years and am amazed that I’ve managed to hold on to my fan art collection for all that time. For a while, my files were stored in Chris’s basement studio down in Tribeca where they managed to survive a major flood of the Hudson River, followed by the destruction of the Twin Towers, which were only two blocks away. Now that I’ve written a memoir starting with my childhood, progressing through the years of Blondie almost to the present, I’m even more amazed.
I know some of the artwork is MIA and I’m hoping that more of it will emerge as I go through rediscovered boxes and files and whatever. My methods of preservation were at times pretty much catch-as-catch-can, so things turn up in unexpected places, like a series of surprise parties—which are always good for a little laugh. For many years I didn’t travel with a road or wardrobe case, which in later years has been the most useful way to keep these artifacts intact and safe. Sometimes I even wondered why I was doing what I was doing except that I just did it. Now the fan art collection is giving an added meaning to the title of my book, Face It . . .
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