trees seem even darker, so that he was invisible to their unpractised eyes. It allowed him to get closer, until he was near enough to hear the Virgins sighing and singing in the wind, near enough to catch the faint fragments of the Fiddler’s tune, its notes tangling in the tops of the birches and dropping to the ground with the leaves as they died. There was no dance tonight, only a dirge. There was no hope in the music that he heard, no whispers of encouragement from the stones.
And he knew it wouldn’t happen for him now. He had thought his own world could be changed, that his life could be stripped and made afresh, the evidence of his past tucked away, the stains hidden from sight. But he had seen her face. And now it was too late.
Ben Cooper rubbed a hand across his eyes. There were too many bodies pressed close around him in the darkness. He could feel their heat, smell their sweat and their cotton shirts, hear their breathing and the scraping of their boots. But all he could see was a bright square and a few vague shapes, the outline of a head or shoulder here and there on the edge of the light.
Just before they vanished, the Virgins had seemed to move. They had shuffled right and left, faded in and out of focus, come closer and backed away, as if they had been caught for a moment in a celebratory dance. Then they had disappeared with a click and the whirr of a motor, flicking out of sight in a white glare, with tendrils of smoke left drifting in the beam.
Cooper shifted uneasily, frustrated by the inactivity. It was early in the morning, but his mind was already alert. In fact, his imagination was streaming ahead of the facts, and vivid images were flipping through his brain. Yesterday, he had stood on Ringham Moor himself. He had felt the bite of the wind up there, and listened to it hissing through the dying heather as the birch leaves crackled under his feet. And he had seen where all this started – with the stones.
One indistinct shape stood out from the others in the darkness. From the corner of his eye, a subtle change in the pattern of the shadows suggested a face had turned towards him for a second. Cooper felt the brief glance like a draught of air entering the room and stroking its fingers across his face. Suddenly, he felt self-conscious and conspicuous, afraid to move a muscle for fear of drawing attention to himself. He knew it was not in his interest to attract her attention. He wouldn’t know what on earth to say to her if he did.
A voice came out of the darkness. ‘Forty feet across, on a shallow, sandy floor. Drag marks nearly twenty feet into the centre. No signs of a struggle. However …’
The next slide appeared on the screen, bizarre and meaningless until the projector pulled it into focus. To Cooper, it looked as if an aerial shot had been taken from high above the earth, where the hull of an ancient boat lay half-buried in a desert. There was a ragged elliptical shape, dark red and scattered with black flecks. It was set in a strange, grainy yellow landscape like deep sand that blurred the edges of the shape and rolled away towards distant orange hills that cast no shadows.
He might have been looking at some kind of Noah’s Ark, stranded on a remote mountainside in Syria, the subject of endless arguments about its reality. The jagged black marks in the centre could have been the remains of a petrified wheelhouse, crumbled masts and decking, or rigging long since turned to dust. But there was no natural sunlight in this desert, only artificial colours.
Then a shadow moved in front of the screen, and a weary face was caught by the light of the projector.
‘You can all see what this is. It needs no explanation from me. Death would have occurred within minutes.’
Cooper had to shake himself out of his daydream. The police officers around him became solid shapes again, reverting to the familiar faces of a Derbyshire CID team. On the screen, they were being shown an enhanced postmortem image, a photograph taken on the mortuary slab. The red ellipse was the entry wound made by a sharp, single-bladed knife an inch below the bottom rib. A fatal stab wound to the heart. Those pale orange hills were human flesh – the slope of a woman’s abdomen and the lower edge of her ribcage. The grains of sand were her pores and skin cells, enlarged beyond recognition, distorted by lighting that drained all remnants of humanity from the corpse.
This yellow desert was the body of Jenny Weston. And no one was arguing the reality of her death. It was much too late for that.
‘And we found so many damn camp fires you’d think there had been a boy scout jamboree up there,’ said DCI Tailby, as the slide changed to a view of Ringham Moor. Cooper saw few smiles, and heard no laughter. It was too early in the morning, the subject was too lacking in the potential for a quick joke. The DCI tried again. ‘But the SOCOs tell us these were no boy scouts. Not unless they give badges for sex, drugs and animal sacrifice in the scouts these days.’
The briefing had been called early, while it was still dark. Many of the officers looked tired and bleary-eyed. They had gone to bed late last night and hadn’t got enough sleep. But they would wake up as the day went on, as the caffeine kicked in and they were forced to concentrate on their tasks.
The incident room at Edendale Divisional Headquarters was only half full. Ben Cooper had been expecting there would be hardly anywhere left to sit by the time he arrived, but he was surprised by the sparse attendance. Then he discovered that teams were already out at the scene, up on the moor waiting for first light to continue the careful sweep for delicate forensic traces that would vanish or be utterly contaminated at the first sign of heavy rain or the first set of feet to trample over the site.
Alongside Tailby sat the Divisional Commander, Colin Jepson. They had to call him Chief Superintendent Jepson now. Although the rank was supposed to have been abolished in the 1980s, Derbyshire Constabulary had restored the title for its divisional commanders, though without the salary level that went with it.
No detective superintendent had arrived yet, though Edendale was still without its own CID chief. For the time being, Tailby was being allowed to make the running. Cooper thought the DCI looked a little greyer at the temples than the day before, a little more stooped at the shoulders.
The slide show they had begun with was depressing enough. The photographer had captured a chill bleakness in his establishing shots of the moor, and an impressionistic arrangement of angles and perspective in his close-ups of the Virgins. The slides of the victim had silenced the room, except for an increased shuffling of boots on the floor. They showed in brutal clarity the curious position of the woman’s limbs, the absence of clothing on the lower half of her body, the red stain on her T-shirt. After the unsettling realism, the autopsy shots had concluded on a note of fantasy. As usual, they seemed divorced from the actual death, too clinical, and reeking too much of antiseptic to be human.
The most interesting result from the postmortem was that there had been no sign of sexual assault on Jenny Weston. So why had some of the victim’s clothes been removed? There were two main possibilities – either her killer had been interrupted, or the intention had been to mislead the police.
Now, with the lights on again, Tailby was forced to admit that all they knew so far about the circumstances of Jenny Weston’s death was the situation they had found on Ringham Moor, and a bewildering array of items recovered by the SOCOs.
‘These camp fires – are they recent, sir?’ asked someone.
‘Some are clearly quite old,’ said Tailby. ‘A couple of months anyway, dating from the summer, when there is most activity up there. But others are more recent, with ash still present – we would expect it to be washed away into the ground after a few spells of rainfall. But the Peak Park Rangers for that
