her breasts. The little gold heart on her necklace bobs up and down at the base of her throat in time with her increased heart-rate.
She could say she’s not feeling well, that she needs to go home. It would probably annoy him, but he’d accept it.
The man is looking at her with a hunger that makes her stomach flutter with fear.
She is seized by the feeling that she has met him before – could he have been a senior manager somewhere she worked, the father of a classmate a long time ago?
Sofia stops a short distance away from him, smiles, and feels the rapid beat of her heart. She’s planning to keep her distance until she’s figured out his tone and gestures.
His hands don’t look like they belong to a violent man: his nails are neatly trimmed and his plain wedding ring is scratched from years of marriage.
‘Nice house,’ she says, tucking a stray lock of hair away from her face.
‘Thanks,’ he replies.
He can’t be much more than fifty, but he still moves ponderously, like an old man in his old home.
‘You took a taxi here?’ he asks, and swallows hard.
‘Yes,’ she replies.
They fall silent again. The clock in the next room strikes twice with a brittle clang.
Some saffron-coloured pollen falls silently from a lily in a vase.
Sofia realised at an early age that she found sexually charged situations exciting. She enjoyed being appreciated, the sense of being chosen.
‘Have we met before?’ she asks.
‘I wouldn’t have forgotten something like that,’ he replies.
The man’s grey-blond hair is thin, combed back over his head. His slack face is shiny, and his brow is deeply furrowed.
‘Do you collect art?’ she asks, nodding towards the wall.
‘I’m interested in art,’ he says.
His pale eyes look at her through horn-rimmed glasses. She turns away and slides the pepper spray into her bag, then walks over to a large painting in a gilded frame.
He follows her and stands slightly too close, breathing through his nose. Sofia startles when he raises his right hand to point.
‘Nineteenth century … Carl Gustaf Hellqvist,’ he lectures. ‘He died young. He had a troubled life, full of pain. He got electric shock therapy, but he was a wonderful artist.’
‘Fascinating,’ she replies quietly.
‘I think so,’ the man says, then walks towards the dining room.
Sofia follows him even though she feels like she is being lured into a trap. It’s as if the way out is closing behind her with sluggish slowness, cutting off her escape route little by little.
The huge room is furnished with upholstered chairs and highly polished cupboards. There are rows of leaded windows looking out across the water.
She sees two glasses of red wine on the edge of the oval dining table.
‘Can I offer you a glass of wine?’ he asks, turning back towards her.
‘I’d prefer white, if you have any,’ she replies, worried that he might try to drug her.
‘Champagne?’ he says, without taking his eyes off her.
‘That would be lovely,’ she replies.
‘Then we shall have champagne,’ he declares.
When you visit the home of a complete stranger every room could be a trap, every object a weapon.
Sofia prefers hotels, because at least there’s a chance that someone would hear her if she had to call for help.
She’s following him towards the kitchen when she hears a peculiar, high-pitched sound. She can’t figure out where it’s coming from. The man doesn’t seem to have noticed it, but she stops, and turns to look at the dark windows. She’s about to say something when there’s a very distinct sound, like an ice-cube cracking in a glass.
‘Are you sure there’s no one else here?’ she asks.
She could slip her shoes off and run towards the front door if anything happened. She’s more agile than him, and if she were to run, leaving her coat hanging where it is, she’d be able to get out.
She stands in the kitchen door as he takes a bottle of Bollinger from a wine fridge. He opens it and fills two slender glasses, waits for the bubbles to settle and then tops them up before walking over to her.
Sofia sips the champagne. She lets the taste spread through her mouth, hears the bubbles burst in the glass. Something makes her look over towards the windows again. A deer, maybe, she thinks. It’s dark outside. In the reflection she can see the sharp outline of the kitchen and the man’s back.
The man raises his glass again and drinks. His hand is shaking ever so slightly as he gestures towards her.
‘Unbutton your dress a little,’ he says weakly.
Sofia empties her glass, sees the mark of her lipstick on the rim, and puts it down on the table before gently teasing the top button open.
‘You’re wearing a bra,’ he says.
‘Yes,’ she replies, and undoes the second button.
‘What size?’
‘Sixty C.’
The man stays where he is and watches her with a smile, and Sofia feels her armpits prickle as she starts to sweat.
‘What panties are you wearing?’
‘Pale blue, silk.’
‘Can I see?’
She hesitates, and he notices.
‘Sorry,’ he says quickly. ‘Am I being too direct? Is that it?’
‘We should probably handle payment first,’ she says, trying to sound simultaneously firm and casual.
‘I understand,’ he says tersely.
‘It’s best to get it out of the—’
‘You’ll get your money,’ he interrupts with a hint of irritation in his voice.
When she sees her regulars things are usually very straightforward – pleasant, even – but new clients always make her nervous. She worries about things she’s experienced in the past, like the father
