ection>
“Hello, Amber,” he said, with dark, steely mockery in his tone.
“What are you doing here?” she gasped, her heart contracting into a shrivelled ball. “How did you find me?”
His expression changed slightly, as if she’d just satisfied him in some way. “We must talk.”
He took her arm but she shook off his hand. “I don’t need to talk to you,” she said, trying to sidestep him, but this time he caught her arm in an unshakeable grip, trying to walk her along with him.
“Come—we cannot discuss anything here.”
“I’m not going anywhere with you. Let go of me or I’ll scream.” She opened her mouth and he dropped his hand from her arm, looking grimly amused.
“And I will tell people you are attempting to deprive me of my legal rights by fraud and deception. I wish to talk about your sister.”
Her sister? Of course. He’d called her by her own name, which she’d automatically reacted to. Not Azure’s. How much did he know? “How did you find out where I work?”
“I hired an investigator,” he said calmly.
“You…?” For a second she was stunned as well as angry. The idea of a stranger prying into her life gave her the creeps. “How dare you?”
“How else could I discover the truth? You lied to me.”
Daphne Clair lives in subtropical New Zealand, with her Dutch-born husband. They have five children. At eight years old she embarked on her first novel, about taming a tiger. This epic never reached a publisher, but metamorphosed male tigers still prowl the pages of her romances, of which she has written over thirty for Harlequin Mills & Boon®, and over sixty all told. Her other writing includes non-fiction, poetry and short stories, and she has won literary prizes in New Zealand and America.
Readers are invited to visit Daphne Clair’s website at www.daphneclair.com
SALZANO’S
CAPTIVE BRIDE
BY
DAPHNE CLAIR
MILLS & BOON
Before you start reading, why not sign up?
Thank you for downloading this Mills & Boon book. If you want to hear about exclusive discounts, special offers and competitions, sign up to our email newsletter today!
Or simply visit
Mills & Boon emails are completely free to receive and you can unsubscribe at any time via the link in any email we send you.
CHAPTER ONE
AMBER Odell had just washed up after her solitary evening meal when the doorbell sounded a long, imperative ring.
She closed a cupboard door with a click of the old-fashioned catch, hastily hung the tea towel on its rail and hurried along the short hallway.
The rimu floorboards beneath the faded carpet runner creaked under her bare feet. The old building in a once-fashionable Auckland suburb had endured a chequered career from grand home to orphanage to boarding house until, towards the end of the twentieth century, some crude renovations had converted it into flats. Amber was lucky to have leased one on the ground floor at a reasonable price, in return for some badly needed redecorating.
She switched on the porch light and hesitated at the sight of a large, dark shape behind the blue-and-red stained glass panes on the top part of the door. After a second or two the shape moved and raised a hand to rap on the wooden panel between the panes.
Cautiously she opened the door, braced to slam it shut again.
The porch light shone down on glossy waves of night-black hair combed back from an arresting olive-toned face with high cheekbones and a commanding nose. The forbidding features and uncompromising, beard-shadowed jaw were at odds with a sensuous male mouth, even though at the moment it was stubbornly set and unsmiling.
Vaguely she was conscious of broad shoulders, a pristine white T-shirt moulded over a toned chest, and long powerful legs encased in olive-green trousers. Casual clothes that somehow managed to convey a sense of style and expense.
But most of her attention was riveted by a nearly coal-dark gaze, burning with what looked like anger.
Which didn’t make sense. She’d never laid eyes on the man in her life.
Not that he wasn’t worth laying eyes on. She was perturbed by a stirring of unbidden female response to the potent aura of masculinity that invisibly cloaked him.
Pushing back a strand of fine, fair hair that flowed over shoulders bared by her brief tube top, she opened her mouth to ask what he wanted.
Before she could say anything, a comprehensive, searing gaze traversed downward over the wide strip of ribbed cotton hugging her breasts, and lingered on the pale flesh between the top and her blue shorts before quickly taking in the length of her legs and then returning to her face.
Amber went hot all over with anger of her own—and shock at the way her pulse points had leapt to life under the bold inspection. Lifting her chin—as she needed to anyway to look the man in the eye—she was about to ask again what he wanted when he forestalled her with the abrupt query “Where is he?” issued in a low, grating voice.
She blinked, startled. “I think you’ve—” Made a mistake, she’d been going to say, but she was cut off.
“I said, Where is he?” the man rasped. “Where is my son?”
“Well, certainly not here!” Amber told him. Maybe he was looking for one of the other tenants. “You’ve got the wrong place. Sorry.”
She began to close the door, but the man reached out and with apparent ease pushed it back again and stepped into the hallway.
Amber instinctively retreated, then realised that was the worst thing to do as the intimidating stranger kicked the door shut behind him, and when she turned to flee along the passageway—not that it would do her much good—a hard hand clamped about her arm and swung her to face him.
She opened her mouth to scream, hoping the two students next door or the journalist in the flat directly above hers would hear and investigate.
All
