The Making of Poetry. Adam Nicolson

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The Making of Poetry - Adam  Nicolson

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fact is – I do not care two-pence for the Hare; but I value most highly the excellencies of scent, patience, discrimination, free Activity; and find a Hare in every Nettle I make myself acquainted with.

      He comes like a comet to their door

      It is rather a busy road now, with cars coming fast around blind corners, but Coleridge’s gate is still there, if almost never used nowadays, sagging on its hinges and half-buried in the strands of a hawthorn hedge. Through its straggling opening, one can look down at the house the Wordsworths were living in. There is no access for modern pilgrims, but this is what I imagine: Coleridge bursting down the slope where the corncrakes had been croaking, as they had been all summer, across the green corn that the farmer Joseph Gill had yet to cut or get the men to cut for him. Each blue-green spear standing in that field blazingly alive. The poet’s long leaping footsteps, looping up and over and into the corn, his legs swathed in it and breaking through it, with his bag on his hip swinging up and out at each extended pace, leaving a dragged wake of stems behind him, breaking what had been the perfection of that field, so that afterwards, that evening, looking up at the way by which he had arrived, his mark was there on the country like the tail of a comet or the track of a meteor or the blunderings of a dog in the corn.

      Furnishings were not lacking: mahogany chairs and table, a tea chest and a reading stand, two bookcases filled with the classics and works of history and theology. There was a leather sofa, a pier glass in a gilded frame, a pianoforte, two blue and white Delft flower stands, a well-furnished hearth and a dinner service in Queen’s Ware. Linen sheets were provided, and Betty Daly, at one and a half guineas a year, plus two shillings a week when the gentlemen were in residence, could come in to air and clean the house and do the laundry. Peggy Marsh worked as her maid. Wineglasses, tumblers and decanters could be provided, but these were all to be returned to Joseph Gill, the manager of house, farm and adjoining brickyard, when not required. A picture of Leda, naked with swan, in a gilt frame, belonging to the owners of the house, the Pinneys of Bristol, slave-owning plantation landlords and sugar-traders, was not required by the Wordsworths, and had been packed up and sent away.

      It seems in retrospect the most unlikely situation for a man on the lip of revolution, but beneath the surface there is a more complex set of social and emotional conditions in play.

      The Wordsworths in their gentleman’s house have to borrow money from Joseph Gill, the farmer (himself a cousin of the Pinneys, but drunk and disintegrated after a life in the Caribbean), and are given coal during the winter by other neighbours. There is meant to be a gardener, but he is ‘saucy’ and won’t do what either Wordsworth or Gill asks him, so Wordsworth does some of the gardening himself, uprooting hedges, planting potatoes and picking beans. He is, rather to his sister’s surprise, ‘dextrous with a spade’. She hires a boy to mow the lawns. Like the rural poor around them, they eat only vegetables and broth, and drink tea.

      ‘I have lately been living upon air and the essence of carrots cabbages turnips and other esculent vegetables, not excluding parsley the product of my garden,’ Wordsworth writes to a friend. They buy the worst of the meat at sixpence a pound from a butcher who comes with his cart from Crewkerne, and must depend for their clothes on the cast-offs from Richard in London. At times the whole household falls ill with coughs and colds. They walk everywhere, and the house has a ‘perambulator’, a measuring wheel which can clock off the distances along the road, although, as Wordsworth notes carefully in the inventory, its handle was already broken on their arrival. When the young Pinneys come from time to time, a moneyed interlude intervenes, during which Wordsworth goes shooting and hare-coursing with them and there is wine and meat and gravy, but when the Pinneys go back to Bristol, the austerity returns. Wordsworth must ask Gill to borrow household equipment, one tumbler or four sheets of paper at a time, and Gill carefully records each request in his diary.

      In 1787 Wordsworth was sent to Cambridge, and encouraged by those relations to think of a career in the Church. But at Cambridge, while ferociously aware of his own great gifts, he had refused to engage with the route required by a conventional career, and had been ‘an idler among academic bowers’. The great emotional and intellectual experience of his time as an undergraduate was not at Cambridge itself, but on a heroic three-thousand-mile walk in the summer and autumn of 1790 through France in the first glow of its revolutionary fever, to Switzerland and the epic landscapes of the Alps. France then was ‘standing on the top of golden hours/And human nature seeming born again’.

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