thrown over her shoulders and a man on each side, one waving a bottle of champagne. She was wearing a silver sequinned dress that had sunk further down her cleavage as the night had gone on and by the time the photographer – who must have made a fortune from that one picture – had snapped her, the neckline was millimetres away from her left nipple.
The small, heart-shaped face that numerous photographers had described as ‘exquisite’ was creased up into a huge tipsy smile and her almond-shaped eyes, the kohl smudged, glittered with the excitement of being the ‘it’ actress of the day. All in all, the photo was like a dictionary illustration of the word hedonism.
The story and that iconic picture meant Megan had entered the terrible world of the media’s ‘most hated woman on the planet’. Suddenly, people she’d never met talked about her over their skinny lattes and their newspapers, condemning her as a husband-stealer. Opinion articles were written on whether women like her put the cause of feminism back thirty years.
Megan had grown used to being loved, to having designers sending her handbags, to having magazines print admiring articles under photos of her gracing the latest premiere.
And now this. Megan the Mantrapper.
She’d fallen from grace faster than any archangel and the result was cold, hard hatred. Where once she’d been loved, now she was loathed. It was incredibly painful. Almost as painful as having her heart broken.
‘Would you like dinner? A drink?’ said the steward. Somebody else’s husband? were the unspoken words Megan heard.
‘No thank you,’ she said with all the dignity she could muster. She’d have liked a bottle of water but couldn’t face the actual transaction, having to look at the cabin crew and see what was written on their faces: pity, contempt, abject fascination. Instead, she turned to look out the window as if there was something to be seen out there instead of cloudy darkness.
Her sister Pippa had told her that escaping to Ireland was a good plan, and she trusted Pippa with her life. Once upon a time, Pippa might have run away with her but now her running-away days were over: she was the mother of two small children, with a real life in Wales and a husband. Megan would have gone to stay with them, but the press had already been sniffing around their home, making a nuisance of themselves. Besides, it wasn’t Pippa’s job to protect her little sister any more. That hurt too.
‘Megan, love, you’ve got to get out of London,’ Pippa had urged her. Megan’s agent had been saying the same thing, but with much less kindness.
Carole Baird was not one of the ‘tell them they’re fabulous, no matter what’ agents. Her motto was ‘tell them like it is – with knobs on’. Megan’s behaviour might lose her film roles and impact on her career – and therefore, on Carole’s bottom line. Twenty per cent of nothing was nothing. Carole’s concern wasn’t moral, it was financial.
‘You should go to Aunt Nora’s – Kim!’ Pippa shouted. ‘Put that down! Sorry, Megan, she’s at the dishwasher again. We just made a cake and she wants to lick the bowl and spoon again. No, Kim. Dirty, no!’
Aunt Nora’s home in Dublin was where the sisters had spent the normal part of their childhood years. As different from their mother as chalk was from cheese, Aunt Nora had toned down all Marguerite’s wilder suggestions when the girls were growing up. Aunt Nora said that the French school on the Caribbean island where Marguerite was living at the time probably wasn’t the best place for two kids who didn’t have much education behind them, and couldn’t speak French. Aunt Nora enrolled them in the Sacred Heart Convent just off Golden Square and took care of them until Marguerite’s latest love affair had gone sour and she went back to London.
Aunt Nora had always been there. Solid, dependable, as unstarry a person as you could find.
Which was why Megan didn’t want to have to talk to her about what had happened. Her mother hadn’t judged Megan because she didn’t know what judgement was. Marguerite had made too many disastrous romantic choices in her life to comment on anyone else’s, but Nora – a single woman who went to weekly Mass – might.
‘What about Australia?’ Megan had wondered when she’d spoken to Carole. It seemed far enough away to hide from the photographers who had been camped outside her flat in London for the past ten days.
‘You need family,’ her agent said sagely.
I’d be out of your control in Australia, Megan thought grimly.
‘Who knows what you’d get up to in Australia,’ Carole said, on cue. ‘Too many gorgeous men.’
Megan had to laugh, although it was one of those painful laughs. ‘You don’t trust me,’ she said.
‘Why should I?’ said Carole. ‘You’re screwing up your career and mine too. Let’s put all the cards on the table, Megan. It’s not doing the agency any good being linked to someone who’s wrecking her career so successfully. People are wondering why I didn’t stop it. As if I damn well knew about it. You’re not a pop star. People practically expect that from music industry stars, but it’s not good if you’re trying to make a name for yourself as a serious actress. Nobody’s going to cast an actress who’s just broken up what’s been held up as one of the rare long-lasting Hollywood marriages. Producers and directors want a reasonably blank canvas or at least someone who can play innocent – what they don’t want is a PR nightmare. All moviegoers will see now on the screen is Megan the homewrecker. This stunt has thrown away years of hard work. I’m not sure what you can do to ride out the storm, but you need to keep your head down for at least six months. And I mean down. No partying, no going to fashion shows and getting papped having fun. You need to look sorry.’
‘I am sorry,’ Megan said bitterly.
‘Nobody wants to hear empty words, Megan,’ Carole said. ‘Only an idiot would say they weren’t sorry. Sorry isn’t the issue. People want your head on a platter. That’s the downside of fame. The public get to give it and they get to take it away.’
Megan stilled. For a few moments, she’d considered telling Carole what she really felt. That she’d loved Rob Hartnell. That she’d never have gone with him otherwise. Now she was glad she hadn’t.
Carole had a very simple view of the whole episode: Megan had had a badly judged fling with a happily married movie star. They’d been caught and instead of the movie star standing by Megan’s side, he’d run away. Three lives were wrecked, the sympathy was with Katharine, and Megan was portrayed as a femme fatale who’d chiselled Rob away from his wife.
Rob, very sensibly, had not hung about for the fall-out. He had simply disappeared, the way only the very famous or the very rich can disappear. Since that day in Prague – was it only just before Christmas? – when a photographer had caught Rob and Megan cuddling up in a tiny bar near their hotel, Rob Hartnell hadn’t been seen. Megan was left to face the storm alone. ‘I’m devastated, too,’ she wanted to cry. But it was no use. No one, not even her agent, cared what she felt.
‘The whole thing is career suicide,’ Carole said, almost to herself. ‘What were you thinking?’
Megan felt the rawness inside her and was glad she’d kept her feelings to herself. Thinking had had nothing do to with it, but it was better that Carole didn’t know that. She would rather no one knew it. Public hatred might be painful, but it was marginally better than pity.
‘Time is the only healer now, at least in the media,’ Carole went on.
