonight?”
“I remember.” She sounded carefully noncommittal. It being after midnight, I couldn’t blame her.
“I found your card and, well…” Talk about feeling awkward. “Circle to circle?”
For a moment I feared my connection had cut out. Then—
“Never an end,” she whispered, surprised. Not that I blamed her. The first time’s like learning the Tooth Fairy’s real.
“I thought you should know I’m heading to Turbeville Hall on campus, and that there might be trouble.”
When I arrived she had already parked outside the four-story building that houses the academic offices. I felt a twinge of concern when I saw the unfamiliar car, but then she got out, still wearing her uniform. And her hip holster. Carrying a monster flashlight.
I liked this woman.
As I got out of the car, she shone her light onto the asphalt at my feet. Her voice shook slightly against a background of crickets and a jet flying overhead. “‘Circle to circle, never an end?’”
Relieved, I switched on my own flashlight and slid the pool of light partially across hers, stopping when they overlapped halfway. “‘Cup to cauldron, ever a friend.’”
Vesica piscis. Drawn in light on the pavement. Our version of a secret handshake.
“I can’t believe this really works.” Sofie shook her head. “I thought it was just a fairy tale my grammy made up.”
I shifted my keychain so keys stuck out between my fingers, just in case, and strode toward the building’s front door. Final exams had ended last week, and we’d turned in grades yesterday. The place looked dead, so I assumed it would be locked. “Follow me, and I’ll explain what I know.”
She quickly caught up. “Why?”
Why explain, or why follow?
“Because knowledge is power,” I said. “The kind of power that just increases when you share it. And because someone I know was attacked in her college office this week.”
“Good…” Her voice fell softer as the door swung open into the empty lobby.
I hadn’t used my key yet.
“…reason,” she finished grimly. “I should call this in.”
“I need to check on something first.” My whisper echoed.
Sofie said, “Just keep talking, Maggi Sanger.”
So I did, heading for the stairs instead of the elevator. “Your grammy told you a story about the Great Queen, right?”
Lil and I hadn’t met a Grail Keeper yet who hadn’t heard some version of that story.
“The one with seven daughters?” she asked.
“Sometimes it’s nine.” I sprinted up the stairs. “I’ve heard it with as few as three and as many as thirteen. But the queen always sends her daughters off into the world, and she always gives each one the same gift.”
“Her own magic cup,” Sofie finished, pacing me. “The older I got, the more lame a going-away present that seemed.”
“Yeah, well, that’s allegory for you.” Both Sofie and I were in good shape; our breathing stayed regular. “Did you read in the paper last week about an ancient goblet that was destroyed in the National Museum of New Delhi, India?”
“Nope.”
“It wasn’t a big news item, so it would be easy to miss—”
She stopped, right there in the stairwell. “A goblet?”
“The Kali Cup,” I said, breathing just a bit harder. “Or chalice or grail. Scholars believed this cup was used in ancient ceremonies worshipping the goddess Kali. But it was destroyed—smashed—before it could go on display.”
I’d felt actual pain, deep in my gut, when I read that.
“And you think that was a magic chalice sent out with some great queen’s daughter?” Sofie blinked. “Reality check. That’s just a fairy tale.”
“I used to think that, too. But if you had to pass along information in a way that would seem harmless to the people in power, what better form than fairy tales and nursery rhymes?”
She started climbing again, absorbing it all. “You’re saying the Great Queen story was true.”
I said, “All I know for sure is that since my cousin and I started looking, we’ve found a lot of women who were raised the way you and I were—‘circle to circle.’ With the Kali Cup gone, we’re starting to wonder if some people weren’t raised to hate or fear those chalices.”
“Why?” she asked. “Unless they’re really magic, I mean. History can’t hurt anybody.”
I held up a cautious hand as we emerged onto the third floor. Emergency lights cast the long hallway into shadows, brightened only by the red eye of an exit sign.
I whispered, “Tell that to my great-aunt Brigitte.”
We
