Where’s My Guitar?. Bernie Marsden

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through gigging with UFO, and I was immediately impressed with Michael’s playing. I thought he was everything UFO could do with. I told Phil to check him out. He, of course, refused. Back in England, band relations worsened and I soon realised I wasn’t happy at all. My dream of turning pro wasn’t quite living up to my high expectations. I hadn’t imagined I would be considering quitting my first pro gig, but I was dreading my shows.

      I called Wilf and told him I couldn’t face another tour in Europe. I don’t think he knew how serious I was. The guys left the UK and I didn’t follow. For years the official story was that I missed the ferry because I lost my passport, which was utter rubbish. I didn’t want to go and it was the only time in my entire career that I have missed gigs. Michael Schenker took over on guitar while Wilf and Chelsea persuaded me, rightly, to finish off the tour. I eventually arrived to find I was not the most popular person in the dressing room. I was petulant, unprofessional and ego-ridden, but I had been the odd one out for too long.

      Those final gigs were filled with tension, which only eased towards the very end. We made a deal – an extremely strange deal. We just didn’t like each other and so I denied ever having been in UFO and they denied that I had been in UFO with them, despite the fact thousands of fans had seen me playing with them on stage between November 1972 and July the following year. This crazy ‘secret’ lasted until the Whitesnake days.

      I knew that Michael would be approached to have the gig on a permanent basis, which was exactly what I had suggested without any response a few weeks before. In no time Michael became a bona-fide guitar hero, and that still makes me proud. The moment I saw him, I knew he was bloody good and he only got better and better over time.

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